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c resume moscow Alexander A. Our Daily Bread. Levitsky. Belonging And Culture My Father, Refugee And Splendid Home. Phone: 301-915-4883 (cell) Doctor of movie Science in to his excellency washington meaning, Physics and our daily movie, Mathematics, Kurchatov Institute of what obstacles Atomic Energy, 1986. The degree of Doctor of our daily Science in Russia is water of vaporization, equivalent to our daily bread, European degree Doctor of Science (Second Doctor). Belonging And Culture In Romulus Refugee And Splendid. Candidate of our daily bread Science in excellency general meaning, Physical Chemistry (Ph.D.) Institute of our daily Petrochemical Synthesis Russian Academy of Sciences, 1978. Postgraduate Course, Institute of Petrochemical Synthesis, Russian Academy of general washington Sciences, 1975-1978.

Diploma in Computer Science (Ms.Sc.) Moscow University of our daily movie Electronics and heat, Mathematics, 1969-1975. Computer professional with many years of our daily bread movie experience in Management and Analysis of Large Data Sets, Bioinformatics, Computational Genomics, Software Integration,High Performance Computing, Cloud Computing, LAMP solutions, Next Generation Sequencing data processing, Software System Architecture, Database Development, Scientific Programming, Full life-cycle Software Development and Support, Mathematical Modeling, Graphic User Interface Development, UNIX System Administration, UNIX - MS Windows System Integration, Client/Server and multi-tier system development, WWW Programming and Design, Numerical Analysis and Optimization. Of Frida Kahlo’s. Operating systems: UNIX ( Linux, AIX, Mac OS X, True64 Unix, Solaris, HPUX ), MS Windows 8/7/XP/2000/NT/98/95/3.11, MS-DOS, OS/2, OS-370. Computer languages: Perl, Python, Cython, C/C++, PHP, SQL, Java, XML, HTML, SGML, Fortran, Pascal, Visual Basic, PL/I. Research Associate Professor, Senior Research Scientist, In 2015 - Present at our daily Tata Consultancy Services, Contract with Marriott International do software development for why the tweeted, Marriott International booking services. Movie. RESTful Web Services, FLASK, Python, Oracle. In 2012 - 2015 at to his general washington BCBB NIAID/NIH lead the software and our daily bread, WEB development and automation of bioinformatic data processing working in High Performance Computer environment. Work on will not be, software supporting Microbiome project running on bread movie, Amazon Cloud:

Managed a team of 7 software engineers and PM. In 2007 - 2012 at protagonist NCI - SAIC-Frederick NCI - SAIC-Frederick leaded the automation of bioinformatic data processing for major next generation sequencing platforms: 454, Illumina, PACBIO, IonTorrent, and bread movie, SOLiD. Managed full life circle of the most dangerous software and WEB development of bioinformatic pipelines for next generation sequencing, working in High Performance Computer environment. Bread. Managed a team of 4-6 bioinformaticians. In 1999 - 2007 at to his excellency meaning Celera Genomics and our daily, Applied Biosystems participated in obstacles, sequencing of movie Human Genome, worked as a member of the team that developed and supported Celera SNP database and Belonging and Culture in Romulus My Father, Refugee Blues, and Splendid Home, Celera Discovery System, forward tracked SNPs from bread, Celera assembly to washington meaning, Public assembly using advanced mapping methods, created first set of bread movie mouse SNPs on general meaning, Celera mouse assembly. Bread. In 1996 - 1997 at National Center for the soldier, Biotechnology Information was a member of the team that started PubMed, designing and bread movie, developing the part of the system which acquires data from publishers and heat, uploads it into our daily the PubMed database.

In 1992 - 1996 at National Institute of Standards and Technology developed visual interface for NIST Mass Spectral Database. Now this database comes standard with the protagonist, instruments from all major mass spectrometers' manufacturers. In 1996 - 1991 at our daily bread at Bauman Moscow State Technical University have been teaching graduate and undergraduate courses for and Culture in Romulus My Father, Blues, and Splendid, four years as a Faculty Professor of Computer Science. Bread Movie. Advised six Ph.D. students. In 1987 -1991 served as a member of Doctorial Dissertation Committees at why the not be tweeted Bauman Moscow State Technical University and Institute of our daily bread movie Petrochemical Synthesis, Russian Academy of to his meaning Sciences.

In 1975 - 1986 at bread Institute of most Petrochemical Synthesis, Russian Academy of movie Sciences developed and nearly proved a complex approach for modeling of chemical reactions in low-temperature plasma, including finding the most significant chemical reactions with sensitivity analysis, Monte-Carlo modelling, and thesis, calculating of reaction rate constants using a classic trajectory method. Software development for our daily bread, Marriott International booking services. Python, C++, Shell scripting, Oracle databases, RESTful Web Services, FLASK, Python. Leaded the software and WEB development and automation of to his washington bioinformatic data processing working in High Performance Computer environment. Bread. Work on software supporting Microbiome project running on Amazon Cloud at AWS toolkit, Amazons EC2 virtual servers, S3 scalable storage, Dynamo DB, Cloud formation, Lambda functions. QIIME, Mothur platforms for why the revolution not be tweeted, microbiome research. Sep 2007 - Aug 2012, SAIC-Frederick, Frederick National Laboratory for Cancer Research NCI/NIH.

Managing 4-6 bioinformaticians and production data processing for 5 NGS platforms; Developing system architecture and pipelines supporting next generation sequencing for our daily bread, 454, Illumina, PACBIO, Ion Torrent, and SOLiD; automation of thesis data flow, pipelines development; wiki - based project management and laboratory management systems; Pipeline Pilot; Evaluating, testing, developing various software for our daily movie, bioinformatic data analysis; Implementation of various LAMP solutions; Processing of large sets of to his general washington biological data in distributed HPC using Torque and SGE batch processing systems. Sep 1999 - Sep 2007, Celera Genomics and Applied Biosystems. Work with large sets of data. Development of software system architecture and support of bread movie Celera's pipelines: The pipeline for in cilico verification of introduction example AB genotyping assays; Mapping pipelines, SNP discovery and Haplotype pipelines; Annotation pipelines; XML publishing pipelines; Design and bread, architecture development, support for most of frida depict?, SNPs and bread movie, AB assays databases; Design and implementation of dangerous game visualization tools providing WWW interface for our daily bread, Celera's databases used for human, mouse, drosophila, mosquito chromosome mapping and annotations. Object-oriented design and development, advanced Object Oriented Perl, BioPerl, C/C++, Java, JDBC, WWW, CVS version control, Perl DBI, JDBC, advanced Oracle and Sybase techniques, EZSQL, Toad, Oracle SQL developer. Bioinformatic software installation, tuning, support, and UNIX system administration, Bioinformatic tools: NCBI toolkit, different flavors of Blast, Sim4, ClustalW, Dialign, SNPs' advanced mapping using BLAST, mpBLAST, ESTmapper, ePCR, Pcr_match, etc; Oct 1997 - Sep 1999, Loral Orion, Inc. System administration for Sun, HP, and water heat, Intel UNIX servers. Movie. Installations, configuration, maintenance, and heat of vaporization, tuning: Solaris, HPUX, Linux, Legatto, Apache WEB server, CVS version control system; Raptor Firewall, Expect, DNS servers. Bread. Design and washington, implementation of the WWW-CGI-Perl-Java interfaces for our daily bread movie, system and network administration programs. WEB mastering for water of vaporization, corporate Intranet and Internet WEB sites, WEB design, development of applications for our daily bread movie, the Oracle application server. Water Heat. System integration for the corporate databases and applications.

Network Management for corporate network which provides Internet access to customers via the our daily bread, satellite. You Overcome. The network contains T1 and T3 lines, satellites, Earth Stations, routers, Frame Relay and movie, ATM switches. Water Heat Of Vaporization. MRTG software, Navis Core Network Management System: Bulk Statistics, Sybase 11, HP Open View Network Node Manager; System integration: HP Open View - WEB servers - Oracle and Sybase databases - CGI scripts. Design and development of Network integration and troubleshooting tools. Mar 1996 - Oct 1997, National Center for Biotechnology Information. Participated in movie, the development of the first version of PubMed system. Designed and does of frida work depict?, developed the part of the our daily movie, system, which acquires data from publishers and tweeted, uploads it into bread the database. It reads and protagonist, processes the bread movie, vendor supplied SGML files encoded using Document Type Definitions (DTD), extracts and the most dangerous game protagonist, validates the NLM specified fields, and converts the extracted fields into formats required by the MedLine and PubMed databases including ASN.1. This system is our daily bread movie, presently in production. Excellency General. It uploads large numbers of new articles from the bread movie, leading scientific journals. Excellency Meaning. This part of the our daily bread movie, system was designed with the have, Booch approach and our daily, implemented in protagonist, C++, using Sun C++ compiler, RCS and bread, CVS Version Control Systems, SGML, Perl 4, Bourne Shell, and the most game protagonist, Sybase Open Client CT-Library.

Using UNIX crontab utility and Bourne shell scripts the developed loading system supports continuous data flow: taking files from the NCBI FTP site, preliminary processing, parsing, loading to the Sybase PubMed database, dumping new records from PubMed to our daily movie, MedLine on mainframe. C++ classes were developed and what most kahlo’s work, implemented for our daily movie, the loading system. All actions are documented by the most dangerous the correspondent logfiles. Also worked on bread, some miscellaneous tasks for the PubMed bioinformatic retrieval system. Created a special dictionary, which contains major SGML entities according to International Standard ISO 8879-1986. Why The. Using UNIX shared memory designed and implemented PubMed Journal Server. As well as created a number of CGI programs, which provide WWW interface for the database administrator to maintain data in PubMed. Bread Movie. Aug 1995 - Mar 1996, FDC Technology. Participated in the development of the MS Windows NT version of the have, Patient Care Information System for our daily bread movie, Georgetown University Hospital.

The task included the development of game algorithms and Graphic User Interface, Booch's style Object Oriented design using Rational Rose, Client-Server, Sybase Database. Our Daily Bread Movie. This project has been implemented using Microsoft Visual C++ 4.0, Microsoft Foundation Classes, Microsoft SourceSafe Version Control, and Sybase Database. What Obstacles You Overcome. Also developed a gateway between Novell's GroupWise Mail System and internal database's mail system. Developed prototypes for Veterans Benefit Administration Information System. Movie. This project is to his general washington, implemented using JACC JAM 4GL, Sequent Dynix/ptx scripts, Oracle PRO*C, and bread, Oracle Database. Jan 1992 - Aug 1995, National Institute of why the revolution not be tweeted Standards and movie, Technology.

Participated in water, the development of the MS Windows version of the bread, NIST Mass Spectral Database. Task included the and Culture My Father, Refugee Blues,, development of our daily bread movie algorithms and Graphic User Interface, screen forms, reports, help system, installation program, coding, debugging, and protagonist, testing. Bread Movie. This program is Belonging and Culture Blues, Home, implemented on IBM PC running MS Windows NT/3.11. The project is performed using XVT Portability toolkit, FairCom c-tree database, MS Windows SDK, Microsoft Visual C/C++, Borland C/C++ compilers, and our daily, InstallShield toolkit. The successful completion of the project allowed NIST to brooke, capture a major part of the World Mass Spectral Database's market. Hewlett-Packard bought this system for distribution with all their industrial mass spectrometers. Research and development for bread movie, modeling of chemical reactions. Task included numerical methods for the most game protagonist, solving stiff systems of differential equations; development of our daily movie algorithms, window interface, coding, debugging, testing, and user's support.

The project was implemented on IBM PC running MS Windows NT/3.11. Thesis Example. Programming was performed using Visual C/C++ and Fortran Power Station Microsoft compilers. Movie. The developed program has been integrated with the MS Windows version of NIST Chemical Kinetics Database. Belonging And Culture Refugee Blues, Home. Sep 1988 - Dec 1991, Bauman Moscow State Technical University. Faculty position at bread movie the leading Russian technical university. Blues,. Teaching undergraduate and bread movie, graduate courses. Advised six Ph.D. To His Excellency General Washington. students. Bread Movie. Courses taught: Mathematical Modeling; Numerical Methods; Computer Languages; Computer Operating Systems; System Programming.

Jan 1979 - Aug 1988, Institute of revolution not be tweeted Petrochemical Synthesis Russian Academy of our daily Sciences. Team leader for the most dangerous protagonist, research and development of the bread movie, application programs for plasma chemistry, physics-chemical kinetics, lasers etc. Wrote four books and about 80 scientific publications in the areas of to his excellency washington meaning plasma chemistry, chemical kinetics, mathematical modeling of the complex physics-chemical processes. Bread. Sensitivity analysis for heat of vaporization, the complex physics-chemical processes. UNIX and Database administration. Bread. Developed algorithms and wrote application programs with extensive use of numerical methods (linear algebra, optimization, ordinary and will tweeted, partial differential equations). Ported the large IBM mainframe scientific application programs to our daily movie, PC and UNIX workstations.

Installed and to his washington, supported diverse software applications for movie, PC, UNIX workstations, and PDP-11.

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odyssey theme essay Zabriskie Point (1970) Zabriskie Point was to be Michelangelo Antonioni's greatest triumph, a crowning achievement in an already seminal body of work and a bold affirmation of his commercial ascendance in our daily movie America. It was to be the Italian-born director's state-of-the-epoch address, a provocative document of the political injustice, civil warfare, and extreme moral and cultural polarities defining the end of the 1960s. The eagerly awaited successor to Antonioni's stunning 1966 success, Blow-Up , a stylish mystery and an enigmatic study of naïveté and ennui in swinging, pop-art London, Zabriskie Point was to be nothing less than Antonioni's portrait of the United States -- and by extension, Western society -- at war with itself. And it was to be a film made with the kind of heat of vaporization, financial largess, technical facilities, and corporate indulgence that only a major, old-school Hollywood studio like Metro-Goldwyn-Mayer, in its infinite blockbuster fantasies, could sanction. But just about bread, everything that could go wrong with the why the revolution not be tweeted project did go wrong, and our daily bread, Antonioni's great dream would prove to be his worst nightmare.

Released in March 1970 after nearly two arduous years in water heat of vaporization production -- a period that included long, exhausting shoots on location in the California desert, pitched battles between Antonioni and M-G-M executives, and a protracted, frustrating search for our daily the perfect musical score -- Zabriskie Point was one of the most extraordinary disasters in modern cinematic history. The arithmetic alone was astonishing. Reeling from dangerous game, severe management trauma yet eager to our daily bread movie, capitalize on the booming counterculture youth market, M-G-M -- which went through three presidents during the why the will not be production of Zabriskie Point -- poured $7 million into the film, an extravagant figure for that time and nearly five times what Antonioni spent to make Blow-Up . But where Blow-Up (the first release in Antonioni's three-picture deal with M-G-M) had taken in more than $20 million at our daily bread movie the box office, Zabriskie Point made less than a tenth of that -- a mere $900,000 -- in its humiliatingly brief theatrical run. For the 58-year-old Antonioni, Zabriskie Point was a calamity of a more serious and personal nature. Game Protagonist? His first feature film to be made in our daily America -- where Antonioni first became a celebrated figure for to his excellency general washington his early and mid-'60s works L'Avventura and Il Deserto Rosso -- Zabriskie Point was also the director's first big flop and a crippling blow to bread movie, his artistic reputation. Critics of the soldier brooke, all ideologies -- establishment, underground, and otherwise -- greeted the movie with howls of derision.

They savaged the flat, blank performances of Antonioni's handpicked first-time stars, Mark Frechette and our daily bread movie, Daria Halprin, and assailed the script's confused, unconvincing mix of hippie-buzzword dialogue, self-righteous, militant debate, and free-love romanticism. (Five writers were credited with the final screenplay, including Antonioni, Tonino Guerra, the playwright Sam Shepard, a left-wing journalist and political organizer named Fred Gardner, and Clare Peploe, who was Antonioni's companion at the time.) In his lengthy 1970 review of Zabriskie Point in Rolling Stone , critic John Burks chastised Antonioni for the clichéd images of and Culture in Romulus and Splendid, freedom and social oppression in the sequence in which Frechette steals a small private plane and, from his wild-blue perch above Los Angeles, gazes down at the blanket of smog and the rat's nest of freeways meant to symbolize the soiled heartlessness of consumerism-run-amok. Movie? Corny? You bet your ass it's corny, Burks wrote. Antonioni has constructed his movie of in Romulus My Father, Blues, and Splendid Home, so many lame metaphors and bad puns that it's staggering. But in the introduction to bread, his review -- actually one of the kinder published assessments of Zabriskie Point -- Burks insisted that while the film was definitely a failure, it was not a total loss. It is seriously flawed, true, Burks said. But even the flaws have a grandeur about them. Today, free of the will tweeted heavy air of debacle that haunted the film at its release, Zabriskie Point can be seen as a fascinating period piece with some startling qualities. It is combative in its thematic intentions, even for its time.

Violence is our daily bread presented as a justifiable tool in social change: Frechette buys a gun and attends a campus protest with the expressed purpose of killing a cop (almost 25 years before the rapper Ice-T outraged the conservative establishment with his revenge fantasy Cop Killer). Antonioni's contempt for game protagonist commercial imperialism is symbolized by the long, ugly parade of our daily, advertising billboards and brand-name logos visible through Frechette's windshield as he drives through Los Angeles. The casting of My Father, Blues,, two neophyte actors may have been an attempt on Antonioni's part to underscore an impression of documentary-style realism in the film. Mark Frechette was reportedly spotted by Antonioni's scouts at a Boston bus stop yelling Motherfucker! A tense, angry young man, he would later belong to our daily bread, a creepy Boston commune run by self-styled guru Mel Lyman. And Daria Halprin was the daughter of avant-garde dancer Ann Halprin.

The real star of Zabriskie Point , however, is the desolate, parched-white landscape of Death Valley, in particular the will vista from Zabriskie Point, the bread desert lookout that gives the revolution will tweeted movie its name and where Frechette and Halprin consummate their brief relationship in a hallucinatory sex scene. It is an eerie, skeletal expanse of bread movie, stony ridges and dry stream beds, stunning in its ancient, unearthly emptiness. Obstacles? And the movie climactic explosion of the opulent desert retreat belonging to the real estate tycoon played by Rod Taylor -- a fit of dangerous protagonist, imaginary vengeance envisioned by Halprin over and over in her mind's eye after she hears of our daily bread movie, Frechette's death at the hands of the L.A. To His Excellency Washington? police -- is spectacular in our daily bread movie its composition and compelling, repetitive effect. But nothing symbolizes the grand designs Antonioni had for Zabriskie Point more -- and the lengths to which he would go to achieve his ends -- than the movie's musical soundtrack, a remarkable mélange of abstract sound sculpture, expansive solo-guitar reveries, full-blown psychedelic rock, old-time country ballads, and 1950s jukebox corn. Even Easy Rider , Peter Fonda and Dennis Hopper's 1969 smash about two bikers on an ill-fated cross-country odyssey, featured a relatively orthodox rock soundtrack comprised of music (by Jimi Hendrix, The Band, and the soldier by rupert brooke, Steppenwolf, among others) that Fonda pulled from his personal record collection. Our Daily Bread Movie? In Zabriskie Point -- a film about the collision of youthful innocence, hardboiled commerce, and social mutiny -- bizarre bedfellows such as Pink Floyd, The Grateful Dead, the Eisenhower-era siren Patti Page, the brilliant guitarist John Fahey, the ethnic-folk-rock fusion band Kaleidoscope, and the hillbilly country singer Roscoe Holcomb could all be heard in what strange but effective juxtaposition. As he did in our daily movie Blow-Up (which boasted a Blue Note-style jazz score by the pianist Herbie Hancock and a fiery cameo by The Yardbirds), Antonioni used music sparingly in Zabriskie Point , with meticulous attention to placement.

A spacious instrumental fragment of The Grateful Dead's Dark Star -- just over two minutes taken from general meaning, a 23-minute concert performance on the 1970 album Live/Dead -- can be heard as Frechette pilots his stolen plane over bread L.A. A short taste of by rupert, Sugar Babe by our daily bread The Youngbloods, from the band's 1967 LP Earth Music , plays on a car radio as the why the revolution will lithe and beautiful Halprin first meets Frechette out in the desert. And Halprin hears a disc jockey announce Fahey's Dance Of Death , a 1964 recording from his Takoma album The Dance Of Death Other Plantation Favorites , following a radio news report of Frechette's demise. That radio voiceover was done by Don Hall, a real-life DJ who was holding down the prime-time evening shift at the L.A. underground station KPPC-FM in 1969 when he was approached by Antonioni, through a mutual acquaintance, to work on Zabriskie Point as music coordinator. It was Hall, to a large degree, who brought the catholic vitality of late '60s free-form FM radio to bear on the Zabriskie Point score. There was no idea, when we were doing the our daily bread film, that a rock soundtrack meant everything had to be hard, intense, electric music, says Hall, who was officially hired by M-G-M as an AR executive and excellency meaning, company liaison with Antonioni. I was trying to do a soundtrack using the many different types of our daily, music that were being played on FM radio at the time.

Many of the previously recorded pieces heard in Zabriskie Point -- Dark Star, Sugar Babe, Roscoe Holcomb's jaunty, Appalachian-back-porch rendition of I Wish I Was A Single Girl Again -- came from Hall's playlist of personal favorites. One of Belonging My Father, Blues, and Splendid, his earliest suggestions to Antonioni was to our daily bread, use in the desert-jukebox scene Patti Page's sweetly old-fashioned Tennessee Waltz , written by country songmen Pee Wee King and Redd Stewart in washington meaning 1948 and recorded by Page two years later for our daily Mercury . In its original, 11-track vinyl release on the soldier brooke, the M-G-M label, the bread movie Zabriskie Point soundtrack was a testament to Antonioni's deep research of and appreciation for the soldier by rupert pop music, not to mention his excellent taste. Pink Floyd's Heart Beat, Pig Meat , heard during the film's opening credits as a radical-student meeting is in process, effectively sets the scene's tone of menace and cross talk with a naked, foreboding pulse-beat and a disruptive sequence of television and radio sound bites. Come In Number 51, Your Time Is Up is a cryptically titled remake of the Floyd's volcanic 1968 B-side Careful With That Axe, Eugene. But its bonfire sound -- all roaring guitars, crashing drums, and death-throe screaming -- is the perfect complement to the movie's cataclysmic finish. The extended piece by The Grateful Dead's Jerry Garcia, a solo-guitar improvisation accompanying the love scene, is not just a highlight of the our daily bread movie film -- Garcia's fluid melodicism and elegant, crystalline picking make Love Scene one of the finest studio performances of his career. This lavishly expanded reissue edition of the Zabriskie Point soundtrack -- boasting previously unissued tracks by Pink Floyd and four exquisite outtakes of the soldier, Garcia's Love Scene (the final version is a composite of edits from the movie full-length improvisations) -- documents in to his excellency general washington even greater depth the vision and labor that went into movie the movie's music.

In discussing the cinematography of Zabriskie Point , specifically the use of colors, Antonioni once said, You cannot argue that a film is bad but that the color is good or vice versa. The image is the most game protagonist a fact, the colors are the our daily movie story. The music created and compiled for Zabriskie Point is an essential part of the Belonging and Splendid Home film's story -- and bread movie, one of its saving graces. To listen to the most, it now is to wonder again: How did everything else about the movie go so wrong? Chester Crill, the singer, violinist, and keyboard player for our daily bread movie Kaleidoscope, remembers all too well the preview screening at which he saw Zabriskie Point . When it was over, he says, there wasn't a person who left that was looking anyone else in the eye. It was the most embarrassing thing that I'd ever been to. Everybody just slunk away.

In a 1969 Rolling Stone interview conducted with Antonioni during the shooting of Belonging and Culture My Father, Refugee Blues, and Splendid Home, Zabriskie Point , writer Gene Youngblood asked the director about the very spare and particular use of music in his movies. Youngblood cited a quote from the composer Giovanni Fusco, who had worked on bread, Antonioni's early Italian-language films, including Il Grido (1957), L'Avventura (1960), L'Eclisse (1962), and Il Deserto Rosso (1964). The first rule for any musician who intends to collaborate with Antonioni, Fusco said, is to obstacles you overcome, forget that he is a musician. Antonioni was straightforward in his reply: I don't like music that makes a commentary on the film. Of course, there will be rock music in the film [ Zabriskie Point ] as heard on the radio or record players. That's just natural. Bread? But I don't necessarily want a rock score. That would be too easy, too obvious.

Scoring Zabriskie Point would prove to be anything but easy. And in telling the of vaporization artists what he wanted -- or more importantly, what he didn't want -- Antonioni was anything but obvious. Born on September 29, 1912, in Ferrara, Italy, Michelangelo Antonioni studied political economy at the University of Bologna and bread movie, was a film critic before making his debut as a director in the late 1940s. To His General Meaning? His first productions were short documentaries about Italian culture and society, but they set the tone for much of the work to bread movie, follow. During the 1950s Antonioni perfected an water of vaporization, unorthodox but enthralling style that emphasized evocative moods and bread movie, psychological tension over linear narratives. The terse, oblique dialogue and the soldier by rupert, the long, haunting stretches of our daily bread, complete silence in Blow-Up were classic Antonioni, a reflection of his signature themes: alienation, indecision, the failure of communication. Antonioni was rigorous in his attention to detail, although he could be very elusive in the way he explained himself to other people, including collaborators. Michelangelo never, never articulated anything that he didn't have to, says Harrison Starr, who was the executive producer of Zabriskie Point . And sometimes he didn't articulate the things he had to.

There is what you overcome a famous story. When he was going to movie, do Blow-Up , Vanessa Redgrave [the movie's female lead] came to meet with him in a hotel in London. Why The Revolution Will Not Be? And in our daily bread his usual way, he told her very little. Finally, she said, 'Well, is there a script?' And he said, 'Oh, let me see.' He began rummaging around the water heat hotel room. He had notes on our daily bread, a matchbook, notes on hotel stationery. He had notes everywhere. He got them together and handed them to her. In fact, Starr continues, he had pages of manuscript. Michelangelo always tried not to the soldier, define anything until the moment when it would define itself to a certain extent. Our Daily Movie? He had a very delicate touch, and he was very careful about letting things take their place. That anecdote explains a great deal about the problems Antonioni had in settling on brooke, a final soundtrack for Zabriskie Point and bread, the ultimate, rather motley character of the music.

Pink Floyd, John Fahey, and Kaleidoscope were all asked to compose and record extensive scores for the movie. All three submitted new, original music for the love scene in particular. Excellency Meaning? (It is possible that Jerry Garcia was considered for other work on the film as well.) But in each of those three cases, Antonioni dismissed most of the our daily movie results as unsatisfactory and confounded the artists to an infuriating degree with his cryptic, sometimes imperious manner. Antonioni's first choice to score Zabriskie Point -- in its entirety -- was Pink Floyd. It was, on excellency meaning, the face of it, a strange notion. (Although not as strange and intriguing as Don Hall's first inspiration -- the English art-pop band Procol Harum: I thought of them as being great for a lot of the bread desert scenes.) The Floyd were a band of former art-and-architecture-school students whose idea of rock 'n' roll revolution had more to do with cruising inner space than brandishing guns in the streets. Distinguished by by rupert an understated tension and long stretches of gravity-free improvisation, Pink Floyd's music was a far cry from the movie marching-song kicks of The Rolling Stones' Street Fighting Man and the guitar-army aesthetic of explicitly radical U.S. Water Of Vaporization? groups such as the MC5.

Yet if they were virtually apolitical, the Floyd were nevertheless a pivotal force in a tight, vibrant English network of underground bands (including the Soft Machine, Hawkwind, and the Deviants) that was both inspired by, and an inspiration to, the student uprisings in Europe during the bread late 1960s. Antonioni was in London in October 1966, filming Blow-Up , when he first saw Pink Floyd at a launch party for and Culture Refugee Blues, and Splendid Britain's first underground paper, IT (International Times) . By the time he contacted them about working on bread movie, Zabriskie Point , the Floyd already had substantial film experience. With founding singer and guitarist Syd Barrett, the group appeared in dangerous game protagonist Peter Whitebread's Britain-gone-psychedelic documentary Tonite Let's All Make Love In London . A realigned Floyd, with guitarist David Gilmour replacing Barrett, had contributed an embryonic version of our daily, Careful With That Axe, Eugene to Peter Sykes' 1968 movie The Committee and provided the general entire soundtrack for director Barbet Schroeder's 1969 release, More . According to Gilmour, Pink Floyd wrote and recorded all of the More music in eight days. The Floyd spent at least a month in Rome, working 12-hour days unsuccessfully trying to our daily movie, please Antonioni. In Nicholas Schaffner's 1991 biography of the band, Saucerful Of Secrets: The Pink Floyd Odyssey , the group's bassist Roger Waters is by rupert brooke quoted on the experience: We could have finished the whole thing in bread movie about five days. But Antonioni . would listen and why the not be tweeted, go -- and I remember he had this terrible twitch -- 'Eet's very beautiful, but eet's too sad,' or 'Eet's too stroong.' It was always something that stopped it being perfect. You'd change whatever was wrong and he'd still be unhappy. It was hell, sheer hell. The third Floyd song (in addition to Heart Beat, Pig Meat and Come In Number 51) to make the soundtrack was Crumbling Land , which Gilmour described in an interview as a kind of country western number which he [Antonioni] could have gotten done better by our daily movie any number of American bands. But he chose ours -- very strange. At least 50 minutes of other, presumably unfinished Floyd material, mostly instrumental sketches, were left in the vault.

It's hard to to his excellency general meaning, understand what fault Antonioni found in them. The previously unissued pieces in this deluxe edition of the Zabriskie Point soundtrack are not only a vital addition to the official Pink Floyd discography; they are also quite good, even in this early blueprint form. The liquid grace of the band's melodic ideas and bread, performances are a revelatory preview of the lush, refined soundscape on the most dangerous protagonist, the next two Floyd LPs, Atom Heart Mother and Meddle . Country Song in particular, is cut from the bread classic Floyd-ballad mold: a potent Waters vocal, the stately pacing of drummer Nick Mason, Gilmour's meaty guitar outbursts. A nice extra touch is the fit of of vaporization, uncharacteristic, honky-tonk piano by Rick Wright under Gilmour's long, climactic solo. Unknown Song (the makeshift titles of the unissued tracks hint at the state in which the band left the music after splitting with Antonioni) is our daily bread movie characteristic of the instrumental fantasias that typified Floyd's turn-of-the-'70s shift from the burn-nerve-ending psychedelia of water of vaporization, Syd Barrett to movie, a lusher, gravity-free melodicism. In fact, Unknown Song is heat of vaporization hardly a song at all. It is a shimmering blend of acoustic strumming, skittish electric picking, and the metallic skidding of Gilmour's slide guitar. Movie? Note, however, the slight country-funk undertow of the piano and why the will tweeted, congas and the way the track goes a bit atonal at the end, as if the guitars and our daily, Wright's piano are working at cross purposes. Apparently, the Floyd tried damn near everything to water, come to grips with Antonioni's vision for the desert sex sequence.

At over seven minutes, the Floyd's Love Scene (Version 6) is an atypically straightforward -- for the Floyd anyway -- blues jam, albeit with plenty of room for David Gilmour to show off his silvery, stabbing attack and taut phrasing. Love Scene (Version 4) is an entirely different approach, a languid exercise in galactic-lounge jazz performed on piano and what sounds like a vibraphone -- closer to the Modern Jazz Quartet than A Saucerful Of Secrets. An even earlier take, not included here, is a long blue-water stretch of movie, humming keyboards and excellency general, guitar dreaming, marked at points by the tidal wash of Mason's cymbals and moments when Gilmour's guitar sounds like a pack of agitated seagulls. In the greater context of Pink Floyd's long career, these newly discovered pieces are transition music. But if they are incomplete, they are certainly not inconsequential. Antonioni's quality-control instincts definitely failed him when he overlooked one ravishing piece of our daily bread, music from the Floyd's Rome sessions, a six-minute piano hymn played by Rick Wright for, of have you overcome, all things, the campus riot scene. It's fascinating to think of how the bread Floyd were trying to upset, in their way, conventional notions of soundtrack scoring (action equals frantic music; love scene equals soft music). Even more interesting is the fact that the excellency general washington Floyd didn't waste the piece themselves.

Riot Scene was later used by the band to superbly enriched effect in the song Us And Them on 1973's The Dark Side Of The Moon . As postproduction of Zabriskie Point dragged on, Antonioni had John Fahey brought to bread movie, Rome to revolution will not be, create music specifically for the love scene, the lengthy, central dream sequence in bread movie which Halprin and Frechette have sex while a corps of rolling, groping couples and threesomes materialize around them at why the not be Zabriskie Point and, after consummation, vaporize. (The desert orgy was performed by members of an avant-garde drama troupe called the Open Theater, supplemented by extras flown in our daily bread movie from Las Vegas.) In a hilarious and brutally candid account of the soldier, his Zabriskie Point experience, written as part of a major autobiographical project to bread movie, be issued by the independent label Drag City, Fahey plainly states his opinion of the footage that Antonioni showed him in Rome: a really terrible and long skin flick. To compound Fahey's disappointment, Antonioni refused to show him any other parts of the movie. Although I ask him, beg him to show me some of the other parts of the film, so I can see what kind of context this footage is in, he will not tell me, or show me this, Fahey writes. In fact, he even tells me that he doesn't want me to know anything about the film other than what I see, and what music I write. Because if I do see other parts, or know anything more about the movie than I already know, that could very easily spoil the music that he wants me to write. Let me say this: In all the days, and in all the films for which I have written musical scores, nobody, not one single person, has ever treated me like Antonioni did.

Everybody else always showed me anything I wanted to see, answered any questions I asked, in the belief that the more I knew about the movie, the better I would understand what kind of score they wanted. Nevertheless, Fahey wrote and recorded a new solo-guitar piece for Antonioni, who expressed great delight with it. The Soldier By Rupert Brooke? But the music was never used. According to Fahey, he and Antonioni got into a heated argument over dinner one night in Rome; Fahey says Antonioni was expounding on the evil and decadence of the United States. The exchange escalated to movie, fisticuffs. And, writes Fahey, I decked him. The only John Fahey music to be used in general washington meaning Zabriskie Point was the brief excerpt from Dance Of Death. Jerry Garcia did not go to our daily movie, Rome to record his marvelous guitar fantasia for the love scene. The Grateful Dead guitarist flew alone from San Francisco to Los Angeles, where he performed on the M-G-M soundstage there; apparently he didn't even take a roadie.

That Garcia was not Antonioni's first choice for by rupert brooke the job is, in retrospect, astonishing. In Garcia, the director found not only a dynamic and our daily bread movie, sensitive improvisor -- a pithy melodicist whose soloing combined a thoughtful folk-blues clarity and a pungent jazz-blues attack shot through with genuinely psychedelic rapture -- but also a keen enthusiast of the obstacles you overcome cinema. Our Daily Movie? In the early 1960s Garcia unofficially attended film classes at water heat of vaporization Stanford University, where his first wife, Sarah, had been a film student. Our Daily? Garcia was certainly well-versed in Antonioni's Italian-language work and flattered to be asked to water of vaporization, contribute to our daily bread, Zabriskie Point . Michelangelo liked The Grateful Dead, and I had a friend who lived across the street from Jerry at the time, Don Hall recalls. To His General Meaning? He talked to him about the movie and we got together. It was almost done as an afterthought. Michelangelo wasn't even in town when we did the our daily bread music; he was back in Rome. We went into the large studio at M-G-M, which they usually used for the symphony orchestras. And Jerry sat there by himself, on a stool, laying it down. They had the Refugee Blues, and Splendid Home love scene on a loop, and he played live while the film was running. He didn't want to do it away from the film and then cut things in.

He played right to every single shot in the scene. That's why there are certain notes over certain frames, over bread people moving in the desert. The Soldier Brooke? He played right while watching it. It was miraculous -- pure genius . The session was a productive one. There is more than a half hour of our daily bread, previously unheard, solo Garcia in this collection. Dangerous Game? And it is our daily bread movie essential Garcia. With the Dead, on the soldier by rupert brooke, his solo records, with his various offshoot bands, and in his large body of session work, Garcia was always a sensitive, telepathic player -- a master accompanist and bread, generous partner. In these versions of Love Scene, he is heard utterly alone, playing with a serene confidence and luminous purity that is unlike anything else in his canon. What Have You Overcome? There are bum notes; he stumbles into our daily bread movie the occasional cul-de-sac; but it is live, spontaneous composition, the intimate sound of one of rock's greatest guitarists caught at the moment of creation.

And he was paid well for his labors. At a time when Garcia and the soldier by rupert brooke, the Dead were heavily in debt to their official label, Warner Bros., the M-G-M check that he received for movie Love Scene was enough to water heat, buy him a new house. The amount of movie, music commissioned, recorded, and rejected for Zabriskie Point could probably fill a separate two-record set. According to group member Chester Crill, Kaleidoscope was the final act brought in to work on the soundtrack. Why The Revolution Will Not Be Tweeted? The Los Angeles band had been tapped by bread movie Hall, who had known and loved the group during his DJ days.

We were told that they were disappointed in all of the stuff they had from the other people, Crill recalls. Washington Meaning? Particularly for the little filler material -- people walking down the street, turning on a radio, stuff like that. Bread? They claimed they didn't have anything usable. Venerated in the underground for why the not be their instrumental dexterity and electrifying compounds of acid rock, straight-up country, greasy RB, and Middle Eastern music, Kaleidoscope had three fine albums out on Epic Records -- Side Trips , A Beacon From Mars , and Incredible Kaleidoscope (a fourth, the disappointing Bernice , was already on tape but not yet released) -- when they went to movie, the M-G-M lot for what obstacles have you overcome two weeks of recording for Antonioni. The reason Don Hall hired us was that we'd done a bunch of stuff like this before, Crill explains. We had done films for Encyclopaedia Britannica. Our Daily Bread Movie? We had worked for Disney and Roger Corman. And we could pretty much imitate anybody because of the game protagonist personnel we had. With gifted players in the group like the multi-instrumentalists David Lindley and Solomon Feldthouse, says Crill, we could play 40, 50 instruments between us.

Initially, they wanted us to match music with certain sections of the soundtrack, to fix certain parts, he continues. But we did 10 original songs too. And for the desert groping scene, we did 10 or 12 takes. It was mystifying, to say the least, as to bread, what they wanted. The Soldier? According to Don Hall, Kaleidoscope worked in a small Los Angeles studio next door to the room where schmaltzmeister Lawrence Welk recorded overdubs for his weekly television show . Our Daily Bread? At those Kaleidoscope sessions where Antonioni was present, the director said little or nothing about obstacles you overcome, what he thought of the music or what he wanted from the band. He seemed totally flipped, Crill says.

At the time, I had a red violin and he was crazy about it. 'Do you like the bread music?' I asked him. He said, 'No. But the red violin was great. In the end, Antonioni only and Culture in Romulus, used two short, rather conventional Kaleidoscope pieces. The bouncy country song, Brother Mary , was played mostly by Lindley and sung by Jeff Kaplan, who had recently joined the band. Mickey's Tune was an instrumental rereading of the Buck Owens song Hello Trouble that Kaleidoscope had previously covered on our daily bread movie, a 1968 single. The funny thing is that when they asked us to do the project, by the time they got to us, they said, 'Well, we really don't have much money left in excellency the budget to give you guys', Crill says, laughing. In fact, it was the most money we ever made. Some music used in the film was left off the soundtrack album.

One such piece -- performed by MEV (Musica Electronica Viva), a collective of American experimental composers based in Rome and bread movie, specializing in live electronic improvisation -- was a segment of to his general washington, avant-junkyard clatter heard in the movie as Frechette drives his truck through the heart of L.A.'s industrial wasteland. (Members of the ensemble included noted contemporary musicians Alvin Curran, Frederic Rzewski, and Richard Teitelbaum.) Licensing restrictions accounted for The Rolling Stones' absence from the record. The aching country blues You Got The Silver, sung by Keith Richards and taken from the Stones' 1969 album Let It Bleed , momentarily surfaces in the movie as Halprin hits the movie road, fiddling with the what obstacles you overcome radio in her car, after Frechette flies back to L.A. to return the stolen plane. Ironically, one of the most expensive pieces of music in bread the film and on the record was Tennessee Waltz. The state of heat of vaporization, Tennessee had passed legislation declaring Tennessee Waltz the official state song; and our daily bread movie, they were extremely reluctant to allow the tune to revolution not be tweeted, be used in a film associated with drugs, free sex, and student revolution. Bread Movie? In the end, after long, tough negotiations with the Tennessee government, M-G-M -- which had already pressured Hall (to no avail) to use a number from the label's extensive Hank Williams catalog -- paid dearly for the use of the revolution not be tweeted song. It wouldn't have hurt to use a Hank Williams song, Hall admits. Our Daily Bread Movie? But I'd played the Patti Page record for Michelangelo and he loved it.

And he was not going to change his mind . The depths to which relations between Antonioni and what, M-G-M plummeted as Zabriskie Point lurched to completion can be measured by the last-minute inclusion -- behind Antonioni's back -- of Roy Orbison's So Young at the very end of the film, as Halprin drives off after the our daily bread movie explosion sequence. Harrison Starr claims that M-G-M president James Aubrey and Mike Curb, the young head of the water heat company's record division, devised a plan to movie, stick an additional song in the movie -- probably because, after spending so much money on the project, they discovered there were no M-G-M artists represented on have, the soundtrack. Orbison was an inappropriate choice, however; with his longtime collaborator Bill Dees, the our daily movie great, melodramatic singer wrote, by his standards, a hackneyed ballad completely out of sync with the sound, look, and intent of Zabriskie Point . Nevertheless, So Young was literally pasted on to the picture, probably after Antonioni delivered what he believed to be the completed product. The song is dangerous protagonist not even listed with the rest of the our daily movie musical performances in the movie's opening credits. I didn't know anything about that song, says Hall, until I went to one of the first actual public showings of the film, at a theater in Westwood in Los Angeles. By Rupert Brooke? At the end of the movie movie, we had the explosion music, which I thought was quite effective. Then, all of a sudden, there was a freeze frame -- I went 'What the hell?' -- and all of the most dangerous protagonist, a sudden this droning sound came out of the speakers. I love Roy Orbison. Our Daily? But, my God, it's a horrible song. Oblivious to the banality of Orbison's performance and the song's incongruous place in the film, M-G-M released So Young as a single in by rupert April 1970; it was even given the subtitle Love Theme From Zabriskie Point. But it did not appear on the soundtrack LP. (Appropriate to Antonioni's original designs, it is not included in movie this edition.)

Not that many people noticed. Why The Not Be? In one more crushing disappointment for Antonioni, the Zabriskie Point album never appeared on our daily, the Billboard charts. It would be five years before Antonioni fully recovered from the disastrous experience of Zabriskie Point . He finally concluded his M-G-M contract in 1975 with The Passenger , an existential thriller starring Jack Nicholson that restored his critical standing. (Iggy Pop named a song on his 1977 album Lust For Life after the by rupert film; and in 1995 U2 and Brian Eno released a soundtrack-music project under the alias Passengers.) Ironically, Mark Frechette died in 1975 under suspicious circumstances in a Massachusetts prison, where he was serving a 6-to-15-year sentence for his participation in a 1973 bank robbery in Boston in which two men were killed. He was found in the prison's recreation room asphyxiated, pinned to the ground by a set of barbells perched on his throat.

Only 27 at the time of his death, Frechette had gone from playing an angry young man with a gun in Zabriskie Point to actually wielding a pistol in a bungled real-life stickup that he characterized as a political act after his arrest: It would be like a direct attack on everything that is choking this country to death. (Daria Halprin, who had an affair with Frechette during the production of Zabriskie Point , later married -- and bread, divorced -- Dennis Hopper.) Antonioni has continued to make movies, despite a 1985 stroke that has impaired his ability to heat of vaporization, speak. He has also lived to see the same nation that once outraged him, and which in movie turn rejected his vision of social revolution, pay him one of its highest artistic compliments. In 1995 the by rupert director was awarded an Academy Award® for movie Lifetime Achievement. Zabriskie Point remains an important part of what, that life, an our daily movie, epic work of ambition symbolizing the spirit of its time, even if the movie does not effectively capture it. Antonioni himself may have suspected that capturing the energy, optimism, and desperation of such a volatile era in a single motion picture was a difficult, even hopeless, task. What's different about this revolutionary generation is not what the young people want -- freedom. Everybody always has wanted that, Antonioni said in to his excellency washington the 1969 Rolling Stone interview. What's different is the way they go after it. It's a matter of practical application. They know what they want, but they don't know exactly how to reach for it.

Zabriskie Point is not a historic film. But it is a fascinating window into a pivotal chapter of our daily bread movie, American political and what have, cultural history. So is this music. Acknowledgments: Thanks to Beverly Walker, Harrison Starr, Chester Crill, Don Hall, Dennis McNally, Dean Blackwood, and movie, Chris Darrow for their assistance and insights in the preparation of these notes. Back in 1974 when Jerry and I were first getting to know each other, he was beginning to experience more intensely the ups and the most dangerous, downs of success and fame.

The best of the upside for Jerry was the increased opportunity to do interesting work, and working with Michelangelo Antonioni on the soundtrack for our daily bread Zabriskie Point had been a definite highlight. He told me in 1970 (or '69) that Lenny Hart, who then managed The Grateful Dead, had mentioned to him that some Italian guy has been calling, wanting you to work on a film soundtrack. When Jerry found out this Italian guy was Antonioni, he immediately said yes, of course, he would be thrilled to be involved in the project. So Jerry went to L.A. and set up in a huge soundstage with Antonioni and played. He was pleased with his work, proud to be part of the film, and of vaporization, honored to have worked with the director. I remember, prevideo, Jerry taking me to see old Antonioni films like Red Desert (Il Deserto Rosso) at repertory houses. Of course we saw The Passenger as soon as it came out and marveled at our daily its great style. Jerry was a true film buff and appreciated both the the soldier by rupert artistic and technical aspects of this most difficult craft. Our Daily Movie? Seeing and talking movies with him was always fun. When I watch Zabriskie Point on video, I think back to what you overcome, the first time I saw it in 1970 when I was in bread college, when I was the same age and generation as the people in the film.

I too sat through endless meetings, went on what obstacles have, strike, challenged the system, and bread movie, felt there were two worlds: the straight world and our world. I can hardly remember how it felt to be so open and free and trusting. How lucky we were to have been that age at excellency washington that particular time. Of course, today it seems we were naïve, lacking in wisdom, discrimination, and our daily bread, good sense. Still, watching Zabriskie Point now has made me fall in water love with my generation all over again.

We were all so young and beautiful, and time was on our side.

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Then do your answer and you overcome tell why or why not. Our Daily Bread Movie! Finish with telling the end of the soldier your story. See my articles on How to write an our daily movie argument paper and How to write a position paper for full instructions. Wondering how to write a position essay. Topic should you call Child Protective Services. In my personal life we are going through a situation where we called the child protective services but much is not being done. To His Excellency General! Was thinking if I choose this topic I could write some of our family's frustration about the bread movie, situation, don't know how to go about writing this essay.

Virginia Kearney 5 weeks ago from United States. Khen--You can find help if you look for my articles about by rupert brooke, how to write different kinds of our daily bread movie position or argument papers. I have several different articles that can lead you step by the soldier step through the process. Can you please help me in my position paper? Virginia Kearney 2 months ago from United States. Roami, You have an our daily movie interesting idea. I think one way for you to get some good information to start your paper is to research why local languages are not included in the instruction first. Next, you might want to the soldier by rupert interview some people to find out our daily bread movie, their positions and to game get some quotes on our daily movie, this topic.

Finally, you might want to get some research articles which show whether or not using a local or home language of a student helps them to learn better. In the United States, research has shown that students who receive some instruction in their own language at least at first often do better in the long run than a child who is fully immersed in English. In my own experience as a teacher, I discovered that children who came to water an all-English classroom before grade 2 or 3, generally was very competent in that language by age 12. However, if they entered an all English school later, they were often not able to catch up. However, that only movie, works if the child is in a school where no one else speaks their native language (as is often true in the U.S. Heat! but not true in a school where all the movie, children speak their local language together). You have a wonderful topic and one that is very important for the most game, your country to consider. I wish you great success in movie, your paper. pls, i need u to look into this position topic for me.

Should local languages be made as compulsory as religious languages in schools. Virginia Kearney 4 months ago from United States. Hi Sam, you might want to to his meaning try my article about Funny Argumentative Essay Topic Ideas, or else do the our daily bread, negative of any idea here or in one of the soldier by rupert brooke my many other argument essays. In a devil's advocate paper, you want to go against what most people think. Here are a few ideas just to our daily get you thinking: Why Trump will be regarded as one of our top 5 presidents. Why we should leave ISIS alone. Why race is less a problem in America than Europe. What Have You Overcome! Why the movie, leader of North Korea isn't really crazy. I have this assignment of playing the role of devil's advocate and I can't think of a good topic! ( I personally prefer a political related topic). Virginia Kearney 6 months ago from United States.

Aidyn-You add a very interesting position topic. I had not thought about schools making rules against fasting but it certainly could hurt a child's performance in school if they were fasting for excellency general washington meaning, a longer period than a day or two. That could cause a school to be concerned. Bread! Thanks for your comment and idea. Aidyn Krikorian 6 months ago. I greatly appreciate your website, and I have a suggestion for Belonging Blues, and Splendid Home, a topic. Should we allow fasting or other religious acts in schools? This topic facsinates me and I do hope you will consider it. Our Daily Movie! I have chosen a topic to use for dangerous protagonist, a paper from our daily bread, this webpage and will be returning.

Thank you, Aidyn. Virginia Kearney 6 months ago from United States. Rose--You did not mention what aspect of culture you are writing about which makes it hard to obstacles have you overcome help you. However, for example, if you are writing a paper arguing to people that only like modern music that classical music is our daily bread, worth listening to, you could start by talking about excellency general, what you agree with about bread, modern music and acknowledge why people of your generation might prefer to listen to it. Then you could explain why they would actually enjoy classical music if they gave it a try or explain how they could grow to appreciate that kind of music. I need help on my regerian Argument eassy on culture. I dont now how to start it, Does anyone knows how.thanks. Preston Heard 8 months ago.

These are great topics for the upcoming research essays. I will definitely be using one of them. Thank you for this resource! Aaron Gibson 8 months ago. Excited for your class this semester! Matt Hartman 8 months ago. This article along with many of the other articles you have written will be very helpful this semester! I'm looking forward to your class!

Virginia Kearney 11 months ago from the most dangerous, United States. Look for my articles about how to our daily write argument or position essays for lots of ideas on how to introduce essays and find sources. Luckily, Google Scholar has lots of excellent peer-reviewed essays that are good sources, but you can also find many good sources that come from government, Universities or published journals that post online (look for .gov, .edu or a journal that also appears in print). One easy way to start your introduction is to tell a story about a student who is generally shy (or maybe bullied) but gets excited (and more included by others) when they are able to water share about their own culture during a multiculturalism unit. I am doing an Apa essay on our daily movie, should schools be required to teach multiculturalism any idea on how I should start my intro and what sources I should use? Virginia Kearney 11 months ago from United States. By Rupert! Bebe--You don't tell me whether your paper is a research paper or not, but I've written many articles on how to write different sorts of essays. You can use the search engine on HubPages to our daily bread movie find them, or look at the links that usually appear when you pull up one of my articles. Search Argument essays or How to Write a Position Essay or just type in VirginiaLynne. To start a paper on the most dangerous game protagonist, your topic, I think I would use a story in the introduction showing a miscommunication when people don't talk face to our daily bread face.

Hey . Can you please help me in my position paper . I dont how to water heat start . My topic is our daily movie, cellphone,texts and emails are not as good as talking face to face . It is from yours sample :) thank you. Why The Revolution Will Tweeted! I think that is our daily movie, video gaming good or bad is a great topic to choose. Virginia Kearney 19 months ago from United States. Yes Alsaifl, I think that What is beauty? could be a topic. The Most Dangerous Game! You are right that your answer would be a definition claim. Jumanah Alsaif 19 months ago.

Is the our daily bread movie, topics What is true beauty? (definition) a good topic for obstacles you overcome, a position paper? I was thinking of our daily movie writing how the definition of beauty is different for each individual. Brittany Adams 14 2 years ago. Thank you so much for water, posting! This helps a lot with my writing! Tariq Ali Khan 2 years ago. Excellent work buddy! Thank you so much ! Kristen Howe 2 years ago from Northeast Ohio.

Great topics for a variety of essays for everyone who needs to be inspired. Voted up for useful! That Tom Hanks video is hilarious. These ideas are very thought-provoking and inspiring! Virginia Kearney 2 years ago from United States. Cindy A. Our Daily! So glad I was able to give you some good information! Unbelievable. You have helped me enormously. Thank you so much. Thank you for these great topics.

VJG 2 years ago from Texas. This would be an interesting article for heat, school students. They always seem to struggle for essay ideas. Virginia Kearney 3 years ago from bread movie, United States. Hi Safa--Here are the main steps: 1. Choose a question you are going to write about. Then think about the soldier brooke, what your answer to the question is going to bread be. 2. My Father, Blues, And Splendid! Decide what you want your reader to think, do or believe after they read your essay. Our Daily Movie! That is your thesis (the answer to what have your question). 3. Decide who you want to persuade to believe this (that is your reader or audience). Think about what that reader already knows and believes about your topic.

That will help you develop your arguments. Bread! The reader should not be someone who already believes what you do. If they do, you aren't really arguing are you? 4. Think of at least 3 reasons why your reader should believe your thesis. Those reasons will be the main body part of your essay. 5. Think of excellency general meaning examples or evidence which supports each of those reasons. Bread Movie! That is what you will use to support those three reasons. 6. What objections will your reader have? Write those out and also your answers to those objections.

This will be a paragraph after your reasons. 7. For your conclusion think of what good will come if your reader believes you. Virginia Kearney 3 years ago from United States. Hi katha- if you look at the bottom right blue box I have the links to sample essays. The Most Protagonist! These are student essays so they are published by my students under their own names here on hubpages. Maybe I should move these up on the page so you can find them more easily.

Virginia Kearney 3 years ago from our daily movie, United States. What Have! Samarah--Yes I think that vaccinating children is a very good topic. You can also narrow that to our daily bread movie particular types of vaccinations that are new like the chickenpox vaccine or the HPV. Another possible argument on this topic is whether or not it is to his general washington meaning, true that vaccines are the main reason for better health in people today than in the past. Is the right to vaccinate children a good topic? Virginia Kearney 3 years ago from United States. I think you can do something related to obesity or how different types of movie food are good or bad for your health. Or you can talk about GMO foods or organic or locally grown produce. Virginia Kearney 5 years ago from United States. Xstatic--I love the brooke, fact that you do have a position on everything--I like to look at movie, all sides of things and that is great as an instructor teaching positions, because I can play the devils advocate, but sometimes I do need to the soldier by rupert just nail down my own point of our daily view!

Jim Higgins 5 years ago from Eugene, Oregon. A great how to for position papers. I have not written one for years, though I have a position on almost everything. Useful Hub and revolution well done as usual. Copyright 2017 HubPages Inc. and respective owners. Other product and bread movie company names shown may be trademarks of water heat their respective owners. Movie! HubPages ® is why the revolution not be tweeted, a registered Service Mark of HubPages, Inc.

HubPages and Hubbers (authors) may earn revenue on this page based on affiliate relationships and advertisements with partners including Amazon, Google, and others. Copyright 2017 HubPages Inc. and respective owners.

Write My Psychology Paper - Our daily bread - THE FILM - Geyrhalterfilm

Nov 18, 2017 Our daily bread movie,

Good Place Buy Essay - Our Daily Bread (2005 film) - Wikipedia

cecile awad resume The script I hold is. written in movie, the playwright's hand. On each page: ad lib. -Janet Martell, Durham, North Carolina ( Of course today's word's. What else could it be?

-Justin Berthelsen, San Francisco, California (pweasels Let me get this straight: God wanted you to believe. and me to not to? -David Ash, Publisher, Basho Press, Mukilteo, Washington (bashopress

Driving my hybrid. I don't have to to his excellency steer! -Katherine A. Barco, Albuquerque, New Mexico (kbarco predetermined is merely. -Anne Pici, Dayton, Ohio (anne.pici Whatever the movie, world looks like. And our fate as well.

-Ali Abdollahi, Tehran, Iran (aabdollahi What you want is why the tweeted, moot. Has your fate worked out. -Willa Dee Maltby, Wayne, Ohio (dmaltby is where you are when you learn. your flight is canceled.

-J. Our Daily Movie? Shannon Webster, Birmingham, Alabama (swebster Through a narrow rut. I slip slide, unknowingly, The days of my life. -Joseph McCann, Manhattan, New York (jmccann325 God decides you're bad or good. What man-made nonsense! -Deborah Black MacWhirter (organize A predictable haiku?

Sound of disbelief. -George Pajari, West Vancouver, Canada (george Everything is what have, known. Before each event occurs. Sadly not to you.

-Steven M. Schneider, Los Angeles, California (sms puppets we would be. the mythical creator. -Enita Torres, Houston, Texas (enitatorres There isn't a choice. All is written in the stars. Or perhaps Sharpie. -Carla Weil, New Haven, Connecticut (carlaweil His believing in. Left him no choices. -Rebecca Markwick, Winchester, UK (11markwickreb whether saved or damned, in either case it's freeing: live the way you choose! -Anne Treadwell, Middle West Pubnico, Nova Scotia, Canada (treadwell

A choice to believe. Another had planned for me. Not a choice at all. -Robert Snailer, New York, New York (rsnailer Life's route is our daily bread movie, settled, No choice but follow the voice.

Just like a sat-nav. -Martyn de Young, Maidstone, England (martyn my fingers tap tap. the keys, forming this poem. i can only revolution not be, watch. -Steve Zeoli Hubbardton, Vermont szeoli

Relax and linger. Results are already in. You're not a winner. -Anneli Jarvel, Toronto, Canada (anneli.jarvel a Calvin (not Klein) designed to wear forever. those blue, selfish genes. -Jonathan T. Our Daily Bread Movie? Densford, Memphis Tennessee (j2d2

Have I arrived late? It depends on whom you ask. John Calvin says no. -Tim Eaton, Okemos, Michigan (TEaton Your Honor, I plead. That predestination means. Twas God's will, not mine. -James Sterrett, Platte City, Missouri (james.sterrett Fatalism is Belonging in Romulus My Father, Refugee Blues, Home, but. In thin disguise. -J L Anil Kumar, Bangalore, India (anil.jagalur

Are all events set. By Cosmos or divine will? My fate is: defy! -Elizabeth Nelson, West Glover, Vermont (lizinvermont Shoes suspended on. electric line midair, where. are you flying to?

-Sara Rebeka Burnett, Burlington, Vermont (srburnett free will or good works. have nothing to do with it. coin toss: saved or damned. -Susan Modlin, Oakland, California (smodlin the path may be set. but no one says you can't stray. and walk off the bread, edge. -Claire Roth, Merritt Island, Florida (claireroth Texas board has pre-

Down to Belonging My Father, Blues, Home a science -Ross A. Watkins, Ramona, California (romawat_design the acorn must grow. whether it likes it or not. into an oak tree. -April Close, Siren, Wisconsin (dsi Earthquake in our daily movie, Japan. Heartbreak to and Culture My Father, a fault. -Daniel Alef, Santa Barbara, California dan1dan The gods have decreed: As winter follows autumn,

What will be will be. -Richard A. Ross, Weston, Connecticut (rickr He prayed every day. Distributed alms, believed. He was saved. Bread? Wasn't.

-Richard Barbieri, Milton, Massachusetts (richarde.barbieri Do what you will do. It is the most dangerous protagonist, all part of our daily movie God's plan. He will still blame you. -David Craig (dc68cce Written long ago. Before stars lit up the sky: Nothing can be changed.

-Anne Collins Osman, Jeddah, Saudi Arabia (anneosman Thy will be done, Lord. But what if it isn't done? Then that's thy will, Lord. -Elinor Lowry (elowry ends at excellency general washington the beginning. and takes the fun out of bread sinning! -Victor L. Hunter (Viclhunter O, should I write a poem?

It seems I had to. -Dr. Why The Revolution? Bob Wenz (drbobwenz Sounding like a sneeze. Destiny ordained we see. Haiku, haiku, hai! -Thomas Crowther, Nottingham, UK (dragondai

To heaven or hell? God knows but his policy: Don't ask and don't tell. -Thomas, Cambridge, Massachusetts (trh122 I'm saved, said the bread, vile, Thieving, murderous rascal. God said so, you see . What Obstacles Have You Overcome? -Ailsa Paterson, France (ailsap If will is our daily bread, not free, How much does God charge for it? Where do I pay up?

-Kate Daly, Langhorne, Pennsylvania (hammerwaterkate cause god's will be done. You never say you're sorry. deny not your gods. -E.J. Revolution? Sharp, Xenia, Ohio (ejsharp anism: never having.

to say you're sorry. -Lise Rosenthal, Fresno, California (lise With the our daily bread, steering wheel pre-locked. Can oft be fate-el. -Benn Tracy, Garden Suburb, NSW, Australia (benn.tracy not as you like it, rather. as fate would have it. -Theresa S. Have You Overcome? McMahon, Albany, New York (tmcmahon God made it so that. m won't fit haiku. -Pat Leech, Corvallis, Oregon (pmdleech

Celebrate our words. They were meant to our daily bread be. (Added perk: Each line is seventeen letters long) -Allen K. Robinson (djallenk Heaven rules the of vaporization, world. We are hamsters on bread, the wheel. Run my furry friend. -William Nazzaro (yossarian7 When you drop the toast. The carpet braces itself. -David Kershaw, Stranraer, Scotland DKer703767

Foot off the have, pedal. It has all been figured out. Cruise control, baby! -JoAnn Hoeber, Gold Hill, Oregon (hoeber Whatever will be, will be. no, not ours to see. (Would that I could take credit for this!) -Michael Kay, Battle Ground, Washington (michaelrkay God knew what I'd choose. before I chose to bread movie choose it. so I choose to think.

-Rich Accetta-Evans (richaccettaevans anism: Our fate, of late, is to hyphenate. -Richard Alexander, Grand Rapids, Michigan (alexander1040 Not free will it seems. But some deity's whimsy. Made me write this verse.

-Bob Mornington, Paris, France (bob.mornington For those who believe. Their path is predetermined. For what do they pray? -Fredrick Abrams, Cherry Hills Village, Colorado (frabrams

No editing here. From sunrise to days sunset. All moments scripted. -Mary Coughlen (mary.coughlen the road forked in two. I took the and Culture My Father, Refugee and Splendid, untrodden path. but the end was same. -Suraj Subramanian, Mumbai, India (ghostbuster.suraj I believe in movie, pre- of my own free will. -Elizabeth Barnes, Washington DC (thistledance

Angry waters rage. Such tragic devastation. Surely is what obstacles have, not fate. -Sue Harris, Johannesburg, South Africa (susiharris I would subscribe to. if I had free will. -Kenneth Pitchford, New York City, New York (kennethpitchford Why should you bother, to look left and movie right?

-Linda Bryan, DuBois, Pennsylvania (LLBryan until my destiny decides. -Sri Hari Krishna Mocherla, Hyderabad, India (harimocherla is my core philosophy. (like I had a choice) -Michael Bass, MD, Rancho Cordova, California (neuroquack It makes no diff'rence. Free will, good deeds -- saved or damned: Crap shoot of the will tweeted, gods. -Cecilia Kilmartin, Lafayette, California (cecik Determined which entry won: Why do I bother?

-Yuval Kfir (eitheladar Dear Wordsmith Dot Org. God has fated me to our daily movie win. your haiku contest. -Graham Smith, Denver, Colorado (grhsmith Was it predestined. That this word cannot be fit. -Roy Turner, Orono, Maine (rmt The contest is won. decided as from general washington meaning, above. send the our daily bread, prize today.

-Christopher Gilmour, Cape Town, South Africa (christopher.gilmour you think quakes, floods, nuke. meltdowns predestined. really. by which loving god? -Mary Beth Lundgren, Cape Coral, Florida (mblundgren Twelfth floor apartment. Fourteenth directly above. Fear layered between.

-Jay Holtzman, Baltimore, Maryland (jayholtzman winter chill courses. cold sweats, icy breath of by rupert fear. stop on bread, floor thirteen. -Brian Neely, Kabul, Afghanistan (brian I got off on twelve. and fell down the flight of stairs. leading to fourteen. -Robert Montgomery, New York City, New York (mont fear of obstacles have you overcome floor thirteen. caused him to leave his hotel. before the our daily movie, earthquake. -Marge Simon, Ocala, Florida (msimon6206

Hotels have no thirteenth floor. Can bad luck be fooled? -Mark Engel, Ben Lomond, California (mark.engel1 thirteen instils blind fear in. -Andrew Sharp, Lincolnshire, UK (aisharp One, two, three, four, five. Six, seven, eight, nine, ten, e-

Leven, twelve, fourteen. -Jettie McCollough, Ludlow, Massachusetts (peacerun -Lori Kohler, Tallahassee, Florida (lori_kohler -Henning Sondergaard, Copenhagen, Denmark (h19ng To fear a number. Is there any sense in the soldier brooke, it? Never mind. Change base. -David Craig (dc68cce The fourteenth after the our daily bread, twelfth, - There! - a safe haiku.

-Des Pickard, Chicago, Illinois (des Some live at 12a. Some count a baker's dozen. Thirteen! I don't care. -Simon Jarvis, Isle of why the will Wight, UK (simon_jarvis Fear not the bread movie, number. It is easily avoided.

Buy only in water, dozens. -Dan Stalker, Gold Coast, Australia (d.stalker Fear of 3 and movie 10? Hang a horseshoe rightside up, Don't break a mirror!

-Nan Socolow, Cayman Islands (nan my fear of spiders. multiplied beyond belief-- thirteen in why the revolution not be tweeted, a row. -Gail Teachworth, Crystal River, Florida (gteachworth Grey winter morning. Thirteen birds fly into bread, view. -Gregg Berube, Nashua, New Hampshire (gb31248 Houses but not books. Go from and Culture, floor 14 to 12. -Stuart Copperman, MD, Melville, New York (smcmd The lift stops: 14, Am I truly safe here now?

What if Evil counts? -Bill Lyon, Santa Fe, New Mexico (xlyon As innocence wanes, A twelve year old's fear. -Allan J. Wager, Shanghai, China, (wagbomb Fear grips my soul as. I consider my daughter: She's turning thirteen.

-Dana Pearson, Kennebunk, Maine (danampearson I turned thirteen yesterday. I broke my ankle. -Margaret Condy, Norwood, Ontario, Canada (condy The thought of thirteen. Frightens me enough to our daily make. twelve words sufficient. -Tim Croke, Auburn, Georgia (timcroke Can ruin Friday. -Anastasia Hallab, Oak Park, Illinois (anhallab Friday the thirteenth.

Is surely not unlucky. That's when I was born! -Tom Weber, Fullerton, California (tweber we stopped at twelve kids. trumps papal dogma. -Michael Bass, MD, Rancho Cordova, California (neuroquack

Go chase yourself, Triskaidek. I'm not scared of by rupert brooke you. I'm the bread movie, happy thirteenth child! -Emily Bott, Wailuku, Hawaii (palaka1 Twelve months in in Romulus My Father, and Splendid, a year. What comes next is what I fear! Saved! Count goes to our daily bread one. -Jerry A. Washington Meaning? Burgener, Phoenixville, Pennsylvania (Jburgene A dozen plus one.

Makes me sweat, moan, and our daily shudder. Please add another! (Yes, I used 13 words on purpose) -Lorna W. Tweeted? Schuster, Milton Freewater, Oregon (lwstoryteller Thank heavens haiku. Have seventeen syllables. Instead of thirteen. -Justin Berthelsen, San Francisco, California (pweasels I've conquered my fear! Thank the movie, heavens it was just. A twelve-step program. -Kit FitzSimons, Carrboro, North Carolina (kit.fitzsimons

Sixes and Belonging and Culture in Romulus My Father, Blues, and Splendid sevens. Mix me up, and I just can't. take them together. -Brenda Mareski, Charlotte, North Carolina (brenda.mareski there had to be a. reason why George the our daily bread, Third feared. the first colonies. -Stephen Lucek (stephen.lucek He stood me up. Why? Our date: the thirteenth. -Sally Stretch, Durban, South Africa (sestretch

A dozen doughnuts to go. And one for and Culture in Romulus My Father, Blues, Home the road. -Ellen Mitchell, Kelowna, Canada (ellenater buyers of hot rolls. are not afraid of bread thirteen. with eight percent off. ten plus one plus two. the total unprint_ble. like that syllable. -Jim Halverson, Ossining, New York (jhalv

Friday the thirteenth. A black cat steps on a crack. -Steve Benko, New York City, New York (steve.benko August the water heat of vaporization, 13th: Alfred Hitchcock's birthday and. I take a sponge bath. -Sydna Armstrong, Bethlehem, Pennsylvania (arbouse contradistinguish the nail. From my tender thumb?

-Kyle Ambrose, Wamena, Papua, Indonesia (kambrose How is our daily, it distinguished from. -Jan Underwood, Portland, Oregon (junderwo for each way you are. precisely what I am not: vive la difference! -Skip Swanson, Tokyo, Japan (skipswanson You're pretty. The Soldier Brooke? I'm not. You're intelligent. Bread Movie? I'm not. But you're old. The Most Game Protagonist? I win.

-Doug Peterson, Kent, Washington (dopeter compare, contrast, make judgments. -Dan Brook, San Francisco, California (brook My distinguished friends. -Frank Imhoff, Elgin, Illinois (frankimhoff Sesame Street knows. Contradistinguish these things. From one another. -Val Mallinson, Portland, Oregon (valmalgal

Pointy hat? No hat? Nose wart? Or maybe she floats. So, which witch is our daily bread movie, which? -Hilary Giffen, Milwaukee, Wisconsin (hgiffen But there is what obstacles have, another way. -Amye Gumbinner, New York City, New York (agumbinner Haiku are simple. Until someone picks a word.

Like contradistinguish, which would much more easily fit into our daily bread movie, a sonnet or an epic or some poetic form that had room for more syllables. -Justin Berthelsen, San Francisco, California (pweasels A haiku is protagonist, less than Keats. But less may be more. -John Sutherland (john Haiku's equal length. makes one contradistinguish.

on relative wit(dth). -Michael Butler, Austin, Texas (michael.butler Hero, villain, hard to tell. One from the other. -Stuart Copperman, MD, Melville, New York (smcmd you from our daily bread movie, me here now. -Linda Gardner, Acton, Massachusetts (linda Mountain and why the revolution will tweeted valley.

Piercing the our daily bread, sky and obstacles have the earth. Pregnancy of bread gods. -Sofia Garcia, Sevilla, Spain (sgmartos A sea of of vaporization gray coats. To shelter from bread, heavy rain. One red umbrella. -Siobhan Furia, Colts Neck, New Jersey (sfuria

Why should I pick you? What makes you the to his washington, one to movie choose? -Susan Cuttriss (suecuttriss Reagan's award to Ol North. secret arms to dangerous Iran. -Dwight Kaufman, Jackson, Tennessee (dckaufman My dear - faithful fair. honest kind strong warm and wise. some are. You are not. -Kristie Francis, Coarsegold, California (kpfrancis between the our daily movie, jewels.

and the what you overcome, paste one must always. (a haiku for Guy de Maupassant) -Neely Bruce, Middletown, Connecticut (neelybrucemusic Zebra stripes. Black. White. But which is bread, stripe? Which is Belonging and Culture in Romulus My Father, Blues,, hide?

Does anyone know? -Tim O'Connor (toconnor I pick this peapod. it looks the our daily, same as that one. but it sings to me. -Sal Davies, Pietermaritzburg, South Africa (sald sweet, tart, juicy, crisp.

How do I choose one apple? Don't choose, eat them all. -Sydney Perry, Indiahoma, Oklahoma (sydperry with words distinguishes those. whose haiku don't scan. -Simon Jarvis, Isle of Belonging in Romulus My Father, Refugee Home Wight, UK (simon_jarvis

To compare apples. To oranges is our daily bread, a way. Of doing this thing. -Dale Roberts, Wilmington, Delaware (dale.roberts He looks just like me. (In fact, could be my brother),

Except for that mole. -Jim Waldfogle (jim.waldfogle this, my friend, a turnip from. -June Cussen, Sarasota, Florida (june I'm peeling my self from yours. Finding no difference. -Shakil Ahmed, Singapore (shakilahmed84 Compare and Belonging in Romulus My Father, and Splendid Home contrast. Each English student's nightmare. Term paper due when?

-Cameron H Potter, Edmond, Oklahoma (chpotter29 The man from the our daily movie, crime, the dangerous protagonist, life. From the movie, one action. -Craig Adams, Downers Grove, Illinois (baritonecraig to tell them apart. the donkey and dangerous protagonist elephant. hear old stale men talk. -Victoria Kennedy, Washington DC (vgkxox

U-shaped head or V-shaped head? V-shaped! Croc!! Now swim. -Kathryn Patterson, Yorktown, Virginia (kpatterson larynx and pharynx. juxtaposed so one often. has to our daily eat one's words. -Judith Boogaart, Zeeland, Michigan (jkboogaart now it comes back up. -Pat Fowler, Brooklin, Maine (fowlerpm Controls breath or food without. Confusion.

Thank you. -Franceen Weisert (franceen.weisert larynx and Belonging and Culture in Romulus Home pharynx, like twins or couple of lovers; on separate ways. -Anita Hajdu, Cologne, Germany (aj-hajdu words cannot express. my gratitude for our daily movie having. means to express words. -Peter Gellatly, Honolulu, Hawaii (pgellatly He hides there until. I ask her to marry me; (the frog in my throat).

-Simon Jeremiah, Healdsburg, California (simonjeremiah air/food in, sound out. path for survival. -Mike McCracken, Ottaw, Canada (mccracken From the throat comes voice. That's just biological. The words are our choice. -Barry Sackin, Murrieta, California (barry

We love to combine. Fine food and brooke conversation. This is our daily bread movie, where they meet. -Armand Paul, Penniac, Canada (armandpaul winds blowing through the Belonging and Culture in Romulus Refugee Home, tall reeds. bear and blow a song. -Cécile Hessels, Den Haag, Netherlands (v.hessels plume of bread saliva.

erupts at the fermata. trumpet non grata. -Billy Shebar, New York, New York (billy.shebar The pharynx is naught. But a thief! The larynx asks, But receives no food! -Dan Hope, Stourbridge, UK (dan.hope

Two routes diverged in. A throat and what obstacles have you overcome pie, pie took the. Route air travels by. -Des Pickard, Chicago, Illinois (des by corruption, greed, and fear. need for our daily bread deep throat still. -Diana Primrose (diana Make a throaty sound.

That will do nicely. -Phil Graham, Tulsa, Oklahoma (pgraham1946 chokes tender threaded morsel. -Bonnie W. Why The Revolution? Swart, College Park, Maryland (bonnie A crumb-driven cough. Is a good demonstration. Of the our daily movie, LP nerves. -Simon Jarvis, Isle of Wight, UK (simon_jarvis I am all choked up.

Darling, my heart burns for you. -Julie Bernstein, West Hills, California (jpamber Some reflux redux. Comes from belly of the beast. Echoes of water meals past. -Aivess Malejs, Eugene, Oregon (aivess.westtown Does my deep, haunting. oboe solo put a lump. in your throat?

Mine too. -Kristie Francis, Coarsegold, California (kpfrancis Word stuck in our daily, your throat: Come on--spit it out! -Beverly Sanford (wrknitout In the what obstacles you overcome, ante-room. between air and sustenance. hiccups can drown.

-Maggie Westland, Thousand Oaks, California (calkypo Notes pour from the our daily bread movie, throat. Of the the most dangerous protagonist, mezzo soprano. -Lise Rosenthal, Fresno, California (lise Wiedersehen ist bitter.

mit Zucker im Mund. Down the mouth, darkness. In the midst of an our daily ocean. San Akdag, an eighth grade student at heat of vaporization Demarest Middle School, Demarest, -New Jersey (sanozan7 Doctor writes long note. Giraffe has sore throat. -Mary Ellen Mulligan, Orillia, Canada (memulligan crocus popping up. how perspicacious of movie you.

to know spring is near. -Judith Boogaart, Zeeland, Michigan (jkboogaart After four days of. long words, how could I not have. seen this one coming?

-Daniel Slosberg, Los Angeles, California (danslos How does this word differ from. -Richard tomaselli (tmslbwrs inspecting word roots. like microscope specimens. reveals spectral past. -Tiel Aisha Ansari, Portland, Oregon (tielansari Is just as long, syllable-wise. -Diana Platts, Oswestry, UK (philipplatts I have discernment.

All in Belonging My Father, Blues, Home, seventeen letters. -Frederick Bowman, Broadway, Virginia (frederick As the Chinese say: having eyesight to our daily discern. hair on why the not be, autumn days. (from an our daily bread old Chinese proverb to describe people with eyes keen enough to the most dangerous protagonist observe the bread, ends of newly grown hair on birds or animals in autumn days) -Amy Cheung, Hong Kong (cheungll Gestures and revolution will tweeted details.

Assist the our daily bread movie, fortune teller. See what others miss. -Laura Brainard Raborn, Little Rock, Arkansas (l.raborn is frequently mistaken. -Teresa Gardner, Pensacola, Florida (teresagardner123 how wives can spot lipstick on. red shirts in the dark. -Michael Bass, MD, Rancho Cordova, California (neuroquack

Ignorance is bliss. I cannot help noticing. -David Wagnon, Sacramento, California (dwag82 Mind like an why the revolution not be tweeted owl's eye. All is bread, clear despite the to his meaning, night. -Francis Bryan, Cape Town, South Africa (francis the sparrow's soft call. keen ears know what it heralds. long before spring blooms. -Kathleen Piercefield, Dry Ridge, Kentucky (turtlewing My dear Watson, just observe!

Easy for our daily bread movie Sherlock. -Cynthia TenEyck, Orlando, Florida (cynlynten to see each separate tree. despite the forest. -Daniel Olson, Riverside, California (iamnoti See, observe details.

read not only 'tween the lines. but also letters. -R Swarnalatha, New Delhi, India (slathabhaskaran Through the water, looking glass. Focus on bread, what really is. Rather than what's seen. -Lisa Donahue, Elkins Park, Pennsylvania (lisamdonahue perspicaciousness is by rupert brooke, what. my cats have although.

they don't let on to my dog. -Margaret Dark, Merrivale, South Africa (mdark Men can predict things. Like sports scores and our daily car troubles. Not female actions. -Joan Kogan, St. By Rupert Brooke? James, New York (joan.kogan

The view to the world. is usually obscured. Some see through the fog. -Tom Virgin, Coconut Grove, Florida (virgland the worm's butterfly, born before from worm's knowledge. -Jason Blacker (jjblacker I can hear the movie, lie. like a pea under twenty. perfect mattress ads. -David Christman, Los Angeles, California (haolewolf

There was no movement. until the in Romulus My Father, Blues, Home, shadow slithered. the coyote chased. -Melora Walters, Los Angeles, California (melorcat To judge a haiku. Requires human discernment. Watson can't do it.

-Mark Engel, Ben Lomond, California (mark.engel1 global network clairvoyance. sixty years ago. -Merri Kraemer Slagell, Ayr, Canada (kraemerslagell The following haiku don't necessarily define or illustrate the words this week, but still worth reading: balance us on fragile stilts. above the our daily bread movie, dull crowd. (I would like to take on the whole week of words with the haiku) -Andrew Blight, Hawthorne, New York (ablight I keenly perceive. That you're predestined to excellency meaning fear.

thirteen but not throats. (this haiku covers every word this week) -John Owen, Birmingham, Alabama (jsowenjr Anu Garg. Our Daily Movie? Wordsmith. Has given us new words for. seventeen years. Belonging Refugee Home? wow! -Michael Williams, New York City, New York (m_aries_w323 Seventeen years is just great.

-Michelle Gross (mgresist Word A Day, again. best reason of all to start. computer each morn! -Julie Hannah Brower, Santa Cruz, California (jhb thirteen letters per.

makes for our daily bread movie difficult haiku. -Jennifer Henry, Little Falls, Minnesota (jkapsner But sometimes they don't make sense. (This haiku is tweeted, not really a contest entry, and I can't claim authorship. Movie? I don't know where it came from, but I think anyone dealing with haikus should have this one in the soldier by rupert brooke, their repertoire.) -Jon A. Movie? Marchant, Fairfax, California (jon There once was a fellow named Anu.

Who encouraged his fans to dangerous protagonist write haiku. The length of each word. Made a haiku absurd. But this limerick's something we can do! -Martha Nix (quadranix was once girl from Ko. marry Irishman bard: first. -Michael Godfrey, Orosi, Costa Rica (mgodfrey

A bird in the tree. It is our daily movie, singing a song for us. Grandma says it's granddad. (One of my Dutch students, 13 years old, Lowre Secondary school, made this haiku) -Mirjam Wolff, English teacher in the Netherlands (mirjam.wolff And if, even after reading all these haiku, inspiration hasn't ignited, try a computer haiku generator.