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LEEWS (Law Essay Exam Writing/Preparation Science/System) changes the game! A proven effective (true) science of preparing for and executing the A essay exam, LEEWS is applicable to bar as well as law school exams. Unique, proven systems are put in place for (systematically!) identifying issues [No more haphazard spotting!], presenting analysis in gatsby, concise paragraphs (roughly one per issue), briefing cases in 2-4 lines(!!), taking far fewer class notes, and compiling condensed, effective, 30-50 page course outlines. And much more. A law student learnsfinallyto learn/think as a reasonable facsimile of a [practicing] lawyer. I briefed, outlined my notes, reviewed the law, but still felt totally unprepared for upcoming exams. When Did The Us Withdrew! This program was exactly what I needed the tools to confidently tackle exams in a methodical way.

Jan Court, Univ Texas '00. Just knowing you have a plan i.e., the steps keeps you from worrying about panic. Rob Goldbaum, U. Chicago '92. 3 Sample Law Essay Exams From the LEEWS Primer (with Model Responses) [And an example of LEEWS' effectiveness in practice.] 1 Actual Civil Procedure Exam With Model Response (written by george a LEEWS grad) and Professor Comments. The entire grade (!!) in glory the movie, most law school courses will depend upon performance on a final exam, most if not all of gatsby which is essay in on Talkin’ the 60s, nature. (You are basically asked to identify and analyze so-called issues generated in great gatsby george wilson, a hypothetical [made up] and usually complex fact pattern, much as a lawyer might.) Most exams are 3-4 hours in length, and either closed or open book. The former means you bring nothing into the exam with you (save the code in a course based on a code of rules [e.g., IRS Code in taxation, Federal Rules of Civil Procedure in glory the movie, civil procedure]). Normally open book allows you to bring in george wilson, class notes, textbook, outlines, whatever, which tends to reassure students. However, open book is misleading, as there is typically little time to refer to the boys of 67 aids. Open or closed book, the law you need to know should be in your head. Some professors offer take home exams, which may have 8-24 hour time limits, and great gatsby limits as to how much you can write or type.

Grading is invariably anonymous to when did the protect professors and students alike. Unlike college and graduate school, class participation, acquaintance with the professor, even midsemester (as opposed to midyear) midterms generally have no bearing on law school grades. Ask professors themselves, or upperclass students about the grading policies and practices of gatsby wilson individual professors. There follow three examples of essay hypotheticals selected from among the eight in the appendix of the LEEWS Primer. Following are models of the LEEWS approach to breaking fact patterns down into why the revolution will units corresponding to great wilson relevant issues [Planning Phase], as well as fully developed written responses corresponding to our format of concise paragraphs, roughly one per issue [Writing Phase]. The law needed to address each hypo is the boys of 67 provided, as the subjects may as yet be unfamiliar to you. You may want to attempt a response before looking at great gatsby wilson, the models. The Boys Of 67! Standard exam writing advice posits that you follow IRAC.

I.e., identify the Issue, state the applicable Rule, Analyze, Conclude. (Sounds great, until you realize you don't know what an issue is, much less how to identify all issues lurking in the fact pattern; you don't know how to analyze as a lawyer; and great gatsby you don't know how to present analysis concisely.) Whether you are familiar with the the boys of 67 three subjects tested or no, all essay exercises are predictable in nature. A typically complex and confusing fact pattern is followed by question(s)/instruction(s) that in effect require you to gatsby wilson identify or spot the legal issues that would be of interest to a judge or lawyer. You must then resolve those issues, bringing to piaget first development bear relevant law and the analytic dialectic between law and facts known as lawyerlike thinking. Should you find yourself thinking, as you review the model responses, I don't think I can ever do that, unless you have a knack for taking such exams (possessed by only a small handful of students -- 5-7%, even at Harvard), you are probably correct. Which is gatsby wilson why so few law students manage even a single A on final exams. But rest assured that anyone with reasonable intelligence and diligence can produce such responses consistently. When Us Withdrew From! Showing you how is what LEEWS is all about -- for any exam in great george, any subject, no matter the question(s)/instruction(s) posed by the professor. Civil Procedure Hypothetical (60 min.) Coris Becker, an Essay the 60s Generation occasional tennis player, fell while descending steps at the Only For Us Racquet Club in great gatsby george, Long Island City, Queens County, New York.

As she explained to her husband moments later by phone: Not the most graceful move in the world, Morris. Piaget First! I got so mad, I smashed Mommy's new titanium Stroker. Be a dear and bring home din-din. Great Gatsby George! I'm going to be in the hot tub for hours. As she limped out to her Lexus, Coris ran into the club owner, Jett Setter. He grinned and remarked, I saw that spill, Coris. Not the most graceful move in the world.

At which point Coris determined to sue Setter personally, as well as the club. Although a resident of Queens County, Coris, joined by her mother, Doris, a resident of glory the movie Manhattan, New York County, brought suit against Only For Us Racquet Club, Inc. (OFU, Inc.) and Jett Setter personally in great gatsby wilson, New York County, seeking damages for Coris' injury and the destruction of the tennis racquet. Thereupon followed, inter alia , the glory the movie following events and motions: 1 OFU, Inc. and Setter moved for a change of venue to Queens County. 2 Attempts to serve Setter personally at his club were twice unsuccessful, so a copy of the summons and george wilson complaint was affixed to the door of his home. Another was mailed to him. Essay Generation! [So-called nail and george mail service.] 3 Although the complaint affixed to his door separated from the glory the movie summons and gatsby wilson blew away, and Essay the 60s the mailed copy never arrived, Setter, by his attorney, appeared in the action, answered the gatsby wilson complaint, interposed affirmative defenses, and otherwise defended against the action. Only later during an appeal did he assert lack of personal jurisdiction as a defense.

4 OFU, Inc. served notice of the deposition of first development a person who, while standing in great, the next phone booth, had overheard Coris' conversation with her husband. Coris moved for a protective order forbidding disclosure of anything overheard as a privileged conversation. 5 OFU, Inc. requested an admission from Doris that Coris has a tendency to negligent behavior. Essay On Talkin’ The 60s! Doris ignored it. 6 Following a directed verdict during trial dismissing her cause of action for destruction of the racquet, Doris immediately instituted a claim for great wilson damages on the same ground in small claims court, Manhattan.

You are a law clerk to, where appropriate, both trial and appellate judges assigned to us withdrew this case. Prepare a memorandum of law respecting the issues raised in the above. Great Gatsby George Wilson! Majority state law applies. RELEVANT LEGAL PRINCIPLES FOR CIVIL PROCEDURE HYPO. (Such legal knowledge should be in your head as well as your course outline. Note: The law provided herein may or may not be currently accurate.) Discovery (scope of) Generally, all information not otherwise privileged that is relevant to the subject matter of the action is discoverable, whether or not the material would be admissible as proof.

Communications between spouses A confidential communication between husband and why the revolution tweeted wife is privileged against disclosure by either spouse or by a third person (e.g., an eavesdropper). Personal Jurisdiction Generally, in order to determine the rights and duties of parties to an action, and to bind the parties personally to its determinations, a court must have in personam jurisdiction over said parties. Said jurisdiction will be had, inter alia, where a defendant is present in gatsby, the state where an action is brought, and personally served with process. Why The Not Be! Where personal service on a defendant cannot be effected through due diligence, a plaintiff is entitled to great george wilson substitute such service by affixing a copy of the summons and the boys of 67 complaint to the door or other conspicuous place at the defendant's last known address, and also mailing a copy of same by regular mail to great gatsby said address (so-called nail and mail). A court has held that three attempts at in hand service at a defendant's place of business, without attempting to serve the defendant at home or leave the did the us withdrew from summons and complaint with a person of suitable age and gatsby discretion at the place of business does not satisfy the requirements of due diligence. Waiver of Where a defendant appears, answers the the boys of 67 complaint, interposes defenses, and at no time during or after trial moves to dismiss based on, nor claims lack of gatsby personal jurisdiction, the will defense will be deemed waived on appeal. Requests for admission A request for admission imposes a duty on the party served to acknowledge the existence of facts that are not in doubt and that should not be necessary to prove at gatsby george wilson, trial. The party served normally has 30 days to respond.

Failure to timely respond results in the matter being deemed admitted. Inter alia , it is permissible to request that a party admit to a legal conclusion (e.g., that an employee was acting with authority, or that the party was traveling against traffic on a one-way street). However, it is not proper to on Women´s Suffrage in Britain request an gatsby george admission to an abstract statement of law (e.g., that allowing a minor without a license to drive is negligent, per se). Res Judicata Doctrine that for reasons of on Talkin’ About economy, prevention of great george wilson harassment, and on Talkin’ the 60s avoidance of inconsistent judicial rulings (policy!), the relitigation of claims and issues is generally prohibited. Claim preclusion Doctrine whereby a final judgment on the merits of a claim or cause of action precludes reassertion of that claim or cause of great gatsby george wilson action in a subsequent suit. Venue Refers to the proper place for trial of a lawsuit.

The purpose of venue rules is to prevent a plaintiff from forcing a defendant to trial where it would be burdensome for him to appear and defend (policy!). Unless compelling reasons exist to direct otherwise, a transitory action (meaning that the the boys of 67 transaction which is the subject of the action could have happened anywhere) should be tried in the county where the action arose. MODEL RESPONSE TO CIVIL PROCEDURE HYPOTHETICAL. (1/4 - 1/3 of allotted time divided into 10-15 minute intervals) Preliminary Overview Six distinct events/motions. Perform Steps One, Two, and Three (The Blender) on each is my initial perspective on great gatsby george how to proceed. [Always the Steps, always the Steps a constant way of the boys of 67 thinking.] Step One [Conflict pairings and gatsby party objective(s) for each of the six events/motions.] The conflict pairings for all six are either Coris and/or Doris versus OFU, Inc. and/or Jett Setter. [The consistent overall objectives are to obtain damages on one side and to avoid liability on the other. However, given that this is a civil procedure exam, the Essay on Talkin’ the 60s objectives that count for purposes of generating premises are intermediate in nature. In the larger (intermediate) sense they are to keep the litigation going versus termination on a procedural ground.

More immediate to great gatsby george wilson the six events/motions:] 1 = Change venue to Queens County vs. The Boys Of 67! keep it in Manhattan County. 2 = Establish personal jurisdiction vs. not. 3 = Have lack of personal jurisdiction defense ruled moot vs. exists and viable. 4 = Preclude disclosure of overheard conversation vs. have it ruled discoverable. 5 = Have fact admitted vs. not admitted. 6 = Have claim heard in gatsby wilson, small claims court vs. Did The Us Withdrew! dismissed.

[My view at gatsby wilson, this point is that each event/motion will generate no more than one or two premises, and Essay on Women´s will be relatively straightforward of great gatsby george wilson analysis. Therefore, the time to be allotted each will be roughly the same. As it would interrupt continuity of train of thought and be time wasting to continue applying the Steps to all six, from this point on I shall work on each question to completion before going on to the next .] Step Two [Consider each pairing, party, and objective. Cull facts (and course outline) for on Talkin’ About relevant premises.] 1 = Venue of transitory action is overriding , (i.e., governs the determination, no matter which party's perspective/objective is considered. George Wilson! See definition of Step Two and footnote, page 104.) 2 = Nail and did the us withdrew mail service vs. due diligence rule. [Complete analysis/discussion of No.2 (7-8 minutes??), then on gatsby to No.3; . . . No.4; . . On Women´s Suffrage In Britain! . 5; . Great Wilson! . . 6.] 3 = Rule re lack of personal jurisdiction and grounds for waiver thereof overrides. 4 = Rule re discovery of the boys of 67 spousal communication overrides.

5 = Requests for admission, and failure to respond thereto overrides. 6 = Res judicata rules override. Step Three [Consider each premise to note missing elements or real issues.] [Since there appear to be but one or two premises to great gatsby wilson be considered for Suffrage in Britain each event/motion, and since I am working on each exclusive of the others, Step Three is unnecessary as an independent exercise. It is part and parcel of great george wilson inspecting the law giving rise to from vietnam the premise under consideration to determine whether it is necessary to state all of the law to begin the gatsby george wilson first paragraph of analysis, or whether one or more elements can be focused on as pivotal.] Preview of a logical sequence for Essay on Talkin’ discussion No overlap of discussion apparent. Great Gatsby! No reason apparent not to glory the movie proceed in the chronology given. [When question(s)/instruction(s) offer a labeling format, you of great gatsby course normally use it. The Boys Of 67! The professor/bar grader will likely be looking for it (Here -- 1,2,3, etc. It seems unnecessary, time wasting, and probably confusing to mention conflict pairings here.

However, I am thinking of and gatsby george guided by them.] Generally, unless compelling reasons exist to direct otherwise, a transitory action [flag relevant law with underlining or boldface] should be tried in the county where the action arose. Transitory has been defined to mean that the did the from vietnam transaction that is the great george subject of the action could have occurred anywhere. Coris' fall and the destruction of the racquet could have occurred anywhere. [Concludes statement of relevant premise, i.e., controlling legal precept, that abruptly begins every paragraph.] Moreover, Coris, Only For Us, Inc. (OFU), and Jett Setter all reside in Queens County. The residence in New York County of Coris' mother, Doris, whose claim is minor, is the only apparent reason for trying the action in New York County. On Women´s Suffrage! It is hardly compelling. [Concludes lawyerlike analysis -- application of law to relevant facts.] Conclusion : The motion should be granted. [No hedging, as this seems open and shut.] So-called nail and mail service will satisfy the great requirements of personal jurisdiction only where personal service on piaget of cognitive development a defendant cannot be effected through due diligence. George! [Law.] It has been held that three attempts at in hand service at a defendant's place of business, without attempting to the boys of 67 serve the defendant at great gatsby wilson, home or leave the summons and Essay in Britain complaint with a person of gatsby george wilson suitable age and discretion at the place of business does not satisfy the requirements of glory the movie due diligence.

Plaintiffs made no attempt to serve defendant Setter personally other than twice unsuccessfully at his place of business. [Analysis.] Conclusion: The attempted nail and great gatsby george mail service was likely [Hedging!] ineffective for lack of due diligence. Where a defendant who has not been properly served nevertheless appears in an action, answers the complaint, and interposes affirmative defenses, but never moves to dismiss for lack of personal jurisdiction, nor at any time claims lack of personal jurisdiction, the defense of lack of personal jurisdiction will be deemed waived upon the taking of an appeal. [Law.] Setter, as concluded above, was never properly served. Nevertheless, he appeared, answered the complaint, defended in the action, and at no time prior to appeal claimed lack of personal jurisdiction. When Did The Us Withdrew From Vietnam! Arguably, raising the claim on appeal is after trial. However, waived upon the taking of an gatsby appeal clearly indicates that the time for Suffrage in Britain raising the claim would be deemed tolled. [Analysis.] Conclusion : Setter's defense of lack of personal jurisdiction would be deemed waived on gatsby appeal. Generally, all information that is not privileged and is relevant to the subject matter of the action is discoverable, even if not admissible as proof. Confidential communications between husband and wife are privileged from disclosure by either spouse and by glory the movie a third party (e.g., an eavesdropper). Gatsby! [Law.] Coris' statement that she had smashed the the boys of 67 racquet was relevant for great gatsby its truth, as well as an indication of Coris' truthfulness. Confidential normally implies private or secret. [Add clarification, or law, where needed, and appropriate.] A conversation at a phone that was apparently near other phones would not seem confidential.

Moreover, given that Coris had not yet determined to sue, her statement in piaget stage of cognitive, the context of remarks about dinner and a hot tub seems merely casual. [Analysis.] Conclusion : The motion will fail. The conversation with the husband was not confidential, and therefore not privileged. A request for george wilson an admission imposes a duty on the party served to acknowledge the existence of facts that are not in doubt and that should not be necessary to prove at trial. However, inter alia, it is Essay on Women´s Suffrage not proper to request an great george wilson admission to an abstract statement of law (e.g., that allowing a minor without a license to drive is negligent, per se). The statement in question seems manifestly a matter that is in some doubt, and did the us withdrew that may be necessary to prove at trial. Gatsby George! Moreover, in that negligence is a legal conclusion, the glory the movie statement would appear to be an abstract statement of law. Conclusion : Doris' disregard of the request is of no consequence, as said request imposed no duty of acknowledgment. A final judgment on the merits of a claim or cause of action generally precludes reassertion of that claim or cause of action in a subsequent suit.

Doris' action in great gatsby, small claims court is grounded in the same facts (destroyed tennis racquet) and sets forth the same cause of Essay on Women´s Suffrage in Britain action as the great one dismissed in the primary action herein. A directed verdict during trial seems both a final judgment and a judgment on the merits. Conclusion : The action in small claims court would be dismissed as res judicata. Corporations Hypothetical (50 min.) The RIP Corporation, formed in 1998 by the Bottomline brothers, Ohmy, Padthe, and Savethe, for Essay on Women´s Suffrage the purpose (as duly set forth in its bylaws and articles of george incorporation) of manufacturing and retailing so-called landscape rape accessories for four wheel drive and other off-the-road vehicles, quickly prospered and went public. Between 1999, when 100,000 shares were first sold over the counter, and 2001 the About the 60s total value of RIPCORP (as the enterprise was affectionately known) shares, after two splits, rose tenfold to forty million dollars. Great Gatsby! Flush with their success and invincible in their avarice, the Bottomline brothers led RIPCORP in piaget first of cognitive development, the aggressive pursuit of great profit wherever it might be found. The brothers held the chief executive positions in the corporation, as well as a majority of seats on the board of not be directors.

They further owned thirty percent of the great gatsby george outstanding shares, by far the largest voting block. Thus, acquiescence in did the us withdrew, their increasingly bold ventures was virtually assured. Matters began to tangle when Meddle, a shareholder of record since purchasing 100 shares at great gatsby wilson, the initial offering, took umbrage at RIPCORP's proposed acquisition of Southeast Asia ski resort options. In the fall of 2001 Meddle sought permission to inspect the RIPCORP minutes and will not be tweeted other records relating to the ski resort venture. When she refused to accede to the demand of the gatsby Bottomline brothers that she first divulge her intentions regarding the inspection, the brothers issued a directive limiting access to the books and records to persons cleared by them, and under no circumstances to Meddle or her representative. Thereupon Meddle brought suit in her own right and on behalf of RIPCORP against the corporation and the Bottomline brothers personally to gain access to the books and records, to block the ski resort venture as an first stage ultra vires act, and for repayment by the RIPCORP board of gatsby directors of any expenses incurred in connection with the pursuit of said venture. 1) RIPCORP moved to dismiss the when did the from action for, inter alia, lack of great gatsby george standing, failure to first make a demand on the board of directors, and failure to state a cause of action. 2) RIPCORP moved in Essay About the 60s Generation, the alternative that the court require Meddle to post $25,000 security for costs as a precondition to continued maintenance of the suit. 3) Meanwhile, the RIPCORP board passed a resolution providing for wilson indemnification of the directors in the event Meddle prevailed, and purchased insurance to provide for same. Meddle immediately moved to quash these actions.

How should the court decide the motions under 1, 2, and why the not be 3 above? RELEVANT LEGAL PRINCIPLES FOR CORPORATIONS HYPO. Ultra vires acts Generally includes acts beyond the purpose or powers of the corporation, and sometimes includes acts within the purposes and george wilson powers of the us withdrew corporation, but performed in an unauthorized manner or without authority. Many jurisdictions now restrict ultra vires challenges to the following: 1) the right of a shareholder to enjoin unauthorized corporate acts; 2) the right of the great george wilson attorney general of the state to enjoin such activities; 3) the right of the corporation to recover damages from the officers and/or directors (present or former) responsible for the ultra vires act(s). Shareholder inspection rights Generally, shareholders have a limited right, founded in glory the movie, common law and statute, to great gatsby george inspect corporate books and records which are relevant to a proper purpose. Courts will determine whether a purpose is proper. A shareholder may examine the stock book and minutes of stockholder meetings on when did the us withdrew demand if 1) he has been a stockholder of record for at great george wilson, least six months immediately preceding the demand; or 2) he is a holder of 5 percent of any class of outstanding shares. Shareholder rights of action Generally, a shareholder may sue the will not be corporation in his own name to enforce his rights as a shareholder, and/or on behalf of the corporation to procure a judgment in favor of the corporation.

The latter derivative action may be maintained only if 1) the plaintiff is great a shareholder when the action is brought; 2) the plaintiff was a shareholder when the alleged wrong to the corporation occurred; and 3) the plaintiff shows in his complaint that he has demanded that the board of directors commence the action, or that there are sufficient reasons for not making the demand (e.g., the board members are the first stage development defendants). Great Wilson! Note that in order to minimize the possibility of when derivative actions without merit being brought merely for nuisance value settlements or counsel fee awards, the corporation may require the plaintiff to post security for costs, unless 1) the plaintiff or plaintiffs hold at least 5 percent of any class of outstanding shares; or 2) the value of their shares exceeds $50,000. Indemnification Generally, a director or officer may not be indemnified (reimbursed) against a judgment obtained against him in a direct action by the corporation, or a derivative action on behalf of the corporation, or for amounts paid in settlement thereof. The director may, however, be indemnified against expenses of defending the action, unless, inter alia, he is adjudged to have violated his fiduciary duty of good faith and reasonable care in the circumstances. George! The corporation may purchase insurance to indemnify officers and directors for even the revolution not be above judgments, providing no deliberate dishonesty or unlawful gain on the part of the officer/director is shown. MODEL RESPONSE TO CORPORATIONS HYPOTHETICAL. Preliminary Overview The three motions referred to great george wilson by the question are like three questions, each to be considered separately. [Note the enormous benefit here of piaget skipping over the facts.] Step One Conflict pairing(s) : [A quick review of the motions in great, conjunction with the sentence that precedes them reveals the single conflict pairing throughout.] RIPCORP, Inc. When Did The! v. Meddle, etc., or vice versa for each motion (i.e., question). Objectives : [Somewhat confusing, as the gatsby sentence immediately preceding the motions reflects three ultimate objectives of Meddle. However, the objectives relevant to the boys of 67 a Step One analysis and the question are implied in the three motions.

Note that motion #1 also provides Movant RIPCORP's premises (!!). Whether the ultimate objectives will be achieved depends upon resolution of the motions.] 1) dismiss the action versus keep it going; 2) $25,000 security be required to be posted, versus not; 3) board indemnification resolution and purchase of insurance be quashed, versus maintenance of same. Step Two [RIPCORP is movant for motions 1 and george 2, Meddle for 3. The motions themselves, especially the first, point to overriding premises.

In that a court may dismiss all or part of a suit, each premise must be considered in light of each of why the tweeted Meddle's objectives set forth in the preceding sentence . Great Gatsby Wilson! The facts in the first two paragraphs need only be considered for purposes of analysis.] 1) Lack of standing, failure to first make a demand on the board, and failure to glory the movie state a cause of action respecting each of Meddle's three objectives = potentially nine discussions. but probably not. 2) [Must refer to great george wilson relevant portions of the boys of 67 corporations toolbox.] The law [Noted in toolbox only. Don't write it in your outline.] respecting requirement that a shareholder plaintiff in action against corporation post bond. 3) The law respecting indemnification and/or insurance of directors in such a suit. Step Three [The motions seem more or less equivalent in weight. Given the complexity of the relevant premises noted in Step Two, the effort necessary for a Step Three analysis seems needlessly duplicative of the analysis to be performed in writing the actual response. Therefore, it seems advisable to skip Step Three and great gatsby wilson go to the writing phase .] Preview of a logical sequence for discussion No reason apparent for glory the movie not proceeding chronologically.

Lack of standing/failure to state a cause of action. Generally, a shareholder may sue the corporation in great gatsby george, her own name to enforce her rights as a shareholder, and/or on behalf of the corporation to procure a judgment in favor of the corporation. Inter alia, the latter derivative action can be maintained only if the plaintiff is a shareholder when the action is brought and when the the boys of 67 alleged wrong to the corporation occurred. Meddle (M) is currently a shareholder, and has been since long before the great ski resort venture. Generally, shareholders have a limited right, founded in common law and statute, to inspect corporate books and records which are relevant to a proper purpose. Courts will determine whether a purpose is proper. On Talkin’ The 60s! A shareholder may examine the gatsby george wilson stock book and minutes of the boys of 67 stockholder meetings on demand if she has been a stockholder of record for at least six months immediately preceding the demand; or she is a holder of five percent of any class of outstanding shares. M's 100 shares, presumably grown after 'two splits to 400, constitutes much less than five percent of gatsby any class of shares. However, she has been a stockholder of record since the initial offering, over why the revolution will not be, two years prior. So-called ultra vires acts acts beyond the purposes or powers of the corporation, and sometimes acts within the gatsby purposes and powers of the corporation, but performed in an unauthorized manner or without authority may properly be challenged by shareholders.

Moreover, the corporation may recover damages from the officers and/or directors (present and former) responsible for the ultra vires act(s) . Given that RIPCORP's stated corporate purpose is to manufacture and retail accessories for Essay on Women´s off-road vehicles, the Southeast Asian ski venture (Venture) has the appearance of an gatsby ultra vires act for which damages may be sought. Failure to tweeted first make a demand on the board. Another requirement for gatsby george wilson maintaining a derivative action is that the plaintiff demand that the when did the board commence the gatsby action, or there be sufficient reasons for not making such demand (e.g., the board members are the defendants). The Bottomline brothers are named in M's suit and why the will not be tweeted hold a majority of gatsby george wilson seats on the board, thereby satisfying the exception. Conclusion : The motion should be denied, as all of RIPCORP's challenges lack merit. Corporations, in order to minimize the possibility of derivative actions without merit being brought merely for nuisance value settlements or counsel fee awards, may require a shareholder plaintiff to piaget of cognitive development post security for wilson costs , unless the glory the movie plaintiff or plaintiffs hold at least five percent of any class of outstanding shares, or the value of their shares exceeds $50,000. M's 100 shares constituted but 1/10th of one percent of the initial 100,000 share offering.

Their value at the time of the suit would have been 1/10th of great gatsby george wilson one percent of forty million dollars, or approximately $40,000. Essay On Women´s Suffrage! However, M has been a shareholder since the very beginning of the corporation, and, as set forth, supra , a challenge to the Venture seems hardly without merit. [Yes, basic math may be necessary!] Conclusion : Although M falls $10,000 short of the $50,000 exception, the great motion should probably be denied. Suffrage! Given that M's sharehold nearly satisfies the gatsby george exception, and the policy justification underlying the security requirement seems utterly lacking, it is unlikely that a court would permit the revolution not be corporation to impose this financial impediment. [Note the use of the policy underpinning as a basis for a counterargument.] Generally, a corporate director (or officer) may not be indemnified against a judgment obtained against him in a direct action by the corporation or a derivative action, or for amounts paid in gatsby george wilson, settlement thereof. The director may, however, be indemnified against expenses of defending the action, unless, inter alia, he is adjudged to have violated his fiduciary duty of glory the movie good faith and reasonable care in the circumstances. The corporation may purchase insurance to indemnify officers and directors for even the above judgments, providing no deliberate dishonesty or unlawful gain on the part of the officer/director is shown. [Given this much legal preamble, it seems appropriate to begin the analysis in a new paragraph.] M's action is in part derivative on behalf of RIPCORP, and a judgment obtained in great gatsby george, this respect cannot be indemnified against.

The facts are unclear about whether the resolution indemnifies against when did the us withdrew, expenses of defending against the action. Assuming, arguendo , that it does, the inherent improbability, indeed inherent folly of the Venture, coupled with its seeming obvious ultra vires aspect, strongly suggests a violation by the directors of their duty to exercise reasonable care, if not a violation of their duty to act in good faith. However, given that RIPCORP appears to have been engaged for some time in a pattern of divers schemes wholly unrelated to its stated purpose, it is unlikely that a court would be willing to take judicial notice of such a conclusion so early in the proceedings. Nothing in the facts suggests deliberate dishonesty or unlawful gain on the part of any RIPCORP director/officer that would preclude the purchase of indemnification insurance. Conclusion : The motion should be granted as to any portion of the resolution that purports to indemnify against judgments obtained on behalf of the corporation, denied as to portions that indemnify against judgments obtained by M, and denied with leave to renew at a later time with respect to all other portions. T properly executed a will in 1994, by the terms of which he distributed his entire estate in the following manner: First: I bequeath my racehorse, Swayback, to my friend, X. Second: I bequeath $100,000 to gatsby george my brother, Y. Third: I give, devise, and bequeath the rest, residue, and will not be tweeted remainder of my estate to my faithful companion, Z.

In 1998, having fallen out with Z, T properly executed a new will with the following terms: First: I bequeath $100,000 to my brother, Y. Second: I give, devise, and bequeath the great george rest, residue, and remainder of my estate to my (new) faithful companion, B. In 1999, having reconciled with Z and spurned B, T properly executed a codicil to his 1994 will, by the terms of which he increased the legacy to Y to $150,000; and in all other respects he ratified, confirmed, and republished the 1994 will. T died in glory the movie, 2001. Great! In a probate proceeding the evidence established the Essay in Britain following: 1) Although sober when he made the codicil in 1999, T was drunk out of his mind when he executed the 1994 will. 2) T sold Swayback to great george wilson a syndicate in 1997 for $200,000. 3) Inadvertently in 2000 T, falling asleep at the boys of 67, his desk with cigarette in hand, set fire to gatsby george wilson some papers. One of the papers destroyed was the original copy of the 1999 codicil, which T had been reviewing. 4) Y died in 2000.

5) S, the son of Y, was one of several witnesses to T's execution of the 1994 will. Discuss the rights of the various parties in Essay Suffrage in Britain, terms of who takes what from T's estate. RELEVANT LEGAL PRINCIPLES FOR WILLS HYPOTHETICAL. Ademption Occurs when a specific legacy (defined below) is not in existence or not in the possession of the testator when he dies (because, for example, it has been sold or given away). When an ademption occurs, the legatee takes nothing. Death of gatsby wilson a beneficiary A disposition to a beneficiary who predeceases the on Talkin’ the 60s Generation testator ordinarily lapses (returns to the estate). By statute in many jurisdictions, however, dispositions to beneficiaries who are issue or siblings do not lapse, providing such beneficiaries have surviving issue. Such surviving issue will take the legacy in equal proportions per stirpes . Disposition of estate Shall be in accordance with a decedent's last will and testament. Execution of a will A properly executed will implies at least two witnesses thereto who do not stand to take under said will. Republication A properly executed codicil to a revoked will operates as a republication of a will that is, in form, properly executed. This is so despite the fact that the will so republished may have been invalid for want of testamentary capacity at the time of making.

Revocation As a general rule, a subsequent will that is entirely inconsistent with a prior will, or a later will that makes a complete disposition of the testator's property, shall be deemed to have revoked the prior will by implication. A will may further be revoked by means of its physical destruction. Such destruction, however, must be accompanied with the intent and for the purpose of revoking the wilson will. Specific legacy A bequest of a particular, individualized chattel, differentiated from all other articles of the same or similar nature. Why The Revolution Not Be! It must be taken by the legatee as and where he finds it. Testamentary capacity Absent evidence to the contrary, testamentary capacity will be presumed where the testator, in executing a will or other document, accurately recites the nature and extent of his property, and recognizes the natural objects of his bounty. Witness as beneficiary A witness to a will may take under that will, providing said will can be proved in probate without his assistance. MODEL RESPONSE TO WILLS HYPOTHETICAL. Preliminary Overview The instruction points to parties who stand to take from T's estate. Each will be in opposition to anyone or anything that would prevent him from taking from T's estate. Step One X, Y, Z, B, and A vs. anyone or thing (including each other, T, the state, or the estate) that stands between him and taking from T's estate.

B v. George Wilson! Z seems a key conflict. Step Two [Each claimant must establish that the will or codicil upon which he bases his claim is valid and controlling. Each will likewise seek to defeat a competitor claim. Legal precepts governing testamentary disposition set forth in my wills toolbox will come into play. However, it would be inefficient and confusing to try to first stage development sort them out at this point. Wilson! Better to focus on one conflict at did the vietnam, a time in the writing phase. Possibly there will be overlap of premises/discussion.] Step Three [Having declined to set forth the great gatsby premises of the various parties in Essay, Step Two, I may as well go straight to the response. My impression is great gatsby george that once the controlling rules are set forth, analysis will be relatively uncomplicated.] Ability of a per stirpes witness, S, to take may be an interesting discussion. Preview of a logical sequence of discussion Resolving which instrument controls seems the obvious first step. Why The Revolution Tweeted! Therefore, beginning with B v. Z would seem to make sense.

B and Z's rights [This label conforms to the instruction. B v. Z might confuse. But I'm thinking B v. George! Z!] As a general rule, a subsequent will that is entirely inconsistent with a prior will, or a later will that makes a complete disposition of the testator's property, shall be deemed to have revoked the piaget first development prior willby implication. Great! The 1998 will was inconsistent with the 1994 will and made a complete disposition of T's property, thereby revoking the 1994 will and Z's legacy. However, a properly executed codicil to on Talkin’ the 60s Generation a revoked will operates as a republication of gatsby a will that is, in form, properly executed. This is why the so despite the fact that the will so republished may have been invalid for great want of testamentary capacity at the time of making. The properly executed 1999 codicil republished the Essay Suffrage in Britain properly executed 1994 will, thereby restoring Z's legacy. George Wilson! The fact that T was sober when making the codicil moots any effect of T having been drunk when making the 1994 will. There being no evidence to the contrary, the glory the movie fact that T in executing the codicil accurately recited the nature and extent of his property and recognized the natural objects of great his bounty will establish his testamentary capacity in making the codicil.

Although a will may be revoked by means of physical destruction , such destruction must be accomplished with the intent and for the purpose of revoking the will. The circumstance that the original copy of the codicil was destroyed inadvertently in 2000 is thus of no avail to B. Conclusion : The 1998 will is revoked, and B takes nothing. Glory The Movie! Z takes the rest, residue, and remainder of T's estate under the 1999 codicil that revived the 1994 will. An ademption occurs when a specific legacy (i.e., a bequest of a particular, individualized chattel, differentiated from all other articles of the same or similar nature) is not in existence or not in the possession of the testator when he dies. When an ademption occurs, the legatee takes nothing. Great Gatsby George! The racehorse, Swayback, appears to the boys of 67 be such a particular, individualized chattel. In that Swayback was sold prior to T's death, the republication of the 1994 will is of no avail to X. Conclusion : X takes nothing from T's estate, as his legacy has adeemed. A disposition to a beneficiary who predeceases the testator ordinarily lapses.

By statute in gatsby george, many jurisdictions, however, dispositions to beneficiaries who are issue or siblings do not lapse, providing such beneficiaries have surviving issue. Such surviving issue will take the legacy in equal proportions per stirpes . Therefore, although Y predeceased T, Y's son, S, would take the the boys of 67 $150,000, providing he is not disqualified by having witnessed the now republished 1994 will. A witness to a will may take under that will, providing said will can be proved in probate without his assistance. A properly executed will implies at least two witnesses thereto who do not stand to take under said will. S was one of several witnesses to the 1994 will, implying that more than two persons witnessed the will. Therefore, presumably two other witnesses exist to prove the wilson will in probate.

NB: Arguably S should be permitted to why the not be tweeted take under the gatsby wilson 1994 will per stirpes, even were he one of only two witnesses to the will. The rationale for not allowing a witness necessary to Generation probate to take under the will being probated is presumably the conflict of interest posed. The reliability of a witness with a vested interest in having the will probated is george wilson compromised. The Boys Of 67! Y, however, not S stood to take under the gatsby george wilson 1994 will. Had there been any consideration of Y predeceasing T, and therefore S taking, S probably would not have been asked to revolution not be witness the will. However, it could also be contended that that was then, and now S does have a compromising vested interest. [This latter paragraph is not necessary. However, it demonstrates the kind of interest and thoughtfulness that may catch a professor's attention and garner an A. Possibly it should be highlighted in great wilson, some way, perhaps with a red star. I might even decide to put it on the blank page left at the beginning. (See p.75.)]

Conclusion : Y, having predeceased T, will take nothing. However, Y's intended legacy will go to Essay on Women´s Suffrage the son, S, per stirpes . S's having witnessed the will under which he takes should not disqualify him, providing two others of the great george several witnesses to the will exist to prove it in probate. Actual Civil Procedure I Exam, Fall 2006, U. Memphis School of Law (with Model A+ Response and Professor Comments) [The example that follows is an actual exam and model response sent to us by one Richard Townley, Sr., U. Memphis class of 2009E (evening division). The exam was given jointly to two first year classes by their professors. Richard ordered the audio CD version of LEEWS. His is the Essay About the 60s Generation verbatim model response offered to students with professor comments! as what was wanted. Great! His response received the highest grade, one of only two A+ grades. His accompanying remarks are reprinted in the Results section.

Inter alia (among other things), he said, LEEWS was absolutely essential to my success. Revolution Not Be! . The exemplar is, in fact, *my* exam essay answer, and if I say so myself, it's a pretty good LEEWS exemplar as well. We reiterate that the LEEWS objective for every response is a series of paragraphs, each beginning with relevant law and presenting balanced lawyerlike analysis. . What is surely wanted when confronted with a task such as what follows is a system whereby in structured, step-by-step fashion, the gatsby examinee knows exactly what is piaget first stage wanted and how to proceed and george wilson present. For example, a LEEWS grad will immediately skip over the confusing fact pattern to the question/instruction, typically at the end, and perform Step One. A LEEWS grad has also read many such introductory instructions, and therefore will skim through quickly to note what, if anything, is new and/or unusual. Note that the development average student managed less than 17 points out of a possible 45 on the essay exam versus Richard's 39 (!!). . It may be further noted that although these professors did not require a so-called IRAC format [and we commend that!), Richard's paragraphed response could easily have been conformed to a Follow IRAC instruction by merely introducing an great george wilson issue statement before each paragraph, and a conclusion statement at the end. LEEWS posits that in glory the movie, general issue statements are unnecessary, as starting a paragraph with law implies the issue, and great gatsby george wilson conclusions are unimportant.] Civil Procedure I -- Exam Results -- Fall, 2006 ( 11 = Prof Banks, 12 = Prof Entman) Essays - 45 points. Average -- 11 [17.2]; 12 [16.1]; both sections [16.6]

Range -- 11 [3 - 42]; 12 [4 - 39] Multiple Choice - 55 points (35 questions) Average -- 11 [33.70]; 12 [35.00]; both sections [34.36] Range -- 11 [18.86 - 50.29]; 12 [17.29 - 53.43] Total - 100 points. Average -- 11 [50.90]; 12 [51.09]; both sections [50.99] Range -- 11 [22.86 - 92.29]; 12 [26.29 - 83.00] Average Grade - 11 [2.33] Both Sections [2.34] 12 [2.34] A+: 82 and above. F : 0 - 32.

INSTRUCTIONS - Read these instructions carefully. You are responsible for following them to the letter and will be assessed a point penalty or given a failing grade for failure to follow instructions. Before you begin work on this examination, be sure that you have an examination booklet consisting of 8 consecutively numbered pages -- beginning with this page. Part I consists of problems calling for Essay About the 60s Generation written analysis. Part II consists of 35 multiple choice questions. If your examination is incomplete, you should advise the instructor immediately. It is your responsibility to ensure that you are working with a complete examination. The exam is closed book.

You may not use any material other than this examination booklet, the answer sheet, blank paper and an appropriate writing instrument. You may not, of course, confer with or receive assistance from any other person. Your answers for Part I should be written on the paper provided. Be sure to identify clearly which subpart you are answering (e.g., I. A.). When you have completed your answers to Part I, number your pages consecutively, write your identification number on george wilson each page, and staple all of the the boys of 67 pages together in the upper left hand corner. 1. Great! Answer only the question asked and do so with organization, precision, legibility, and proper grammar and spelling.

2. If a court rule or a statute is relevant to a problem, you may identify it by Essay About Generation number, but you must discuss its substance whether or not you mention the rule or statute by number. 3. Write on only one side of a page and leave a left margin. Write your identification number in great george, the space provided on why the tweeted the answer sheet for Part II and mark the appropriate corresponding circles on your answer sheet to great gatsby george indicate your examination number. Do not staple the answer sheet for Part II to anything. Submission of Exams -- General Instructions When you have finished the did the us withdrew examination, place your answers to Part I, your answer sheet for Part II, and great gatsby the exam booklet in Essay Suffrage, the separately designated boxes. All examination booklets must be turned in. You must write your identification number on this exam booklet at the top of the first page and return the booklet in order that your exam answer sheet may be matched with the great gatsby george correct version of the answers. Do not write your name on anything. For this examination, unless we have specifically studied to the contrary, you should assume the following:

1. all states have adopted rules of Essay Suffrage civil procedure identical to wilson the Federal Rules of Civil Procedure; 2. all states have enacted statutes that authorize the exercise of jurisdiction on each of the traditional bases recognized by the Supreme Court up to the date of its decision in on Talkin’ About Generation, International Shoe; 3. all states have also enacted the great wilson following statutes: X.C.A. 1-1-111: A court may exercise personal jurisdiction over a person (including an individual, his executor, administrator, or other personal representative, or a corporation, partnership, or any other legal or commercial entity) who acts directly or by an agent, as to a claim for us withdrew from relief arising from the persons. (a) transacting any business within this State; (b) causing tortious injury by an act or omission in this State; (c) causing tortious injury in this State by an act or omission outside this State if the person regularly does or solicits business, or engages in any other persistent course of conduct, or derives substantial revenue from goods used or consumed or services rendered in this State; (d) owning, using or possessing any property situated in this State; (e) contracting to insure any person, property, or risk located within this State at george, the time of contracting. X.C.A. 2-2-222: In any suit brought in the courts of this State, service of Suffrage process may be achieved by sending a summons and a copy of the complaint by registered mail, return receipt requested, to the defendant's home address, or principal place of gatsby wilson business, wherever located. The problems in Part I are worth a total of why the not be tweeted 45 points. Gatsby George! They are not of equal weight.

A. You are now an associate attorney in when us withdrew from, a law firm. Respond fully to the following memorandum from one of your employers. I Quit is gatsby george wilson not a recommended answer. To: Associate. Re: First Commercial Industrial Bank v. Isolde. Date: Dec. 11, 2006. [Fact pattern (hypo)] Tristan and Isolde are partners in a furniture repair business. Stage Of Cognitive Development! Their shop is in the State of Swabia where most of their customers are from. Great Gatsby! Sometimes people from the nearby States of Prussia and Bavaria bring repair jobs to the shop in Swabia. Isolde was raised in Prussia and lived there with her parents until June, 2003, when she moved into an apartment in glory the movie, Swabia to see if she would enjoy living away from home.

In July, 2003, a vice-president of First Commercial Industrial Bank of Prussia [First Commercial] attended a lecture on furniture repair that Isolde gave in great gatsby wilson, Prussia. He decided that Tristan and Isolde had a promising business and from vietnam that the bank would do well to great procure their business. After receiving a letter at their shop offering the banks services, Tristan and Isolde decided to borrow $150,000 from First Commercial. By telephone, they requested the the boys of 67 bank send them the paperwork at their shop. Great Gatsby George Wilson! On August 15, 2003, Tristan and Isolde signed the loan papers at their shop and Tristan immediately took them to First Commercials main office, located ten miles away in the State of Prussia. First Commercial then gave them a check for $150,000 minus closing costs of approximately $5,000. The loan agreement provided that its interpretation and Suffrage in Britain validity would be governed by great gatsby wilson the law of Prussia and that it was to be repaid in two years.

Due to financial difficulties, Tristan and Isolde made only two payments on the loan. When First Commercial threatened to sue them, Tristan settled the banks claim against him for $50,000. First Commercial then sued Isolde in piaget first, the United States District Court for Prussia to gatsby george wilson collect the unpaid principal and interest. First Commercials attorney served Isolde with process by registered mail, return receipt requested, to her at the shop in Swabia. On May 15, 2005, after Isolde failed to respond to stage the complaint and summons, the court entered a default judgment against her for great gatsby wilson $100,000. On December 1, 2006, First Commercial sought to register the judgment against Isolde with the United States District Court for on Talkin’ About Generation the District of Swabia.

In conjunction that proceeding, First Commercial procured a writ of garnishment, attaching $10,000 that Isolde had in a bank account in Swabia. First Commercial also procured a writ of garnishment from the great federal court in Bavaria, attaching a $5,000 debt owed to on Talkin’ About Generation Isolde by one of her customers there. [Question/instruction] We represent Isolde. Please submit a memo to me discussing fully whether Isolde has any defenses she may raise to the enforcement proceedings in Swabia and Bavaria. Be sure to gatsby george discuss fully any possible defenses that you may have considered and rejected and on Women´s in Britain explain fully why you have rejected them. B. The next day, you receive the following memorandum from the same partner. Again, respond fully. To: Associate. Re: First Commercial Industrial Bank v. Isolde. Date: Dec.

12, 2006. I have now learned that Isolde was involved in an automobile accident in Swabia a week after she was served with process by registered mail. She was rendered unconscious for two days. An ambulance rushed her to the nearest hospital, which was located in great george wilson, Prussia. Three days after the accident, but while she was hospitalized in Prussia, a private process server acting on behalf of First Commercial served Isolde in her hospital bed with a another copy of the summons and complaint for the same lawsuit. Given that she was served while in the state, it now seems to me that the judgment of the federal district court in Prussia against Isolde is unquestionably valid and is enforceable in both Swabia and Bavaria. Please discuss fully whether you believe that assumption is valid and whether the service on Essay in Britain Isolde in the hospital establishes jurisdiction. The discussion below is a verbatim copy of a students essay that received a top grade. Commentary by great gatsby Professors Banks and why the Entman appears in brackets. . [LEEWS note: We reprint this commentary in blue.] LEEWS NOTE: IRAC (merely a formula for organizing analysis of an issue) prescribes a statement of I ssue to precede the statement of R ule, and the discussion ( A nalysis). (And C onclusion at the end.) The LEEWS paragraphing format posits that an great gatsby george wilson abrupt statement of the boys of 67 premise (relevant law) to begin a paragraph implies the issue, making a separate statement of issue unnecessary (thereby saving time).

Richard's model response in LEEWS format does this. Our only suggestion is that underlining or boldfacing key words in the preamble of law e.g., Subject matter jurisdiction in the opening paragraph, federal diversity statute in the next to assist the professor in recognizing the great gatsby topic (issue). Subject-matter jurisdiction. The federal courts are courts of limited jurisdiction; they can only hear certain types of claims as outlined in Article III of the US Constitution and as authorized by Congressional Statute. First Commercial will argue that the US District Court has subject-matter jurisdiction to hear this case based on the diversity of citizenship of the parties.

First Commercial is a citizen of Prussia. Isolde has been living in Swabia for one month. Glory The Movie! [The facts do not give sufficient information to know how long Isolde had been living in Swabia at great, the time First Commercial filed its complaint, which is the Essay Suffrage in Britain time at which jurisdiction must either exist or not. At most, one can deduce that the suit was brought as early as November 2003 or as late as April 2005. Consequently, Isolde must have been living in Swabia for great george wilson more than one month, but not the two or three years that some students stated.] She can argue that she is still domiciled in Prussia, where she lived her whole life up to June of 2003, because she only Essay on Women´s Suffrage, moved to Swabia temporarily, to see if she would enjoy life on her own. Great George! If Isolde is found to the boys of 67 be a domiciliary of Prussia, then there is not diversity of great gatsby george wilson citizenship and thus no subject matter jurisdiction. However, if Isolde is found to have relocated to Swabia with the intent of staying for the indefinite future, then the parties are diverse.

The federal diversity statute also requires the amount in controversy to exceed $75,000. The $100,000 judgment against Isolde satisfies this requirement. N.B. [Please do not use abbreviations, including this one.] This action could not be brought under federal question jurisdiction because breach of contract is a state common-law claim. Therefore nothing in the plaintiffs complaint arises under the Constitution and laws of the United States. Subject-matter jurisdiction is the boys of 67 never waived, and in this case, it has not been previously litigated, so it could be raised on collateral attack.

However, it is more likely than not that the great george court will find that Isolde did move to Swabia with the intent to stay indefinitely, so the District Court in glory the movie, Prussia probably did have subject-matter jurisdiction. Personal jurisdiction. In the great george alternative, Isolde can argue that the glory the movie rendering court in Prussia lacked jurisdiction over the person. Because this has not been litigated, it can be raised on collateral attack in the enforcing court. [We would have preferred a discussion at this point that specifically points out that Isolde never even appeared in the first action. Most of you could have improved your answers by making better use of the facts to support your analysis.

The reason Isolde can raise personal jurisdiction on collateral attack is because she did not appear at all in the original action. Great Gatsby Wilson! Since she did not appear, there is no reason to discuss Rule 12.] First, Isolde will argue that there are no traditional bases for establishing jurisdiction over her in glory the movie, Prussia. N.B. The federal courts derive their personal jurisdictional reach from the state in which they are situated, so the District Court can exert personal jurisdiction over an out of state defendant only if the wilson state court could do so. Will Tweeted! Isolde was not served with process with Prussia, so transitory [transient?] jurisdiction does not attach. Because it is george necessary that she be domiciled in glory the movie, Swabia to establish diversity of citizenship, First Commercial cannot argue that she be subjected to personal jurisdiction on the basis of domicile. Even though the great gatsby contract included a choice-of-law provision applying the laws of Prussia to possible disputes, that is why the revolution will not be tweeted not the same as a consent provision. [A surprising number of students referred to this as a forum selection clause. At least one student referred to it as a forum selection clause in part of the answer and a choice of great gatsby george law provision in Essay Generation, another part of the same answer. Another specifically stated that it was a forum selection clause and not a choice of law provision.

Mistakes of this type may be attributable to sloppy reading of the facts but they are also a strong indication of a serious lack of preparation. Failure to devote sufficient time to study of the assigned materials frequently manifests itself in a persons demonstrated obliviousness to great important distinctions. Others simply didnt know what to do with the fact, thus reflecting a failure to study the Burger King opinion and to Essay the 60s pay attention to our class discussions of it.] Statutory basis. First Commercial will argue that the gatsby wilson long-arm statute conferred specific jurisdiction over Isolde on the basis of the first of the enumerated acts: a) transacting any business within the State. The claim for relief, the $100,000 breach of contract, arises from the defendants act of entering into the loan contract, which First Commercial will argue was executed on Tristans delivery of the loan documents to the Banks main office in Prussia. Glory The Movie! Isolde will counter that her act was signing the documents, which took place at the furniture shop in Swabia. This is a valid argument so long as the court reads the statute literally and narrowly. However, if a court interpreted the statute broadly (See Gray v. American Radiator) it might find that the great gatsby statute reaches the out of state act, the signing of the contract, which causes an in the boys of 67, state result, the execution of the contract. [It is probably not necessary to stretch the construction of the statute as the court did in Gray to hold that it confers jurisdiction, given the facts of this problem.

The statute covers transacting business in the forum state directly or by an agent. Like McShara in Burger King, Tristan was acting on behalf of the partnership (thus as an agent) in delivering the papers to the bank. The facts specifically state that Isolde, along with Tristan, signed the papers and that he immediately took them to wilson the bank. You should never, as many of you did, overlook the statement that Isolde signed the why the revolution will papers or speculate that she may not have read them. Great Gatsby! There is simply no basis in the facts for speculating that Isolde didnt know what she was signing. Indulging in speculation that she might not have reveals desperation.] Constitutional Standard. Glory The Movie! The Fourteenth Amendment to the US Constitution provides that no state shall deprive a citizen of life, liberty or property without due process of law.

The U.S. Supreme Court defined the great george wilson due process standard as it relates to imposing personal jurisdiction on an out of why the revolution not be tweeted state defendant in gatsby, International Shoe: jurisdiction is constitutional only if the cause of action arises from the defendants minimum contacts with the forum, such that the assertion of jurisdiction would not offend traditional notions of fair play and substantial justice. Assuming, arguendo, [LEEWS note: We teach the proper use of words like arguendo -- because they are useful and not be add a lawyerly caste to the presentation.] that the long-arm statute is sufficient to great gatsby george provide a statutory basis of jurisdiction over Isolde, would such jurisdiction be constitutional under the Shoe standard? [While it is implicit in the answer that the constitutional hurdle becomes important only if the court first accepts the argument that the statute confers jurisdiction, a perfect answer would have explained that relationship more fully.] Isolde will argue no, because the contact which gives rise to the claim, the signed loan contract, was brought into the forum by the unilateral actions of a third party, Tristan. Therefore, Isolde did not purposefully avail herself of the privileges of conducting activities in the forum, Prussia. First Commercial will counter that Tristan and Isolde were operating together to secure the loan. They reached into when did the us withdrew the forum when they called First Commercial. Isolde knew that Tristan was taking the documents to Prussia, [run-on sentence, a sin committed by many students in these essays] therefore it was imminently [eminently] foreseeable that the contract would be executed there, and she could reasonably anticipate being haled into court in Prussia over george wilson, any disputes to the contract. (See Denckla, Worldwide VW). While there are some open questions regarding minimum contacts, the facts seem to favor First Commercial. In the alternative, [In addition?] can Isolde raise any of the fairness factors, defining fair play and substantial justice, articulated in the US Supreme Courts Burger King decision?

In weighing the not be tweeted relative burden on Isolde compared to the interest of First National in litigating in Prussia, it does not seem unfair to require Isolde to travel to a nearby state where she lived most of her life and great george where she sometimes appears to give lectures. The interest of the forum state in adjudicating the dispute would be well served because of the choice of law provision; Prussia has an interest in adjudicating its own laws. The interest of the several states in efficiency and public policy do not seem to enter the picture, so the fairness factors do not point to Prussia as an unfair forum for Isolde. Conclusion. Although Isolde has some colorable arguments, she probably cannot invalidate the original judgment on why the revolution will tweeted a defense of lack of personal jurisdiction.

[Many of you neglected altogether most of the great gatsby issues about validity of the Prussia judgment treated in the foregoing answer, instead discussing at piaget first stage development, length personal jurisdiction, subject matter jurisdiction, and service of process in gatsby, the enforcement proceedings in Swabia and Bavaria. Such discussions reflect a lack of knowledge of our classwork on Assignment 27, a failure to About read the Shaffer v. Great George Wilson! Heitner opinion carefully, and a failure to study the problems following that opinion in the casebook.]

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The Innovative One Page Resume Portfolio. In this guest article Jacob Share* goes through an wilson, innovative new way to display your work and why the revolution will tweeted CV all on one page. Many companies and recruiters prefer the simplicity and speed of one page resumes. Gatsby George? As a designer, how can you have maximum impact with only a single sheet of Essay Suffrage in Britain, paper? The answer The one page printed resume and portfolio. The one page resume portfolio is great gatsby, a 6-panel pamphlet that shows your resume when folded and on Talkin’ your design portfolio when unfolded. You can click on the image above to view it in full. The above image is an example of the one page printed resume and great portfolio from a French Graphic Designer. Revolution? It shows 3 different views and below is a description. From left to right;

Front view of the resume portfolio, slightly open . You can see the designers logo and contact information. Great George Wilson? Notice the vertical bar on the right side of the Essay on Women´s Suffrage, inner panel, where the text reads curriculum vitae with a right arrow and portfolio with a left arrow pointing inside. Partially-open view of the portfolio . If you followed the left arrow and continued unfolding, this is what youd see before youre done. Great? The panel with the first stage development, arrow bar folds outwards , meaning that theres actually more room for george, portfolio highlights inside. Resume details . Following the when did the us withdrew from, right arrow will have you flip over the pamphlet, leading to gatsby george, the actual resume content. Somewhat complicated design is why the will not be, time-consuming to great, update or customise Uneven folding looks sloppy if done incorrectly and ruins the impact Usually requires costly colour laser-printing on thick paper for full effect.

More space to communicate and on Talkin’ About the 60s Generation brand yourself Very memorable, especially when done well Design pun: lets you describe your skills while demonstrating them. Have a history of great gatsby george, school, volunteering or work projects before you use this design. The Boys Of 67? Substituting with content that isnt yours but that youre capable of creating defeats the purpose and gatsby looks amateurish. The one page resume portfolio works best live when people can hold it and unfold it, like in interviews or at professional gatherings. The front panel should contain your logo and contact information at a glance. The front panel should be particularly eye-catching to make people want to pick it up and open it. An attractive image that continues off one panel will encourage the reader to piaget of cognitive, unfold until they can see the entire image. George? Above, the French designer used that effect to lure the glory the movie, reader to see both resume-related panels together.

The 2 configurations that work best are the pictured 4:2 portfolio to great george wilson, resume panel ratio with arrow bar and the 3:3 resume-outside portfolio-inside ratio. Use the resume portfolio to complement your full design portfolio whether physical or digital. For the former, you might consider a sentence about what else not pictured is in your portfolio. For the latter, give all pertinent links. Want more resume and portfolio tips? Great design is the Essay on Talkin’ the 60s Generation, best combination of trade-offs for a certain context. If you use it wisely, the wilson, one page resume portfolio could be a valuable tool in your hunt for new design jobs. What are your thoughts?

*Jacob Share created the award-winning JobMob to rally job seekers and jobfinders in getting jobs in Israel and all over the world. The blog is why the revolution, filled with straight-talking real world advice, lots of wilson, humour and design inspiration such as 36 Beautiful Resume Ideas That Work. Subscribe for a week via RSS, its free. Whoa, I totally disagree with this tactic. Ive had numerous art directors and hiring managers tell me how much they cant stand a non-standard CV. In fact, some have told me that they will immediately throw out any CVs that try too hard or that they have to think about too much. Keep it to a letter or A4-sized sheet of paper, and the 60s Generation make sure its a portrait orientation. George Wilson? This is your first design challenge: make your CV standout within the parameters of a standard sheet of piaget first stage, paper. Dont out-clever yourself. As an HR person for great george wilson, an adverting agency and a graphic designer I totally agree.

Keep it simple. Stop playing with the theatrics. The more flair you ad only makes you look cheaper. Instead stick to beautiful typography and great layout. In fact this is a very bad idea, its ugly, but dont take it from me read all the other comments as they all seem to agree. well i have to agree with Prescott. Whilst I agree that getting your resume on one piece of paper is beneficial, Im not sure about making a leaflet out of glory the movie, it. This kind of leaflet is popular with take-out restaurants and other small businesses because it is cheap to produce. For me that association immediately cheapens the product i.e. you. One way to immediately upgrade it, but within the same space, would be to great george wilson, make it a four page A5 with the fold on the short side.

Of course, that depends on Essay Suffrage, your printer using A3+ to print. I like the gatsby wilson, IDEA, I just have reservations about the final product. I dont see any reason why this couldnt work alongside a normal CV. It looks superb and is a fantastic demonstration of the 60s Generation, ones design skills. But I guess there are people wholl want a standard sheet of A4, in Times, double spaced with margins so that they can file it in a manilla envelope. And hey, we should cater for them too (because they usually pay better).

I think it depends on the job you are trying to get. If the job is great wilson, folded brochures and the like then why not give them this type of Suffrage in Britain, cv as an example. Jacob, this is simply great! I am 100% for a resume that will stand out also visually, not only by the content. And this is great george, even more true when it comes to designers. Glory The Movie? There are some more good ideas for unique resume design. [] The Innovative One Page Resume Portfolio Many companies and great gatsby george recruiters prefer the piaget first stage of cognitive, simplicity and wilson speed of one page resumes. Suffrage In Britain? As a designer, how can you have maximum impact with only a single sheet of paper? 20 Things I Learned Using Twitter Being a regular twit (is that really how youd say it!?), Ive grown to learn some essential habits, rules, and 3rd party apps that make for great george, a smooth and never dull experience. Beginner SEO for Anyone Think SEO is piaget stage, one part black magic and one part illegal tactics?

Dont even know where to start? Start with this article in plain English for gatsby wilson, an explanation of several SEO terms. Design and Code a site with Gimp, HTML and CSS (Part 4/4) In this part I am going to show you how to finish off the template we have been creating Being a Freelancer: Part 1 The Wannabe Perception This is Part 1 of a two part article is about perception, misconception and about what freelancing is really about. Suffrage? [] [] As a designer, how can you have maximum impact with only gatsby, a single sheet of paper? The answer:read more | digg [] I can envisage this as something you might post or drop off to agencies in the boys of 67 order to get their attention, instead of treating it as a full portfolio. The images (reproduced at smaller dimensions than the great george, originals, presumably) are no substitute for glory the movie, actual copies of the original print work that a designer has done. Full marks, though, for wanting to keep the portfolio concise. Ive just written a post on my blog about keeping web portfolios concise, and the web is a medium where you do have the scope to great gatsby wilson, be more creative in why the will tweeted how your format your portfolio, so its great to see the creativity in great gatsby george this piece. [] he posted this story about an in Britain, innovative one-page resume/portfolio thats incredibly interesting.

His site is a [] I really like the way this particular cv/portfolio is done. Its definitely something that you need to drop off in person or mail, you cant send it by email. I reckon it would go a long way if done professionally. That way you do not have to george wilson, worry about poorly folded lines and the like. It would also show the employer that you are serious about your job application. Great idea if youre looking to get clients.

Bad idea if your looking for traditional employment. I think via a folder like this you give to revolution will not be, much away. You have to make the wilson, company curious. By overdesigning your cv there is nothing left to be curious about. This makes me feel excited!

Well be making a so called, creative resume as a part of our design portfolio. #128578; [] The Innovative One Page Resume and Portfolio from Just Creative Design. [] [] The Innovative One Page Resume and Portfolio from piaget of cognitive Just Creative Design. [] [] graphic design in gatsby george Ireland be memorable by leaving a portfolio at any interviews you attend this Innovative One Page Resume Portfolio from Just Creative Design is a good example. 10 Great Places to Find Graphic Design Jobs on You The [] These days Im starting to see that ow your information gets to Essay on Talkin’ the 60s, someone matters. Cold call: Short sharp resume+cv probably matters as you want to george, get your point across quick. Job Ad: I would suggest a resume + more CV samples. These guys will be flooded with applicants, and you dont want to did the us withdrew from, get chucked aside if the hiring manager has to wilson, email you for more samples of your folio. Invitation to Apply: Sometimes the lucky ones get asked to piaget first stage, apply.

This case you would want to great george, send a comprehensive resume and CV to piaget first development, paint the gatsby wilson, best possible picture of you and us withdrew from your abilities. This is neither beneficial or even interesting and is a surefire way of getting your resume tossed. Seriously, there is nothing interesting about an old tri-fold. Its merging two things that should really stay separate. Right now its: A very poor, hard to read resume. A cheap, unattractive portfolio. Although I did not write this article, I can see some advantages, such as it being unique #038; easily posted however I do believe there are also disadvantages such as the ones you have suggested. There are many other solutions I think this one will take a lot to pull it off.

I agree that physical resumes and portfolios are always a good way to get a good impression, I must disagree with the aspect of great gatsby wilson, accessibility. I am currently working with an online company called INDEGO DESIGNS. Our job is to take resumes and portfolios to a whole new step. We create innovative graphically designed websites, to promote you as an piaget development, individual. Great Wilson? This will be your page, with all your information, works and means of communication. We have found that online resumes and portfolios are the when us withdrew vietnam, new method of really getting to the people you are trying to communicate to.

It is now easy to access anyones information with a single touch of a button. Indego designs is dedicated to great, providing the tools and services that will enhance your presentation to potential employers and firms. Our services range from creating professional looking websites and did the us withdrew from portfolios of your work to george wilson, writing top-notch cover letters and resumes that will highlight your academic qualifications, diverse experiences, attained skills and well-earned accomplishments. At Indego Designs, its all about the boys of 67, your qualifications. WOW, what a diverse array of opinions! I like the idea of the tri-fold, it has been a great step for great george wilson, myself in thinking outside that old a4 box. I am in the process of the 60s, gathering together my portfolio and I am finding it a lot harder than creating design for clients! Its proving hard to find a good balance between great design and the traditional resume, I really think that it should be a well considered aspect in a case by employer case basis. *sighs and gets back to work*

You just cant please everyone all of the gatsby george wilson, time. They always say it is hardest to design for did the from vietnam, yourself but good luck with it. Great? This is just one way to present a portfolio / CV I am certain there are many many more ways. Get creative #128578; i guess the only problem is that it couldnt be sent by when, email, and gatsby george wilson if itwas sent then it wont be undestood, i mean the Essay the 60s, comcept, other than that its a very nice way to break the routine of old cvs. Yeah, I agree. Those creative way had been told by my lecturer b4. Sometime we need to think outside of the box.. George Wilson? thats make a designer special..

its avery nice idea to create ur cv in this way ,, i think it can be considered as a creative one cuz its a new idea to produce the cv in why the revolution this way but as they have said before its difficult to be sent by email .. am agraphic desginer and i will consider this way #128512; Really? A tri-fold brochure? The design/layout/typography/color palette would have to be AMAZING for me to consider an great gatsby, applicant that went this route Very bad idea and unprofessional for a number of reasons. Essay On Women´s Suffrage In Britain? 1)Time is money. 2) You conform to us, not the other way around. George? 3) You have no taste. We prospective employers take about three (yes, 3) seconds to glance at any resume, then put it in one of two piles: trash or not. We are searching for serious applicants only, not budding artists. We want to see what YOU will offer OUR BUSINESS in Essay on Talkin’ Generation the way of KNOWLEDGE, SKILLS, and ABILITIES, not be annoyed because someone accidentally included a page from wilson their kids coloring book in the wrong envelope.

Next, anything which deviates from the standard 8 1/2? x 11? is a filing nightmare and will not be considered. Imagine a stack of resumes, all different sizes, shapes, turn this way / that way (notice how many steps above involve written directions on how to even read the sample). Please, be sure to include those directions with your self-described One Page Portfolio CV single sheet (an oxymoron, to be sure; portfolio vs one page/single sheet: go do some homework before you put yourself out) when you submit so we can have even more cumbersome reading material from you. Add possibly printing onto eye-catching glossy, SLICK paper so that not only does the odd-size and clever folds, maybe even pop-ups and glory the movie so forth (just a suggestion for you to try), present a problem, but now its sliding out of the gatsby george, pile and the boys of 67 falling onto the floor, over and over, annoying, file 13 What a memorable applicant you are; what a lucky recipient I am! And finally, add the george wilson, come-hither, side-glance, wind-blown hair from those pictured, (you thought this was a modeling agency to which you are applying? or a hair salon?), then all three FEMALES, (and thankfully, but why not? neither MALE) let me show you my upper-body skin after-hours suggestive photos, and youve got yourself a name for sure! I dont care that you think your asset for me is your pompous opinion that your face and skin would somehow benefit my company. When From? Get real, American job applicants! Show your skills, not your skin, not your lack of taste and talent. Get your silver spoon out of your mouth and nose (note the one models far-off stare).

You and gatsby your submission WILL STAND OUT outside of consideration, outside the building! [] Innovative Graphic Design Resume CV and glory the movie Portfolio Tips Heres a really beautiful example of a resume and great wilson portfolio printed as a brochure. [] I cant recommend this type of layout, having previously tried it myself. Your CV is piaget stage, likely to great gatsby wilson, arrive in a HR department, who will photocopy it, put it on record and pass on Essay Suffrage in Britain, the photocopy. Which wont look nearly as good as your six-panel design, or a traditional layout. I actually agree with Prescott. Gatsby George Wilson? Unless youre applying for an art craft thing you can put every effort to Essay Suffrage in Britain, look different, but the important of a resume is information.

Its hard to design a one conceptual, readable and outstanding one A4 page resume. The more you try to do, leads me to gatsby wilson, think. 1. youre trying to hard to impress me (which you wont accomplish) 2. the more complicated or folded thing, the less ill open it. consider most art directors have a busy agenda, they want information at us withdrew vietnam one glance. But of great george wilson, course, this is not a rule of thumb. So, try hard and Essay About the 60s Generation good luck #128578; [] one page resume and portfolio mixed reviews on this [] Hi, I like the idea of non-tradional format for Cvs thinking outside the 8.5 x 11 page, but I do believe that it depends on audience.

Many people will prefer the letter-sized resume, so what Im wondering is how you can push that format to your advantage as an artist to great george wilson, stand out. When Vietnam? Im a photographer myself, and I recently started a collective for fellow lens-based artists. Were trying to come up with some ideas to market ourselves and weve been in debate over the resume issue. Weve been playing around with font and layout, but it really is difficult to design a one-page resume. [] How not to write a CV / Resume (/img) Writing Creative CVs (University of great wilson, Kent) The Graphic Design Resume Guide (Youth Designer) The Innovative One-Page Resume and glory the movie Portfolio (Just Creative Design) [] [] Tuts Preparing and talking about your graphic design portfolio Just Creative Design The Innovative one page resume portfolio Flaunt A book about designing effective, [] [] Writing Creative CVs (University of Kent) The Graphic Design Resume Guide (Youth Designer) The Innovative One-Page Resume and Portfolio (Just Creative Design) ‹Previous Post The job hunt tips on searching for a creative []

Its very informative blog. Thanks for posting. Additionally I would suggest to learn the great wilson, employer company, learn the glory the movie, requirements and then create the CV in such a manner that candidate makes the great wilson, employer realize that he is the one they were searching for! This will satisfy the candidate as well as the employer. @ Barbara Your view as an employer seems narrow.

You have to be efn kidding when you say you throw a resume away because its a filing nightmare ^ This is whats wrong with corporate America. Talk about pompous. [] kind of nice to have both in the same thing. For example: Innovative Graphic Design Resume CV and Portfolio Tips Thanks about the HTML strict thing I'll double check that. __________________ Anothera New Era [] [] which I'm pretty sure you made out was for glory the movie, a client. did you ever see this that I linked to?

Innovative Graphic Design Resume CV and Portfolio Tips can u explain that one then genius? __________________ Anothera New Era Design [] My piece of work: [] A version of this article appeared on great gatsby george wilson, Jacob Casss wonderful Just Creative blog. [] [] A version of the boys of 67, this article appeared on Jacob Casss wonderful Just Creative blog. []

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Action Verbs #8212; By Skills Categories. Remember to use the great gatsby george wilson below action verbs when describing your skills and accomplishments in a resume or cover letterby doing so, you’ll maximize the revolution will effectiveness of your accomplishments, and make potential employers take notice. Be sure to great gatsby wilson use these action verbs in their proper context. Always use action verbs in the past tense when describing responsibilities and on Talkin’ About accomplishments from a previous job . Here’s an gatsby example: Trained, led, and supervised a team of piaget stage of cognitive content editors in great george, the development, structuring, and why the not be tweeted writing of online classes. Always use action verbs in the present tense when describing responsibilities and great george wilson accomplishments in a current job . Remember, these are leads words that start off each descriptive bullet point of revolution not be tweeted a job description. Train, lead, and supervise a team of content editors in the development, structuring, and writing of online classes. Addressed Advertised Arbitrated Arranged Articulated Authored Clarified Collaborated Communicated Composed Condensed Conferred Consulted Contacted Conveyed Convinced Corresponded Debated Defined Developed Directed Discussed Drafted Edited Elicited Enlisted Explained Expressed Formulated Furnished Incorporated Influenced Interacted Interpreted Interviewed Involved Joined Judged Lectured Listened Marketed Mediated Moderated Negotiated Observed Outlined Participated Persuaded Presented Promoted Proposed Publicized Reconciled Recruited Referred Reinforced Reported Resolved Responded Solicited Specified Spoke Suggested Summarized Synthesized Translated Wrote.

Acted Adapted Began Combined Composed Conceptualized Condensed Created Customized Designed Developed Directed Displayed Drew Entertained Established Fashioned Formulated Founded Illustrated Initiated Instituted Integrated Introduced Invented Modeled Modified Originated Performed Photographed Planned Revised Revitalized Shaped Solved. Administered Adjusted Allocated Analyzed Appraised Assessed Audited Balanced Budgeted Calculated Computed Conserved Corrected Determined Developed Estimated Forecasted Managed Marketed Measured Netted Planned Prepared Programmed Projected Qualified Reconciled Reduced Researched Retrieved Slashed Sliced. Adapted Advocated Aided Answered Arranged Assessed Assisted Clarified Coached Collaborated Contributed Cooperated Counseled Demonstrated Diagnosed Educated Encouraged Ensured Expedited Facilitated Familiarized Furthered Guided Helped Insured Intervened Motivated Prevented Provided Referred Rehabilitated Represented Resolved Simplified Supplied Supported Volunteered. Administered Analyzed Appointed Approved Assigned Attained Authorized Chaired Considered Consolidated Contracted Controlled Converted Coordinated Decided Delegated Developed Directed Eliminated Emphasized Enforced Enhanced Established Executed Generated Handled Headed Hosted Improved Incorporated Increased Initiated Inspected Instituted Led Managed Merged Motivated Navigated Organized Originated Overhauled Oversaw Planned Presided Prioritized Produced Recommended Reorganized Replaced Restored Reviewed Scheduled Secured Selected Streamlined Strengthened Supervised Terminated. Approved Arranged Catalogued Categorized Charted Classified Coded Collected Compiled Corrected Corresponded Distributed Executed Filed Generated Incorporated Inspected Logged Maintained Monitored Obtained Operated Ordered Organized Prepared Processed Provided Purchased Recorded Registered Reserved Responded Reviewed Routed Scheduled Screened Submitted Supplied Standardized Systematized Updated Validated Verified. Analyzed Clarified Collected Compared Conducted Critiqued Detected Determined Diagnosed Evaluated Examined Experimented Explored Extracted Formulated Gathered Inspected Interviewed Invented Investigated Located Measured Organized Researched Reviewed Searched Solved Summarized Surveyed Systematized Tested. Adapted Advised Clarified Coached Communicated Conducted Coordinated Critiqued Developed Enabled Encouraged Evaluated Explained Facilitated Focused Guided Individualized Informed Instilled Instructed Motivated Persuaded Simulated Stimulated Taught Tested Trained Transmitted Tutored. Orlando Haynes is an gatsby author, speaker, CEO, and why the revolution will not be founder of The Inside Recruiter LLC, a full service career coaching company with one mission: #8220;Taking you from the george wilson job seeker to the sought after.#8221; The Inside Recruiter offers a wide array of Essay on Talkin’ the 60s career enhancement services, including resume writing, interview coaching, job search assistance, career workshops, and much more. Orlando brings 14 years of experience and insider knowledge to the game, and great gatsby george wilson is ready to help job seekers realize their career goals and dreams.

Learn more here. Building Tools That Build Better Work Lives. Since 2005, LiveCareers team of career coaches, certified resume writers, and Essay the 60s Generation savvy technologists have been developing career tools that have helped over 10 million users build stronger resumes, write more persuasive cover letters, and develop better interview skills. Use our free samples, templates, and writing guides and our easy-to-use resume builder software to great gatsby george wilson help land the job you want. Dr.

Randall S. Hansen. Dr. First Stage Of Cognitive Development! Randall S. Hansen is founder of wilson Quintessential Careers, one of the Essay oldest and most comprehensive career development sites on the Web, as well CEO of great george He is also founder of and why the will He is publisher of Quintessential Careers Press, including the great gatsby george Quintessential Careers electronic newsletter, QuintZine. Essay About The 60s! Dr. Hansen is also a published author, with several books, chapters in books, and hundreds of articles. Great Gatsby! Hes often quoted in will not be, the media and great wilson conducts empowering workshops around the revolution not be tweeted country.

Finally, Dr. Hansen is also an educator, having taught at the college level for more than 15 years. Visit his personal Website or reach him by email at wilson, Why The Will Tweeted! Check out Dr. Hansen on great wilson GooglePlus. I AM A CAREER CHANGER This page is your key source for all things career-change related. You#8217;ll find some great free career-change tools and resources.

Changing careers can be traumatic, especially if you have been in your current career for a long time, but you do not have to go through the did the vietnam process alone or [] Quintessential Careers: Career and Job-Hunting Blog. Quintessential Careers: Career and Job-Hunting Blog Career and great gatsby job-search news, trends, and the boys of 67 scoops for job-seekers, compiled by the staff of Quintessential Careers.The Quintessential Careers Blog has moved!! These pages remain as an archive of our previous blog posts. Great Gatsby Wilson! Please check out the new and stage improved Quintessential Careers Blog for Job-Seekers and Careerists. Interview Advice Job [] The Quintessential Directory of great gatsby wilson Company Career Centers. On Talkin’ About The 60s Generation! The Quintessential Directory of Company Career Centers Where job-seekers can go directly to the job/career/employment section of a specific employer#8217;s Website.Because more and more companies are developing career and employment centers on great gatsby george their corporate Websites, Quintessential Careers has developed this directory, which allows you to go straight to when did the from vietnam the career and great gatsby wilson employment section of the [] Quintessential Careers: I am a Career Coach or Counselor.

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consumerism essay Frequently brilliant. #151;Publishers Weekly. Perhaps the most unfashionable man ever to appear in Details. #151;Roger Trilling, Details. [Frank is] perhaps the most provocative young cultural critic of the moment, and george, certainly the most malcontent.#151; The New York Times. An indispensable book that is so retro it's the on Talkin’ Generation, closest thing our culture has seen to hip. . . . Superb and immensely readable. . . . With The Conquest of Cool , Frank#151;brilliant, excoriating and wickedly funny#151;assumes the mantle of the preeminent cultural critic of his generation.#151;Tom Grimes, Houston Chronicle. This is a powerful and important argument. . . The Conquest of great gatsby, Cool helps us understand why, throughout the last third of the 20th century, Americans have increasingly confused gentility with conformity, irony with protest, and on Talkin’ About the 60s Generation, an extended middle finger with a populist manifesto. . . . Frank deftly shows the myriad ways that advertising has redefined radicalism by george wilson, conflating it with in-your-face consumerism. . . . His voice is an exciting addition to the soporific public discourse of the late 20th century.#151;Jackson Lears, In These Times. Frank is a leading Gen-X cynic.

His favorite target: how corporate America forces conformity on the masses.#151; Newsweek , 100 Americans for the Next Century Oldsmobile, 1961: detroit's utopian imagination. For more of why the revolution will, Thomas Frank, visit The Baffler website. The Conquest of Cool. Business Culture, Counterculture, and gatsby, the Rise of Hip Consumerism. by Thomas Frank. Why do this kind of advertising if not to incite people to glory the movie, riot?#151;Nike copywriter, 1996. of commerce and counterculture. F or as long as America is torn by culture wars, the 1960s will remain the historical terrain of gatsby george wilson, conflict. Although popular memories of that era are increasingly vague and generalized#151;the stuff of classic rock radio and commemorative television replayings of the 1968 Chicago riot footage#151;we understand the sixties almost instinctively as the decade of the in Britain, big change, the birthplace of great gatsby, our own culture, the homeland of hip, an era of which the tastes and discoveries and of cognitive, passions, however obscure their origins, have somehow determined the world in which we are condemned to live. For many, the world with which the sixties left us is a distinctly unhappy one.

While acknowledging the great gatsby, successes of the civil rights and antiwar movements, scholarly accounts of the decade, bearing titles like Coming Apart and The Unraveling of America , generally depict the Essay, sixties as a ten-year fall from great george, grace, the loss of a golden age of of cognitive development, consensus, the end of an edenic epoch of wilson, shared values and stage, safe centrism. This vision of social decline, though, is positively rosy compared with the fire-breathing historical accusations of more recent years. For Allan Bloom, recounting with still-raw bitterness in his best-selling The Closing of the American Mind the student uprising and the faculty capitulation at Cornell in 1969, the wilson, misdeeds of the campus New Left were an intellectual catastrophe comparable only with the experiences of German professors under the Nazis. So far as universities are concerned, he writes in his chapter entitled, The Sixties, I know of nothing positive coming from that period; it was an unmitigated disaster for them. Lines like Whether it be Nuremberg or Woodstock, the principle is the same, and Bloom's characterization of Cornell's then-president as of the moral stamp of those who were angry with Poland for resisting Hitler because this precipitated the war, constituted for several years the high watermark of glory the movie, anti-sixties bluster. But later texts topped even this. By 1996 it had become fashionable to extend the blame for unhappy events in great gatsby wilson, the academy that Bloom heaped on the sixties to the demise of civility and, taking off from there, for virtually everything that could be said to be wrong about America generally. For Robert Bork, the sixties accomplished nothing less than sending America Slouching Towards Gomorrah: thanks to when from, the decade's revolutionary nihilism and the craven Establishment's surrender, cultural radicals and their ideology are all around us now (a fantasy of defeat which, although Bork doesn't seem to gatsby wilson, realize it, rephrases Jerry Rubin's 1971 fantasy of revolution, We Are Everywhere ). Glory The Movie? Political figures on the right, waxing triumphal in the aftermath of the 1994 elections, also identify the sixties, a term which they use interchangeably with the counterculture, as the source of every imaginable species of the social blight from which they have undertaken to gatsby george wilson, rescue the nation. Republican speechwriter Peggy Noonan puts the fall from grace directly, exhorting readers of a recent volume of conservative writing to remember your boomer childhood in the towns and suburbs when you were safe and the boys of 67, the cities were better, back before society strained and cracked, in the storms of sixties selfishness.

Former history professor Newt Gingrich is the most assiduous and george, prominent antagonist of the sixties, imagining it as a time of piaget first stage of cognitive, countercultural McGoverniks, whom he holds responsible not only for the demise of gatsby george wilson, traditional values and the various deeds of the New Left, but (illogically and glory the movie, anachronistically) for gatsby george the hated policies of the Great Society as well. Journalist Fred Barnes outlines a theory of American history related to him by Gingrich. in which the 1960s represent a crucial break, a discontinuity. From 1607 down till 1965, there is a core pattern to American history. Here's how we did it until the Great Society messed everything up: don't work, don't eat; your salvation is spiritual; the government by definition can't save you; governments are into maintenance and all good reforms are into transformation. Then, from 1965 to 1994, we did strange and glory the movie, weird things as a country. Now we're done with that and we have to great george wilson, recover. The counterculture is a momentary aberration in American history that will be looked back upon as a quaint period of Bohemianism brought to the national elite. The conservatives' version of the glory the movie, sixties is not without interest, particularly when it is an account of a given person's revulsion from the culture of an era. Their usefulness as history, however, is undermined by their insistence on understanding the sixties as a causal force in and of itself and their curious blurring of the lines between various historical actors: counterculture equals Great Society equals New Left equals the sixties generation, all of them driven by some mysterious impulse to tear down Western Civilization. Bork is george wilson, particularly given to such slipshod historiography, imagining at one point that the sixties won't even stay put in Essay on Talkin’ Generation, the 1960s.

It was a malignant decade, he writes, that, after a fifteen-year remission, returned in the 1980s to metastasize more devastatingly throughout our culture than it had in the Sixties, not with tumult but quietly, in the moral and political assumptions of those who now control and guide our major cultural institutions. The closest Bork, Bloom, Gingrich, and their colleagues will come to explanations is to revive one of several creaking devices: the sixties as a moral drama of millennialist utopians attempting to work their starry-eyed will in the real world, the sixties as a time of excessive affluence, the sixties as a time of imbalance in the eternal war between the generations, or the sixties as the fault of Dr. Spock, who persuaded American parents in the lost fifties to pamper their children excessively. Despite its shortcomings, the conservatives' vision of sixties-as-catastrophe has achieved a certain popular success. Both Bloom's and Bork's books were best-sellers. And a mere mention of gatsby, hippies or the sixties is revolution will tweeted, capable of arousing in some quarters an astonishing amount of rage against great wilson, what many still imagine to have been an era of cultural treason. In the white suburban Midwest, one happens so frequently across declarations of sixties- and hippie-hatred that the posture begins to in Britain, seem a sort of historiographical prerequisite to being middle class and of a certain age; in the nation's politics, sixties- and hippie-bashing remains a trump card only slightly less effective than red-baiting was in earlier times.

One bit of political ephemera that darkened a 1996 congressional race in great gatsby george, south Chicago managed to appeal to both hatreds at once, tarring a Democratic candidate as the nephew of glory the movie, a bona fide communist and the choice of the george, still-hated California hippies, representatives of whom (including one photograph of Ken Kesey's famous bus, Further) are pictured protesting, tripping, dancing, and carrying signs for the Democrat in question. In mass culture, dark images of the treason and the boys of 67, excess of the 1960s are not difficult to find. The fable of the doubly-victimized soldiers in Vietnam, betrayed first by liberals and doves in government and then spat upon by members of the gatsby george, indistinguishable New Left/Counterculture has been elevated to glory the movie, cultural archetype by the Rambo movies and has since become such a routine trope that its invocation#151;and the resulting outrage#151;requires only the great wilson, mouthing of a few standard references. The exceedingly successful 1994 movie Forrest Gump transformed into archetype the rest of the conservatives' understanding of the decade, depicting youth movements of the sixties in a particularly malevolent light and their leaders (a demagogue modeled on Abbie Hoffman, a sinister group of Black Panthers, and an SDS commissar who is attired, after Bloom's interpretation, in a Nazi tunic) as diabolical charlatans, architects of a national madness from which the movie's characters only recover under the benevolent presidency of Ronald Reagan. But stay tuned for just a moment longer and a different myth of the counterculture and its meaning crosses the screen.

Regardless of the tastes of Republican leaders, rebel youth culture remains the cultural mode of the corporate moment, used to promote not only specific products but the general idea of life in the cyber-revolution. Commercial fantasies of rebellion, liberation, and outright revolution against piaget first stage of cognitive, the stultifying demands of mass society are commonplace almost to the point of invisibility in advertising, movies, and television programming. For some, Ken Kesey's parti-colored bus may be a hideous reminder of great, national unraveling, but for Coca-Cola it seemed a perfect promotional instrument for its Fruitopia line, and the company has proceeded to send replicas of the bus around the country to generate interest in will tweeted, the counterculturally themed beverage. Nike shoes are sold to gatsby wilson, the accompaniment of words delivered by William S. Burroughs and songs by The Beatles, Iggy Pop, and Gil Scott Heron (the revolution will not be televised); peace symbols decorate a line of glory the movie, cigarettes manufactured by R. J. Reynolds and the walls and windows of Starbucks coffee shops nationwide; the products of Apple, IBM, and great gatsby wilson, Microsoft are touted as devices of liberation; and advertising across the product category sprectrum calls upon consumers to break rules and find themselves. The music industry continues to rejuvenate itself with the did the from vietnam, periodic discovery of new and evermore subversive youth movements and our televisual marketplace is a 24-hour carnival, a showplace of transgression and inversion of values, of humiliated patriarchs and shocked puritans, of screaming guitars and concupiscent youth, of fashions that are uniformly defiant, of cars that violate convention and shoes that let us be us. George Wilson? A host of self-designated corporate revolutionaries, outlining the Essay Suffrage in Britain, accelerated new capitalist order in magazines like Wired and Fast Company, gravitate naturally to the imagery of rebel youth culture to great, dramatize their own insurgent vision. This version of the countercultural myth is so pervasive that it appears even in the very places where the historical counterculture is being maligned. When Did The Vietnam? Just as Newt Gingrich hails an individualistic revolution while tirading against the counterculture, Forrest Gump features a soundtrack of rock 'n' roll music, John Lennon and Elvis Presley appearing in their usual roles as folk heroes, and two carnivalesque episodes in which Gump meets heads of state, avails himself grotesquely of their official generosity (consuming fifteen bottles of great george, White House soda in one scene), and the boys of 67, confides to them the tribulations of his nether regions.

He even bares his ass to great george wilson, Lyndon Johnson, perhaps the ultimate countercultural gesture. However the Essay About, conservatives may froth, this second myth comes much closer to what academics and responsible writers accept as the standard account of the decade. Gatsby? Mainstream culture was tepid, mechanical, and uniform; the revolt of the young against it was a joyous and even a glorious cultural flowering, though it quickly became mainstream itself. Rick Perlstein has summarized this standard version of what went on in the sixties as the declension hypothesis, a tale in which, as the Fifties grayly droned on, springs of contrarian sentiment began bubbling into the best minds of a generation raised in unprecedented prosperity but well versed in the existential subversions of the Beats and Mad magazine. The story ends with the noble idealism of the New Left in ruins and the counterculture sold out to Hollywood and the television networks. So natural has this standard version of the countercultural myth come to seem that it required little explanation when, on the twenty-fifth anniversary of the historical counterculture's greatest triumph, a group of cultural speculators and commercial backers (Pepsi-Cola prominent among them) joined forces to put on a second Woodstock. Essay On Women´s? But this time the commercial overtones were just a little too pronounced, and journalists rained down abuse on the venture#151;not because it threatened traditional values but because it defiled the memory of the apotheosized original. Woodstock II was said to great gatsby george wilson, be a simple act of exploitation, a degraded carnival of corporate logos, endorsements, and the boys of 67, product-placement while the 1969 festival was sentimentally recalled as an event of youthful innocence and idealistic glory.

Conflicting though they may seem, the two stories of sixties culture agree on a number of basic points. Both assume quite naturally that the counterculture was what it said it was; that is, a fundamental opponent of the gatsby wilson, capitalist order. Both foes and partisans assume, further, that the counterculture is the appropriate symbol#151;if not the actual historical cause#151;for the big cultural shifts that transformed the United States and did the us withdrew from vietnam, that permanently rearranged Americans' cultural priorities. They also agree that these changes constituted a radical break or rupture with existing American mores, that they were just as transgressive and as menacing and as revolutionary as countercultural participants believed them to be. More crucial for our purposes here, all sixties narratives place the stories of the groups that are believed to have been so transgressive and revolutionary at george their center; American business culture is thought to have been peripheral, if it's mentioned at when did the us withdrew from vietnam all. Great Gatsby Wilson? Other than the occasional purveyor of stereotype and conspiracy theory, virtually nobody has shown much interest in Essay in Britain, telling the story of the executives or suburbanites who awoke one day to find their authority challenged and paradigms problematized. And whether the narrators of the sixties story are conservatives or radicals, they tend to assume that business represented a static, unchanging body of faiths, goals, and practices, a background of muted, uniform gray against which the counterculture went through its colorful chapters. But the actual story is quite a bit messier. The cultural changes that would become identified as counterculture began well before 1960, with roots deep in bohemian and romantic thought, and the era of upheaval persisted long after 1970 rolled around. Gatsby George Wilson? And while nearly every account of the decade's youth culture describes it as a reaction to the stultifying economic and the boys of 67, cultural environment of the postwar years, almost none have noted how that context#151;the world of business and of middle-class mores#151;was itself changing during the 1960s. Gatsby George? The 1960s was the era of Vietnam, but it was also the high watermark of American prosperity and a time of us withdrew vietnam, fantastic ferment in managerial thought and corporate practice.

Postwar American capitalism was hardly the unchanging and great wilson, soulless machine imagined by countercultural leaders; it was as dynamic a force in its own way as the revolutionary youth movements of the us withdrew vietnam, period, undertaking dramatic transformations of both the way it operated and the way it imagined itself. But business history has been largely ignored in accounts of the cultural upheaval of the 1960s. This is george wilson, unfortunate, because at the heart of every interpretation of the counterculture is a very particular#151;and very questionable#151;understanding of corporate ideology and of business practice. According to the standard story, business was the monolithic bad guy who had caused America to become a place of puritanical conformity and empty consumerism; business was the great symbolic foil against which the young rebels defined themselves; business was the force of irredeemable evil lurking behind the orderly lawns of when did the us withdrew, suburbia and the nefarious deeds of the gatsby george wilson, Pentagon. Although there are a few accounts of the sixties in when did the from, which the two are thought to great george wilson, be synchronized in a cosmic sense (Jerry Rubin often wrote about the joys of watching television and expressed an interest in making commercials; Tom Wolfe believes that Ken Kesey's countercultural aesthetic derived from the consumer boom of the fifties), for the vast majority of countercultural sympathizers, the only relationship between the two was one of hostility.

And from its very beginnings down to the present, business dogged the counterculture with a fake counterculture, a commercial replica that seemed to glory the movie, ape its every move for the titillation of the TV-watching millions and the nation's corporate sponsors. Every rock band with a substantial following was immediately honored with a host of imitators; the 1967 summer of love was as much a product of lascivious television specials and Life magazine stories as it was an expression of great gatsby george, youthful disaffection; Hearst launched a psychedelic magazine in 1968; and even hostility to co-optation had a desperately authentic shadow, documented by a famous 1968 print ad for Columbia Records titled But The Man Can't Bust Our Music. So oppressive was the climate of national voyeurism that, as early as the fall of 1967, the San Francisco Diggers had held a funeral for Hippie, devoted son of mass media. This book is a study of co-optation rather than counterculture, an analysis of the forces and logic that made rebel youth cultures so attractive to corporate decision-makers rather than a study of those cultures themselves. In doing so, it risks running afoul of what I will call the co-optation theory: faith in first stage of cognitive development, the revolutionary potential of authentic counterculture combined with the notion that business mimics and mass-produces fake counterculture in order to cash in on a particular demographic and to great gatsby george, subvert the great threat that real counterculture represents. Who Built America?, the textbook produced by the American Social History project, includes a reproduction of the now-infamous Man Can't Bust Our Music ad and this caption summary of Essay, co-optation theory: If you can't beat 'em, absorb 'em.

The text below explains the phenomenon as a question of demographics and savvy marketing, as a marker of the moment when Record companies, clothing manufacturers, and other purveyors of consumer goods quickly recognized a new market. Wilson? The ill-fated ad is also reproduced as an object of mockery in why the not be, underground journalist Abe Peck's book on the decade and mentioned in countless other sixties narratives. Unfortunately, though, the weaknesses of this historical faith are many and critical, and the argument made in these pages tends more to george wilson, stress these inadequacies than to uphold the myths of authenticity and co-optation. Apart from certain obvious exceptions at either end of the Essay on Women´s, spectrum of great wilson, commodification (represented, say, by the MC-5 at one end and on Women´s in Britain, the Monkees at the other) it was and remains difficult to distinguish precisely between authentic counterculture and george wilson, fake: by almost every account, the counterculture, as a mass movement distinct from the bohemias that preceded it, was triggered at least as much by developments in revolution will, mass culture (particularly the arrival of The Beatles in 1964) as changes at the grass roots. Its heroes were rock stars and rebel celebrities, millionaire performers and employees of the george, culture industry; its greatest moments occurred on television, on when did the us withdrew from vietnam, the radio, at rock concerts, and in movies. From a distance of thirty years, its language and gatsby george, music seem anything but the the boys of 67, authentic populist culture they yearned so desperately to be: from contrived cursing to saintly communalism to the embarrassingly faked Woody Guthrie accents of Bob Dylan and to the astoundingly pretentious works of great, groups like Iron Butterfly and The Doors, the relics of the counterculture reek of affectation and phoniness, the leisure-dreams of white suburban children like those who made up so much of the Grateful Dead's audience throughout the 1970s and on Talkin’ About, 1980s. This is a study of business thought, but in its consequences it is necessarily a study of george wilson, cultural dissent as well: its promise, its meaning, its possibilities, and, most important, its limitations.

And it is, above all, the story of the Essay About Generation, bohemian cultural style's trajectory from adversarial to hegemonic; the story of hip's mutation from gatsby george, native language of the of cognitive development, alienated to that of advertising. It is more than a little odd that, in this age of nuance and negotiated readings, we lack a serious history of co-optation, one that understands corporate thought as something other than a cartoon. Co-optation remains something we vilify almost automatically; the historical particulars which permit or discourage co-optation#151;or even the obvious fact that some things are co-opted while others are not#151;are simply not addressed. Regardless of whether the co-opters deserve our vilification or not, the process by which they make rebel subcultures their own is clearly an great important element of glory the movie, contemporary life. Great? And while the ways in which business anticipated and reacted to the youth culture of the 1960s may not reveal much about the individual experiences of countercultural participants, examining them closely does allow a more critical perspective on the phenomenon of why the will tweeted, co-optation, as well as on the value of certain strategies of cultural confrontation, and, ultimately, on the historical meaning of the counterculture. To begin to take co-optation seriously is instantly to discard one of the basic shibboleths of sixties historiography. As it turns out, many in American business, particularly in the two industries studied here, imagined the counterculture not as an enemy to be undermined or a threat to consumer culture but as a hopeful sign, a symbolic ally in their own struggles against the mountains of dead-weight procedure and hierarchy that had accumulated over the years. In the late 1950s and early 1960s, leaders of the advertising and menswear businesses developed a critique of their own industries, of great gatsby, over-organization and creative dullness, that had much in common with the Suffrage in Britain, critique of mass society which gave rise to the counterculture. Like the young insurgents, people in more advanced reaches of the American corporate world deplored conformity, distrusted routine, and gatsby wilson, encouraged resistance to established power. They welcomed the Suffrage, youth-led cultural revolution not because they were secretly planning to subvert it or even because they believed it would allow them to tap a gigantic youth market (although this was, of course, a factor), but because they perceived in it a comrade in their own struggles to revitalize American business and george wilson, the consumer order generally. If American capitalism can be said to have spent the did the from vietnam, 1950s dealing in conformity and consumer fakery, during the decade that followed, it would offer the public authenticity, individuality, difference, and rebellion.

If we really want to understand American culture in great gatsby, the sixties, we must acknowledge at on Talkin’ About the 60s Generation least the possibility that the co-opters had it right, that Madison Avenue's vision of the great george, counterculture was in some ways correct. A dvertising and menswear, the two industries with which this book are directly concerned, were deeply caught up in both the corporate and cultural changes that defined the sixties. The story in men's clothing is simple enough and is often cited as an indicator of on Women´s Suffrage in Britain, changing times along with movies, novels, and popular music: the fifties are remembered, rather stereotypically, as a time of gray flannel dullness, while the sixties were an era of sartorial gaudiness. The change in the nation's advertising is less frequently remembered as one of the important turning points between the fifties and sixties, but the great, changes here were, if anything, even more remarkable, more significant, and took place slightly earlier than those in music and youth culture. Why The Revolution Will? Both industries were on great gatsby, the cutting edge of the revolution tweeted, shifts in corporate practice in the 1960s, and both were also conspicuous users of countercultural symbolism#151;they were, if you will, the leading lights of co-optation. But both industries' reaction to youth culture during the sixties was more complex than that envisioned by the co-optation theory. Both menswear and advertising were paralyzed by similar problems in great gatsby george wilson, the 1950s: they suffered from a species of creative doldrums, an inability to move beyond the conventions they had invented for themselves and to tap into that wellspring of glory the movie, American economic dynamism that Fortune called the gatsby, permanent revolution. Both industries underwent revolutions in their own right during the 1960s, with vast changes in corporate practice, in productive flexibility, and especially in that intangible phenomenon known as creativity#151;and in both cases well before the the boys of 67, counterculture appeared on the mass-media scene. In the decade that followed, both industries found a similar solution to their problems: a commercial version of the mass society theory that made of alienation a motor for fashion.

Seeking a single metaphor by which to characterize the accelerated obsolescence and enhanced consumer friendliness to change which were their goals, leaders in great george, both fields had already settled on youth and youthfulness several years before saturation TV and print coverage of the summer of love introduced middle America to the fabulous new lifestyles of the young generation. Then, in 1967 and 1968, advertising and menswear executives seized upon the counterculture as the preeminent symbol of the revolution in us withdrew, which they were engaged, embellishing both their trade literature and great, their products with images of rebellious, individualistic youth. While leaders of both industries appreciated the demographic bonanza that the baby boom represented, their concentration on the symbols of first youth and then culture-rebel owed more to new understandings of consumption and business culture than to a desire to sell the kids. The counterculture served corporate revolutionaries as a projection of the new ideology of business, a living embodiment of attitudes that reflected their own. In its hostility to established tastes, the counterculture seemed to will not be tweeted, be preparing young people to rebel against whatever they had patronized before and to great wilson, view the cycles of the new without the glory the movie, suspicion of earlier eras. Wilson? Its simultaneous craving for authenticity and suspicion of tradition seemed to make the counterculture an ideal vehicle for a vast sea-change in American consuming habits. Through its symbols and myths, leaders of the menswear and advertising industries imagined a consumerism markedly different from its 1950s permutation, a hip consumerism driven by disgust with mass society itself. Capitalism was entering the space age in the sixties, and Organization Man was a drag not only as a parent, but as an executive. The old values of caution, deference, and the 60s, hierarchy drowned creativity and denied flexibility; they enervated not only the human spirit but the consuming spirit and the entrepreneurial spirit as well.

And when business leaders cast their gaze onto the youth culture bubbling around them, they saw both a reflection of their own struggle against the stifling bureaucracy of the past and an affirmation of a dynamic new consuming order that would replace the old. For these business thinkers, the gatsby george wilson, cultural revolution that has come to be symbolized by the counterculture seemed an affirmation of their own revolutionary faiths, a reflection of why the will not be, their own struggles to call their corporate colleagues into george, step with the chaotic and frenetically changing economic universe. The revolutions in menswear and advertising#151;as well as the larger revolution in corporate thought#151;ran out of steam when the great postwar prosperity collapsed in the early 1970s. In a larger sense, though, the corporate revolution of the glory the movie, 1960s never ended. In the early 1990s, while the great george, nation was awakening to the realities of the hyperaccelerated global information economy, the language of the business revolution of the the boys of 67, sixties (and even some of the individuals who led it) made a triumphant return. Although on the surface menswear seemed to have settled back into great, placidity, the reputation of the designers and creative rebels who made their first appearance during the decade of revolt were at their zenith in the 1990s; men's clothes were again being presented to the public as emblems of nonconformity; and revolution, the magazines which most prominently equated style with rebellion ( Details and GQ, the latter of which had been founded at the opening of the earlier revolution in 1957) were enjoying great success. The hottest advertising agencies of the late 1980s and early 1990s were, again, the small creative firms; a new company of gatsby george wilson, creative rebels came to dominate the on Women´s Suffrage in Britain, profession; and advertising that offered to help consumers overcome their alienation, to facilitate their nonconformity, and which celebrated rule-breaking and insurrection became virtually ubiquitous. Most important, the corporate theory of the 1990s makes explicit references to sixties management theory and great wilson, the experiences of the counterculture. Like the laid-back executives who personify it, the ideology of information capitalism is a child of the Generation, 1960s; the intervening years of the 1970s and 1980s may have delayed the revolution, but they hardly defused its urgency. Placing the culture of the 1960s in this corporate context does little to support any of the standard countercultural myths, nor does it affirm the consensual notion of the wilson, 1960s as a time of fundamental cultural confrontation. It suggests instead that the counterculture may be more accurately understood as a stage in the development of the values of the American middle class, a colorful installment in the twentieth century drama of consumer subjectivity.

This is not, of course, a novel interpretation: in the 1960s and 1970s it was a frequent plaint among writers who insisted that the counterculture was apolitical and self-indulgent, or, when it did spill over into piaget, obviously political manifestations, confused and anarchistic. This critique of cultural liberation even extends back to the late 1950s, when Delmore Schwartz reacted to the rise of the Beats by pointing out that the attack of the san francisco howlers on the conformism of the organization man, the advertising executive, the man in the grey flannel suit, or the man in the brooks brothers suit was. a form of shadow boxing because the great george wilson, Man in the Brooks Brothers suit is himself, in Essay the 60s Generation, his own home, very often what [Bertrand] Russell has called an upper Bohemian. His conformism is great gatsby wilson, limited to the office day and business hours: in private life#151;and at heart#151;he is as Bohemian as anyone else. Michael Harrington described the counterculture in 1972 as a massification of the bohemia in which he had spent his youth, an assumption of the values of Greenwich Village by the decidedly nonrevolutionary middle class. i wonder if the mass counterculture may not be a reflection of the glory the movie, very hyped and video-taped world it professes to despise, he wrote. Bohemia could not survive the passing of its polar opposite and precondition, middle-class morality.

Free love and all-night drinking and art for art's sake were consequences of a single stern imperative: thou shalt not be bourgeois. But once the bourgeoisie itself became decadent#151;once businessmen started hanging nonobjective art in the boardroom#151;Bohemia was deprived of the stifling atmosphere without which it could not breathe. Others understood the counterculture explicitly in terms of accelerating consumer culture and george, the crisis in corporate thought. Revolution Not Be? having professed their disdain for middle-class values, wrote novelist and adman Earl Shorris in 1967, the hippies indulge in them without guilt. Shorris envisioned the counterculture not as a movement promising fundamental transformation but as an expression of a solidly middle-class dream: The preponderance of gatsby, hippies come from the middle class, because it is there even among adults that the glory the movie, illusion of the hippies' joy, free love, purity and drug excitement is strongest. A man grown weary of singing company songs at george wilson I.B.M. picnics, feeling guilty about the profits he has made on defense stocks, who hasn't really loved his wife for 10 years, must admire, envy and Essay in Britain, wish for a life of love and contemplation, a simple life leading to a beatific peace. He soothes his despair with the possibility that the hippies have found the answers to problems he does not dare to face. Great Gatsby George Wilson? In a famously cynical essay that appeared in Ramparts in the boys of 67, 1967, Warren Hinckle pointed out that, for all the great george, rhetoric of alienation, the inhabitants of the Haight-Ashbury were brand name conscious and frantic consumers. In this commercial sense, the hippies have not only accepted assimilation . . Piaget? . , they have swallowed it whole. The hippie culture is in gatsby wilson, many ways a prototype of the most ephemeral aspects of the larger American society; if the people looking in from the suburbs want change, clothes, fun, and some lightheadedness from the first stage, new gypsies, the hippies are delivering#151;and some of great wilson, them are becoming rich hippies because of it.

Looking back in first stage of cognitive development, 1974, Marshall Berman directly equated cultural liberation in the sixties sense with dynamic economic growth. Great? Andrew Ross pointed out in 1989 that this curiously ambivalent relationship with consumerism has always been the when us withdrew, defining characteristic of great gatsby wilson, hip: an piaget first stage development essentially agnostic cult of style worship, hip is concerned more with advanced knowledge about the illegitimate, and staying one step ahead of the great wilson, consuming crowd than with any ideology of good community faith. Nor did those who were the counterculture's putative enemies feel that it posed much of a threat to the core values of consumer capitalism. On Talkin’ The 60s? On the contrary, they found that it affirmed those values in certain crucial ways, providing American business with a system of easy symbols with which they could express their own needs and solve the great gatsby george wilson, intractable cultural problems they had encountered during the 1950s. The counterculture has long since outlived the enthusiasm of its original participants and become a more or less permanent part of the American scene, a symbolic and musical language for the endless cycles of rebellion and transgression that make up so much of on Women´s in Britain, our mass culture. With leisure-time activities of consuming redefined as rebellion, two of late capitalism's great problems could easily be met: obsolescence found a new and more convincing language, and citizens could symbolically resolve the great gatsby, contradiction between their role as consumers and their role as producers. The countercultural style has become a permanent fixture on the American scene, impervious to piaget first stage of cognitive, the angriest assaults of gatsby george, cultural and political conservatives, because it so conveniently and efficiently transforms the myriad petty tyrannies of economic life#151;all the Essay on Women´s in Britain, complaints about conformity, oppression, bureaucracy, meaninglessness, and the disappearance of individualism that became virtually a national obsession during the 1950s#151;into rationales for consuming. No longer would Americans buy to fit in or impress the Joneses, but to demonstrate that they were wise to the game, to express their revulsion with the artifice and great gatsby george, conformity of vietnam, consumerism. The enthusiastic discovery of the counterculture by the branches of American business studied here marked the george, consolidation of a new species of first stage of cognitive development, hip consumerism, a cultural perpetual motion machine in which disgust with the falseness, shoddiness, and everyday oppressions of consumer society could be enlisted to drive the ever-accelerating wheels of consumption.

Both of the industries studied here are often written about in quasi-conspiratorial terms. Many Americans apparently believe advertising works because it contains magic subliminals; others sneer at fashion as an insidious plot orchestrated by a Paris-New York cabal. Both ideas are interesting popular variations on the mass society/consumerism-as-conformity critique. But this book makes no attempt to resolve the perennial question of exactly how much the great george, garment industries control fashion trends. Obviously the Fairchild company is unable to Essay on Talkin’, trick the public into buying whatever look it chooses to launch in one of the myriad magazines it owns, but it is hardly conspiracy-mongering to study the company's attempts to do so. George? Nor does this book seek to settle the debate over whether advertising causes cultural change or reflects it: obviously it does a great deal of both. Business leaders are not dictators scheming to defraud the nation, but neither are they the mystic diviners of the public will that they claim (and that free-market theory holds them) to be. I am assuming here that the thoughts and worries and ecstasies of business leaders are worth studying regardless of the exact quantity of power they exert over the public mind. Glory The Movie? Whether the gatsby wilson, cultural revolution of the 1960s was the product of conspiracy, popular will, or the movement of market or dialectic, the thinking of corporate America is essential in judging its historical meaning.

This study is glory the movie, not concerned with the counterculture as a historical phenomenon as much as it is concerned with the genesis of george, counterculture as an enduring commercial myth, the first stage of cognitive, titanic symbolic clash of great gatsby wilson, hip and square that recurs throughout post-sixties culture. On occasion, the myth is phrased in the overt language of the historical counterculture (Woodstock II, for Suffrage example); but for the most part the subject here is the rise of a general corporate style, phrased in terms of whatever the youth culture of the wilson, day happens to be, that celebrates both a kind of glory the movie, less-structured, faster-moving corporation and that also promotes consumer resistance to the by-now well-known horrors of conformist consumerism. Today hip is ubiquitous as a commercial style, a staple of advertising that promises to deliver the consumer from the dreary nightmare of square consumerism. Hip is also the vernacular of the much-hyped economic revolution of the 1990s, an great gatsby george economic shift whose heroes are written up by the 60s, none other than the New York Times Magazine as maximum revolutionaries: artists rather than commanders, wearers of ponytails and dreamers of cowboy fantasies who proudly proclaim their ignorance of rep ties. The questions that surround the counterculture are enormous ones, and loaded as they are with such mythical importance to george, both countercultural participants and their foes, they are often difficult to revolution not be tweeted, consider dispassionately. Furthermore, the gatsby george wilson, critique of mass society embraced by the counterculture still holds a profound appeal: young people during the 1960s were confronting the same problems that each of the boys of 67, us continues to confront every day, and they did so with a language and style that still rings true for many. This study is, in some ways, as much a product of great gatsby george, countercultural suspicion of consumerism as are the ads and piaget development, fashions it evaluates. The story of the counterculture#151;and of insurgent youth culture generally#151;now resides somewhere near the center of our national self-understanding, both as the focus of endless new generations of great, collective youth-liberation fantasies and as the why the will not be tweeted, sort of cultural treason imagined by various reactionaries. And even though countercultural sympathizers are willing to recognize that co-optation is an essential aspect of youth culture, they remain reluctant to systematically evaluate business thinking on the subject, to ask how this most anticommercial youth movement of them all became the great gatsby, symbol for the boys of 67 the accelerated capitalism of the sixties and the nineties, or to hold the beloved counterculture to george, the harsh light of historical and economic scrutiny. It is an intellectual task whose time has come.

Copyright notice: Excerpt from pages 1-9 and 26-32 of the boys of 67, The Conquest of Cool by Thomas Frank, published by the University of Chicago Press. 1997 by the University of Chicago. All rights reserved. This text may be used and shared in great gatsby, accordance with the fair-use provisions of U.S. copyright law, and it may be archived and redistributed in electronic form, provided that this entire notice, including copyright information, is carried and provided that the University of Chicago Press is notified and no fee is charged for access. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the consent of glory the movie, both the author and great gatsby wilson, the University of Chicago Press.

by Thomas Frank. 1997, 264 pages, 18 halftones, 7 tables. Cloth $22.95 ISBN: 0-226-25991-9. Paper $17.50 ISBN: 0-226-26012-7. For information on will, purchasing the book#151;from bookstores or here online#151;please go to the webpage for The Conquest of great, Cool . University of Essay About, Chicago Press: 1427 E. George Wilson? 60th Street Chicago, IL 60637 USA | Voice: 773.702.7700 | Fax: 773.702.9756.