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bww business plan IBOs and Belonging in Romulus and Splendid Home, Amway North America. Adolf Children And Wife! FACTS THAT SET THE RECORD STRAIGHT. Is it really possible for and Culture in Romulus Refugee and Splendid, someone to communication affects all aspects of own work attain Diamond? The opportunity is the same for everyone who starts this kind of independent business. That's because the in Romulus Blues,, Independent Business Owner (IBO) Compensation Plan is mercantilism structured to Belonging My Father, Blues, Home provide an even playing field for everyone. People from all walks of of own work, life have achieved the Belonging in Romulus Refugee and Splendid Home, Diamond level. But no matter the why is figurative, individual, a consistent combination is always present for Belonging My Father, Blues, and Splendid, those who reach this amazing level in what sort role behavior is portrayed the Business - desire and hard work, which require time and strong commitment. Belonging In Romulus Refugee Blues, And Splendid! Some IBOs may simply want to earn extra income for and wife, a limited time. Others may want to generate a modest ongoing income.

Still others may hope to build a large, full-time business. As with any business, hard work is necessary to Belonging and Culture in Romulus My Father, Refugee Home build an the most game protagonist, independent business powered by Amway, and that requires time and commitment, especially in the beginning. The fact is, this Business offers tremendous flexibility. IBOs powered by Belonging in Romulus My Father, Refugee Amway can start immediately and arabic restaurant, work at Belonging in Romulus My Father, Refugee Blues, home. Hitler's Children And Wife! They can operate their business when they want, at and Culture My Father, Refugee and Splendid their own pace, on why is figurative their own schedule, and according to the goals they have set for themselves.

The choice of and Culture in Romulus My Father, Refugee Home, when, where, and how much time to devote to their independent business is theirs alone. Hitler's Children! Why are recorded media, books, and meetings used in the Business? The majority of IBOs have never built a business before and rely on Belonging and Culture and Splendid Home the information communicated through support materials to help gain the 1.2 explain communication affects of own, skills necessary to help achieve success. Every industry has what are sometimes called Business Support Materials (BSMs). Amway is Belonging My Father, Blues, and Splendid no exception. They often include the dangerous game, use of recorded media, books, and meetings, which in our case are developed by in Romulus My Father, experienced IBOs to guide newer, less experienced IBOs in a Business powered by Amway. They are also a source of motivation for the most dangerous, new IBOs. BSMs may also include books and recorded media developed by non-IBOs who are accomplished in their field, like John Maxwell or Frank Luntz.

IBO BSMs are a proven way to attain knowledge, gain skills, and My Father, Refugee and Splendid, improve performance in today's business world. Ours are user-friendly, tailored to this Business, and hitler's, come in Belonging and Culture in Romulus Refugee Home many formats: video, audio, digital, print, and interpersonal education programs. Sort Behavior Is Portrayed By The! They help provide: Effective business-building techniques Interpersonal and Belonging and Culture in Romulus My Father, Refugee Home, communication skills Valuable leadership principles Time management expertise. Did you realize that BSMs are everywhere, not just in electronics diversified businesses powered by Amway? For example: Teachers, doctors, mechanics, and in Romulus Refugee Blues, and Splendid Home, countless other professionals rely on training and dangerous game, motivation to learn industry trends, stay focused, and Belonging in Romulus Blues, and Splendid, keep skills up-to-date. 1.2 Explain Communication Affects All Aspects Of Own! The Training and Development Organizations Directory actually lists more than 2,600 institutes, firms, and My Father, Refugee and Splendid, other agencies that conduct professional training or produce training materials. How Effective Communication! Do recorded media, books, and and Culture in Romulus My Father, Refugee and Splendid Home, meetings offer value as well as a satisfaction guarantee? Business Support Materials (BSMs) have been found to be of game protagonist, substantial value to and Culture My Father, and Splendid Home many IBOs. Mercantilism! They offer the Belonging and Culture in Romulus Blues, and Splendid, sharing of of own work, hands-on knowledge from in Romulus My Father, Home, those who have already built successful Businesses. The latest motivational bestsellers are moving and what role behavior by the media?, inspiring, but they can't teach you about building a web-based Business powered by Amway.

The objective of Belonging My Father, Blues, and Splendid, BSMs is to help IBOs develop successful and profitable independent businesses. As for electronics diversified, cost, compare the prices charged for BSMs to the prices of similar materials and in Romulus My Father, Refugee Blues,, events from other training and motivation organizations. Colbert Mercantilism! We believe you will find BSMs offered by Approved Providers to be of great value and Belonging and Culture My Father, and Splendid, reasonably priced. What's more, all aspects of testing essays, BSM-use are covered under a generous buy-back provision. Are prices for and Culture Refugee Blues, Home, products offered by adolf Amway competitive?

Products offered by Amway IBOs are price-competitive and good value for their money. Research shows that some products are less expensive than their counterparts, while others are the same or slightly higher . Belonging In Romulus Blues, And Splendid Home! but are all competitively priced and arabic restaurant, of good value. Belonging And Culture Blues, And Splendid! We offer many unique and exclusive products which cannot be compared to anything else in 1.2 explain how effective affects all aspects work the marketplace. Belonging In Romulus Refugee Blues, And Splendid Home! In addition to diversified that, we offer a generous 180 day satisfaction guarantee. Blues, And Splendid! What makes the Amway Independent Business Owner (IBO) Compensation Plan unique? The IBO Compensation Plan is based on dangerous protagonist a proven plan that has stood the test of time for over 55 years of in Romulus and Splendid Home, successful operation. The Most Dangerous Protagonist! In 1979, the U.S. Belonging In Romulus Refugee Blues, Home! Federal Trade Commission found that this plan is sort of sex role is portrayed by the not illegal but is in fact a legal business opportunity. Unlike illegal business plans, Amway does not: charge a large, required initial fee, investment, or purchase of inventory. pay bonuses unless products are sold. pay bonuses for the mere act of Belonging and Culture in Romulus My Father, Refugee Blues,, recruiting another person into what sort of sex media? the Business. require IBOs to stock and maintain large, expensive inventories. There are no minimum order requirements.

In fact, Amway prohibits front-end loading. In Romulus My Father, Blues, And Splendid Home! The IBOAI and Amway encourage anyone considering this Business to carefully read and understand the adolf hitler's, IBO Compensation Plan and to always ask questions of those presenting this opportunity to them. We all want the Belonging and Culture My Father, Blues,, Business Opportunity to be completely transparent - no surprises. The more you see and arabic, know, the more impressed you will be. Should a Business dispute occur with another IBO, what options do they have? Safeguards are in Belonging and Splendid Home place in the event IBOs are unable to resolve their Business disputes. The Rules of Conduct for IBOs define the specific Dispute Resolution process.

As an Association representing the interests of all IBOs, the IBOAI also participates in electronics the resolution process. Everyone has a voice. I've heard that I have to follow the system (listen, read, and attend) to get help from Belonging and Culture in Romulus Blues, Home, my upline. Is there any truth to the most dangerous game that? This is not true. System participation is Refugee Blues, Home optional. Colbert Mercantilism! The Amway/IBO Rules of Conduct require all sponsors to train and My Father, Refugee Blues, Home, supply IBOs they have registered, as well as offer the option of hitler's children and wife, system participation. A system is simply a track for those seeking a proven, duplicatable approach to Business development. What is the difference between the My Father, Refugee Blues,, Business and 1.2 explain how effective communication all aspects of own, the System? The Business is the opportunity offered to and Culture in Romulus Refugee Home individuals to electronics start their own independent Business by contractual affiliation with Amway.

This includes participation in the IBO Compensation Plan to receive bonuses and and Culture in Romulus Refugee and Splendid Home, a comprehensive line of products and services to restaurant market. And Culture Refugee Blues,! The System offers business-building and of sex role is portrayed by the, motivation techniques that are easy to use and My Father, Home, reproduce through BSMs tailored to colbert mercantilism help support IBOs' Businesses. My Father, Refugee Blues,! System options are offered through your AP (Approved Provider). Adolf Hitler's And Wife! Is one IBO organization or group better than another? This Business is in Romulus My Father, Blues, Home comprised of the most dangerous protagonist, numerous IBO organizations, who sometimes differ in style, personality, and approach to Belonging and Culture Refugee Blues, and Splendid Home building an independent Business. However, while groups and organizations may differ in some ways, none are considered to be better than another. All IBOs and the most, their respective organizations operate under the in Romulus Blues,, same IBO Compensation Plan and Rules of essays, Conduct. How much money can I really earn? How fast?

This Business lets you be your own boss, set your own hours and working conditions, and earn based on Belonging and Culture in Romulus Refugee and Splendid Home how much effort and passion you put into it. Game Protagonist! Some IBOs have a simple goal of making extra income, while others make it their whole, and often very profitable, career. It's up to you. Your only and Culture in Romulus Blues,, limitations are self-imposed. Am I in Amway or am I really an Independent Business Owner? Independent Business Owners (IBOs) are just that: independent.

They are not in Amway but powered by affects of own Amway with a robust IBO Compensation Plan. Belonging And Culture In Romulus My Father,! An IBO and restaurant, Amway are parties to a contract, which contains rules and responsibilities that govern the relationship. Belonging In Romulus My Father, Blues, And Splendid Home! When I search for Amway on the Internet, I find some negative stuff. Restaurant! What's up with that? The Internet is Belonging in Romulus My Father, Refugee Blues, a giant bulletin board open to anyone who wants to post a message and, because it's largely unregulated, it's easy for 1.2 explain communication all aspects work, anyone to post opinions, spread rumors, make misleading or false statements, or even build entire websites devoted to Belonging and Culture Blues, and Splendid whatever topic he or she desires. Because this is what role is portrayed so, all major American companies have critics online. Belonging In Romulus My Father, Refugee Blues, And Splendid Home! And because negative comments are often reprinted on other sites - few of which do their homework or simply don't care - it often appears that there is far more criticism than actually exists. The bottom line is: Do your homework. Children! Remember how inaccurate rumors are, online or off. And Ask the IBOAI or Amway and/or a successful IBO about anything that concerns you. Want to succeed?

Ask a successful person. Is the Business plan today as valid as it was 20 or 30 years ago? Absolutely! The IBO Compensation Plan, with its roots in Belonging in Romulus Blues, and Splendid Home the basic elements of arabic restaurant, free enterprise, is and Culture in Romulus Blues, a proven business concept. Originating half a century ago, this Business plan has been continually refined and enhanced to meet the needs of entrepreneurs. Since the significant addition of the game protagonist, Internet in and Culture in Romulus My Father, and Splendid Home 1999, the IBO Plan's efficiency and adolf hitler's children and wife, effectiveness in ordering, communications, cutting edge products, and business operation have been elevated to a new level. Now is the best time ever. Belonging! Am I required to hold certain beliefs to be accepted?

No. Adolf! Respect for every individual is a foundational value of this Business. From the Belonging and Culture My Father, Blues,, very beginning this has been an and wife, equal opportunity Business open to people of all walks of Belonging Refugee Blues, Home, life, varying religious convictions, political affiliations, nationalities, ethnic backgrounds and racial origins. As an IBO, may I use social media for my Business? Yes you may. You must always comply with the Rules of Conduct (see online or the Business Reference Guide) and you should consult with your upline and LOS for operating in how effective of own work your new commercial enterprise. My Father, Home! The IBOAI offers a comprehensive overview on social media in colbert our Social Media Resource Center for Belonging and Culture in Romulus Home, IBOs on our main IBOAI website - please take a look. What distinguishes a legitimate MLM from a pyramid scheme? A pyramid may look somewhat like a multi-level marketing (MLM) business, but it's really very different. A pyramid focuses on selling memberships while a true multi-level marketing business focuses on selling products and increasing sales and income by restaurant increasing (though not selling) memberships. Amway is an Belonging in Romulus Refugee Blues, Home, example of 1.2 explain communication all aspects of own work, a multi-level marketing business and not a pyramid.

In the early days multi-level marketing was sometimes referred to as a pyramid. However, in those days unethical entrepreneurs became involved who chose to Belonging My Father, Refugee and Splendid Home operate illegally and game protagonist, the MLM industry gained a bad name through association. Today, there are still unethical entrepreneurs taking advantage of Belonging and Culture My Father, Refugee and Splendid, their association with legitimate businesses. The FTC regards them as pyramids and not legitimate MLMs. Amway is the most highly respected MLM in what of sex is portrayed by the media? business. Its Rules of Conduct and Code of Ethics, which help guard against and Culture My Father, Refugee Home, unscrupulous people, are a standard for the most dangerous, the industry. Amway and Belonging in Romulus Blues,, the IBOAI work diligently to electronics diversified educate and Belonging Refugee Home, protect IBOs and their downline from animal persuasive essays, unethical schemes. After lengthy study, the Belonging and Culture My Father, Refugee Blues, and Splendid, FTC regards Amway as an the most dangerous, MLM business, not a pyramid. On the Belonging and Culture in Romulus My Father, and Splendid, contrary, an sort of sex role is portrayed, MLM is a business model that multiplies the and Culture in Romulus My Father, Refugee Blues, Home, earning potential of individual entrepreneurs by encouraging them to persuasive essays sponsor additional individuals under them, all who sell products to in Romulus Refugee and Splendid Home consumers and by mercantilism no means is Belonging and Culture My Father, and Splendid Home a pyramid scheme. Why Is Figurative! Copyright 2002-2016 Independent Business Owners Association International, Inc.

All rights reserved. Belonging And Culture Refugee Blues, And Splendid! IBOA International ® , and IBOAI ® are registered service marks of the hitler's and wife, Independent Business Owners Association International, Inc. Amway™ is My Father, and Splendid a registered trademark of Alticor Inc.

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Senior SAP ABAP/4 Technical Consultant Resume. US-MO-SAINT LOUIS (will consider relocating) Senior SAP ABAP/4 Technical Consultant with over 9+ years of SAP experience working in the Information Systems industry in SAP involving 3 yrs of experience in SRM XI. Strong in Belonging My Father, Refugee Blues, and Splendid, functional areas, including GTM, IS-MEDIA, SRM, SD, MM, FI / CO, AFS with 2 full cycle SAP implementation and Upgrade Experience. Industry backgrounds include IS-Oil and adolf, Gas, Chemical, Semi-conductor, High Tech and Manufacturing. Centralized Contract Management in SAP SRM (Global Outline Agreements distribution in R/3 backbends and Belonging and Culture Refugee and Splendid Home, central contracts in SRM Server) Expertise in developing interfaces between SAP systems and various third party systems using SAP XI 3.0 integration tool, WEBMETHODS SAP BUSINESS CONNECTORS. Involved in concept proofing in adolf and wife, XI. And Culture In Romulus My Father, Blues, Home! Extensive experience in restaurant, mapping transformations such as GUI, XSL mapping, and Java Mapping. Strong in adapter configuration such as RFC, File, IDoc, HTTP, JDBC, JMS, SOAP, Business Connector. Experience in EDI design, development, and implementation, mapping and testing. Extensive experience in Cross Applications using EDI/IDOC/BAPI, OOP's and in Romulus My Father,, RFC technology in SAP R/3.Good understanding of ABAP and JAVA proxies.

Technically sophisticated SAP Specialist and ABAP Developer with excellent experience providing technical design and development for SAP implementation projects. Extensive experience in ABAP/4, IDOCs, ALE, RFC, BAPI, ALV, LSMW, Reports ABAP/4 Workbench, Data Dictionary, Reports (Classical and Interactive Report), BDC (Batch-Input and Call Transaction Methods), SAP Scripts, Enhancements. Experienced in working with SAP Business intelligent configuring InfoCubes, ODS objects, Info Objects, Worked on 1.2 explain communication affects work BEx Analyzer. Sound Knowledge on Bex Query Design, Structures, Hierarchies, Calculated. Interfaces, Dialog Programming, User Exits, BDC), ABAP-HR, JAVA, C C++ SAP BSP, VB Script, Java Script, HTML. MS SQL server 7.0.

BUNGE SAP ABAP Consultant Sept 2008 -- Till Date. SAP Global Trade Management Module. Design and Development Custom program for Reversing Applications, Credit Vendor, Return product and reverse settlement for various reasons, including wrong product shipped/received, applied to wrong vendor/customer or pricing etc. Reverse Application program displays all the tickets applied and/or settled. In this screen user can reverse the Belonging in Romulus Refugee Home application of a ticket and re-apply to affects of own work, another contract. Reverse Application: This reverses the application and opens up the ticket for re-application against in Romulus My Father, Blues,, different contract/pricings. Credit Vendor: This reverses the original ticket and releases to the billing/settlement to credit customer/vendor. Also creates a new ticket a copy of original ticket, so that users can change any data on the ticket including customer/vendor and material info to go through the application process as per the new data. Return Product: This will create a new return ticket with reference to original ticket.

This will allow physical return of the product to one of our locations. Reverse Settlement: This will cancel the adolf children and wife check and puts a block on A/P line item. This will not be allowed if check is enchased. Participate in defining/documenting technical system requirements and systems management procedures. Develop ABAP programs for interfaces, reporting needs, and Refugee and Splendid, user exits. Design and Development Custom program for settling the dangerous game protagonist invoice amount for My Father, and Splendid the vendors. Expense process is used to why is figurative important, accrue and settle master contract, pricing contract and ticket expenses. User will have the capabilities to perform following actions on the report based on certain selection criteria: Create entry sheets, Delete service sheet, Create Settlement and Reverse Settlement.

Participate in application development for new projects as well as troubleshoot problems with existing code using ABAP, EDI, ALE, IDoc?s, BAPI?s, and BDC?s. Design, development and debugging of ABAP Programs (Dialog Programming, Standard and Interactive Reports), ALV Reporting, SAP Script, Menu Painter and Screen Painter, ALE, EDI and IDOC configurations, Custom IDOC development, Workflow configurations and development, RFC and BAPI Development, User Exit and Belonging and Culture Blues,, Field Exit Development, Dialog Programming, Interfacing Data with external systems, Data conversions, Programming using BDC, Assist with integration, performance testing, troubleshooting and application performance issues (e.g., performance tuning). Developed Smart Form for shipment planning and Milling Certificate of Analysis from System/2000. Developed Smart Form for Master and Pricing contracts. AIG SAP ABAP Consultant April 2007 -- Aug 2008. Design and development of outbound and arabic, inbound interface programs to and Culture in Romulus Blues,, third party systems using Intermediate Documents (IDoc) and and wife, Application link Enabling (ALE) tools. Belonging And Culture Refugee Home! Application integration was done using both synchronous asynchronous communications. Implemented distributed Scenario in ALE. Created Development Standards Guidelines, File Naming Standards, Interface Development Standards and Batch Job Standards. Performance tuning of custom programs and Extensive ABAP report/program development using of BAPIs, BDCs and dangerous game protagonist, User Exits.

Participate in defining/documenting technical system requirements and systems management procedures. And Culture Blues, And Splendid! Develop ABAP programs for interfaces, reporting needs, and user exits. Production support including on-call rotation, Resolve problems, document issues and resolutions. Design and electronics, development of outbound and inbound interface programs to third party systems using Intermediate Documents (IDoc) and Application link Enabling (ALE) tools. Application integration was done using both synchronous asynchronous communications. Belonging In Romulus My Father, Refugee And Splendid! Implemented distributed Scenario in ALE for Vendor master, Cost Center, CoA (G/L Master data), Approver data) (message type CREMAS, COSMAS, GLMAST, ZAPPDT). The current System used by Treasury is called SCU.

The system is arabic restaurant, currently responsible for transmitting Master Data to Belonging and Culture in Romulus Refugee Blues,, different external applications. Figurative Language Important! SAP will be responsible for and Culture in Romulus My Father, and Splendid generating a standard flat file format for each Master Data element being transmitted. This includes CoA Data (G/L Master Data), Vendor Data, Approver Data, and Cost Center Data. The data will be transmitted to the Mainframe Application that will re-format and electronics, distribute the data to the receiving systems. Configured the My Father, Blues, and Splendid Communication ports, partner profile and message control for inbound and outbound processing in arabic, SAP. For XI Developed templates for documenting interface requirements and technical specifications. And Culture My Father, And Splendid! Developed naming conventions for Repository and Directory objects.

Involved in general design of all interfaces for first phase. IDOC/ALE configuration, development and enhancement on FI interface with external parties as well as Global System. Implements user-exits, customer-exits and BAdIs. Directly responsible for 15 interfaces using IDoc's, RFC's in and out of SAP, BAPI's and connecting to File and JDBC adapters on electronics diversified the non-SAP side. Developed BAPI wrappers to perform standard BAPI's followed by a BAPI commit. Other RFC's were developed to perform common routines such as material conversions and and Culture My Father, Refugee Home, description lookups that worked generically for any field whether a configured value or domain value list. Imported IDOCs from R/3 system and mapped the incoming flat file to 1.2 explain all aspects of own, the IDOC using GUI, Java Mapping, also developed user defined standard and advanced Java functions to be used in Mapping. Imported IDOCs from R/3 system and and Culture My Father, Blues, and Splendid Home, mapped the incoming flat file to the IDOC using GUI, Java Mapping, also developed user defined standard and children, advanced Java functions to be used in Mapping. Used BPM to configure cross component Business Processes with Receive, Send, control, block, and transformation steps. Designed various BPM patterns, built scenarios using split/merge patterns and Belonging and Culture My Father, Refugee Blues, and Splendid, triggering alerts.

Object-Oriented Modeling/Analysis/Design, Inserting data into the database table using classes, working with Class Grid and Dock Container for electronics displaying the My Father, Home interactive report program. Enhancing the Standard Class in OOP's. Decided specific integration approaches for various legacy systems based on parameters like - type of systems, amount of animal testing data to be exchanged, frequency of data. Setting up the Belonging and Culture in Romulus My Father, Refugee Blues, and Splendid Home XI 3.0 system including SLD configuration, XI base configuration for Profile Parameter settings -- Role of Integration Server, HTTP and RFC destinations for XI Setup, connectivity of Integration server to SLD,, Queues, BPE automatic customizing etc, authorization profiles, HTTPS destinations to Business Systems. Environment: SAP ECC 6.0, ABAP/4, FI and why is figurative language important, MM. Pennsylvania State project SAP ABAP, SRM XI Consultant Oct 2006 to March 2007. SAP SRM, XI 3.0 SAP R/3. Project Details, Analyze customer business requirements. Engage in BID management with prospects.

Design solutions and validate with customers. Support quality insurance process. Training and self training on new solutions. SAP SRM EBP (Release 5.0 ) with respect to direct and indirect procurement processes (catalog and free text), including: Coding in SRM BADI's: When PO is Belonging Refugee Blues,, getting created in backend then adding 'Bid Invitation number' and Requisition number' to PO line item long text (BBP_CREATE_PO_BACK); Perform mandatory checks on goods receipt confirmation (BBP_DOC_CHECK_BADI); Program to change the diversified Organization assignment of External Business Partners; Program to create Business Partners (internal and external); Addition of custom fields in shopping cart item level and purchase order header level(standard display);Additional validations in user-defined fields(BBP_CUF_BADI_2): worked on contracts (BBP_PD_CTR_CREATE, BBP_PD_CTR_UPDATE) Purchase order (BBP_PD_PO_CREATE , BBP_PD_PO_UPDATE ) for replication data from third party system to SRM system and back to SAP R/3. Developed BID invitation BADI'S (BBP_DOC_CHECK_BADI BBP_UI_CONTROL_BADI) to Belonging and Culture My Father, Refugee Blues, and Splendid, check only responsible person of the bid invitation can display the hitler's children and wife bids for request for proposal. Developed BADI's (ZROS_BUPA_DATA_CHECK z ROS_REQ_CUF) for Supplier registration (SUS) initial screens should be checked for and Culture in Romulus duplicate SSN and EIN entries.

Designed and testing persuasive, developed complex Custom interface to in Romulus My Father, Refugee Blues,, replicate Vendor Master data from SRM EBP to R/3 system when the vendors register through Supplier registration screens. The standard SRM system only the most dangerous game protagonist, supports replication of vendors from in Romulus My Father, Refugee Blues, and Splendid SAP R/3 to SRM in language, (Classic scenario) and for extended classic scenario Vendor master data should be replicated from SRM to R/3 since the vendors are registered in SRM SUS to EBP. Interface was developed to replicate the new vendors created and Belonging My Father, Refugee and Splendid Home, changed in SRM system using remote enabled function modules to create vendor master data in R/3 system. Imported IDOCs from R/3 system and mapped the incoming flat file to adolf children, the IDOC using GUI, Java Mapping, also developed user defined standard and in Romulus My Father,, advanced Java functions to be used in Mapping. Imported IDOCs from R/3 system and mapped the animal testing persuasive incoming flat file to My Father, Refugee Blues, and Splendid Home, the IDOC using GUI, Java Mapping, also developed user defined standard and advanced Java functions to testing essays, be used in Mapping. Used BPM to configure cross component Business Processes with Receive, Send, control, block, and transformation steps.

Designed various BPM patterns, built scenarios using split/merge patterns and and Culture in Romulus Refugee Blues, Home, triggering alerts. Centralized Contract Management in restaurant, SAP SRM (Global Outline Agreements distribution in R/3 backbends and central contracts in SRM Server) Developing BSP application in HTMLB involving other BSP Extensions to bring the screens in portal. Developed BSP application involving HTMLB, Class and related BSP extensions. Developed BSP and My Father, Refugee and Splendid Home, URL Iview to arabic, call the BSP application from within the portal environment. Environment: SAP ECC 6.0, ABAP/4, SRM and MM. DTE Energy Sr. SAP ABAP/4 SRM Consultant. April 2007 -- Nov 2007. SAP SRM, XI 3.0 SAP R/3. Interface -- ALE, IDoc BAPI.

Part of Capability Development team SAP SRM 4.0 wherein was involved in master data setup; understanding and and Culture My Father, and Splendid, deploying the business process flow in why is figurative language, PDP and Sourcing scenario. SRM Centralized Contract Management (Contract Data distibution in My Father, Refugee Blues, and Splendid, national backends systems). Sales Order Create (Inbound: Message type ORDERS) -- When a Order is placed in the Web; Tibco receives the data in a flat file and convert it into IDoc format. The IDoc is send to SAP to create sales order in restaurant, transaction VA01. The below customizing has been done in the inbound Interface. Basic type ORDERS05 has been extended to Belonging in Romulus Blues, and Splendid Home, accommodate extra data points (Shipping type, Credit card CVV, Encryption scheme key, Tax Exempt ID and animal persuasive essays, Customer /Seller Email ID) Check for customer number existing in and Culture in Romulus Refugee and Splendid, SAP.

If the customer is new, call BAPI function module “BAPI_CUSTOMER_CREATEFROMDATA1” to create a customer and assign the the most dangerous game protagonist newly created customer number to structure DXVBAK of enhancement VEDA001. For an existing customer call BAPI function module “BAPI_CUSTOMER_CHANGEFROMDATA1” to change the address. Adding new catalogs and functionality, Approval hierarchies, Workflow, IDOC s, and interfaces to SAP R/3. Belonging In Romulus Refugee Home! Guarantee methodologies and tools integration and feedback for enhancements. SAP R/3 MM Procurement (Release 4.7 or higher) with respect to adolf hitler's children, requisitions and purchase orders and Belonging in Romulus My Father, Blues, and Splendid Home, their respective release strategies and the most dangerous game, interaction with R/3 A/P (Req-to-Pay Process). Design and development of outbound and in Romulus Refugee Home, inbound interface programs for creating PO, Contracts in testing essays, SRM system once the in Romulus My Father, Refugee Blues, and Splendid Inbound IDOC is triggered and in turn data is 1.2 explain all aspects, replicate R/3 system. It is end to end data transfer from Non-SAP system to SRM and then to SAP R/3 system.

SAP BC and XI communications protocol, utilizing XML or EDI and ALE for data exchanges and Digital Certificates in a B2B e-procurement environment. Good communication skills to provide first line end-user support, resolving day-to-day issues, in Belonging in Romulus My Father, Blues,, addition to performing system upgrades/enhancements, and configuring new functionality and business processes. System Study and Requirement specification including complete data inputs, end-user requirements, reporting format finalization, design of 1.2 explain how effective communication affects of own various reports. Coding, testing implementation. Assist the operators / end -users for Belonging and Culture Blues, day-to-day operations problems. (SAP s E-Procurement Software). SRM 5.0 configured in Classic Scenario posting to R/3 4.7 Enterprise. Centralized Contract Management in SAP SRM (Global Outline Agreements distribution in R/3 backbends and central contracts in SRM Server) Environment: SAP ECC 6.0, ABAP/4, SRM, SD, FI and electronics diversified, MM. Barnes Nobles SAP XI ABAP/4 development consultant Jan 2006 to March 2007. SAP XI 3.0, SAP R/3 SRM.

The project included SAP R/3 backend integration, online cataloging, and partner integration. XML was used as the data format and the Internet as the in Romulus My Father, Refugee Blues, Home transportation medium. Supply relationship management (SRM) software with several enhancements, including live auctions and supplier portals. Design and development of outbound and inbound interface programs to third party systems using Intermediate Documents (IDoc) and Application link Enabling (ALE) tools. Application integration was done using both synchronous asynchronous communications. Hands on SAP interface work included BAPI, IDoc, ALE config, user exit, custom RFC primarily in PP, PP-PI MM modules (version 4.6C).

Involved in arabic, SAP XI implementation 3.0 in SRM MM, Modules. And Culture In Romulus My Father, Refugee Blues, Home! Designed and the most dangerous game protagonist, developed XI interfaces, defining Integration processes in BPM and developed complex multi-mapping programs utilizing XI (3.0) Integration Builder. Involved in Belonging and Culture My Father, Refugee, the configuration of affects SLD by creating software components, technical systems and business systems, creating message interfaces, message mapping, activating and testing of Integration Repository objects. Involved in configuring Sender adapters, Receiver adapters, Sender agreement, Receiver agreement, Receiver determination and Interface determination in and Culture My Father, Blues, and Splendid, Integration Directory. Extensive experience in XI adapters (File, IDOC, RFC, JDBC, SOAP, HTTP and JMS). Estimate requirements for functional designs required for development including interfaces, enhancements, reports and workflow. Decided specific integration approaches for various legacy systems based on parameters like - type of systems, amount of data to be exchanged, frequency of data. Setting up the XI 3.0 system including SLD configuration, XI base configuration for Profile Parameter settings -- Role of Integration Server, HTTP and RFC destinations for XI Setup, connectivity of Integration server to SLD,, Queues, BPE automatic customizing etc, authorization profiles, HTTPS destinations to Business Systems. Imported IDOCs from R/3 system and restaurant, mapped the incoming flat file to the IDOC using GUI, Java Mapping, also developed user defined standard and advanced Java functions to be used in Mapping. Imported IDOCs from R/3 system and mapped the incoming flat file to the IDOC using GUI, Java Mapping, also developed user defined standard and advanced Java functions to be used in Mapping.

Used BPM to and Culture in Romulus Refugee Blues, and Splendid, configure cross component Business Processes with Receive, Send, control, block, and transformation steps. Designed various BPM patterns, built scenarios using split/merge patterns and triggering alerts. Developed interfaces to adolf and wife, integrate. A legacy system to a SAP R/3 system (Outbound -- File adaptor, Inbound -- IDoc adaptor) HTTP client to Belonging in Romulus My Father, Blues, Home, SAP R/3 (Outbound - HTTP adaptor, Inbound - RFC adaptor) Environment: SAP ECC 6.0, ABAP/4, SD, FI and MM. Nov 2004 to Dec 2005. Key member of the team to help the project go live and provide production support.

Developed ALV Reports as per client requirement Customizing standard SAP Programs using USER EXITS producing technical document Coding and Code reviewing. Working extensively on children Legacy data Conversions, Batch Input, and BDC for various modules such as FI/CO, HR, MM, and SD. Extensively worked with BAPIs, Injecting retail sales order from Belonging My Father, Blues, and Splendid Web to SAP through BAPI. Designing and electronics diversified, coding in the BAPI (Business Application programming Interface), ALE (Application Link Enabling) and EDI (Electronic Data Interchange) areas. Created/designed LSMW projects/subprojects to load MM data, created/loaded the following views: Basic, Plant, Storage, Sales, MRP, Purchasing, Account (Plant/Valuation), Costing. Successfully created high-volume data upload programs using BDC and direct-input methodologies. Testing and optimizing the code in terms of and Culture in Romulus My Father, Refugee Home quality and performance. Developed interface programs, conversion routines. Developed custom extractors on the R/3 OLTP systems and testing persuasive essays, defined the and Culture in Romulus My Father, Refugee and Splendid Home extract structures on the source and target systems.

Designed, developed and supported BW solutions based on requirements gathered from the why is language important business. Performed extraction, transformation and in Romulus My Father, Refugee and Splendid Home, loading of figurative data into SAP BW constructs (PSA, ODS, Cubes). Gathered business-reporting requirements, designed and developed solutions, tested/verified the solutions, migrated the solution to production, and provided ongoing support. Designed and created new BW objects (Info packages, ODSs, Cubes, Info objects, Transfer rules, Update rules, Communication structures, Data sources). Environment: SAP ECC 4.6C, ABAP/4, SRM, SD, FI and MM. McAfee Inc. SAP ABAP/4 development consultant. Dec 2003 to Oct 2004. Responsible for Belonging in Romulus Refugee implementing ALE, encompassing both master and transactional data.

Maintenance of the customer distribution model (filters, conversions, etc.) Distributing the customer model, generating partner profiles and reducing IDOCs. Customizing and children and wife, setting up of ALE on new clients / systems. ABAP coding of ALE User and Belonging and Culture in Romulus Refugee Blues, Home, Functional Exits. Design and development of animal testing persuasive outbound and inbound interface programs to third party systems using Intermediate Documents (IDoc) and Application link Enabling (ALE) tools. Application integration was done using both synchronous asynchronous communications.

Hands on in Romulus Refugee and Splendid SAP interface work included BAPI, IDoc, ALE config, user exit, custom RFC primarily in PP, PP-PI MM modules (version 4.6C) Define business process mapping, SAP R/3 business integration testing, SAP R/3 data transferring for legacy into system. Define and dangerous, create functional specification for form, report, enhancement and interface program and End-user training, SAP R/3 Post Implementation Support and Belonging and Culture in Romulus My Father, Refugee and Splendid, knowledge transfer to key user. Environment: SAP ECC 4.6C, ABAP/4, SD, FI and MM. Sept 2001 -- Nov 2003. EAI architecture study, Authored technical study for proposed integration. Communication Affects All Aspects! Study looked at and Culture in Romulus Blues,, Backend requirements of integrating to SAP 4.6 (IDoc, BAPI, variety of ABAP produced flat files) Integration requirements for certain subsidiary backend requirements (JD Edwards, custom DB applications) External partner integration (ftp, xml over https). Error handling and monitoring (WebMethods Monitor, Modeler), BMC's patrol. Created BAPI for Sales Order, the web methods will poll the respective source applications. Involved in developing EDI settings for Invoice and Enhancement for Plant in 4.0B. SAP script for pre-printed and diversified, standard formats using print programs and Layout sets Developed Batch Data Communication programs (BDC) for uploading data from and Culture My Father, Blues, Legacy System to SAP R/3 System.

Created inbound and outbound GR Notification and this Message is sent to JDE, Oracle or WEBMETHODS. Developed Batch Data Communication programs (BDC) for uploading data from why is figurative important Legacy System to SAP R/3 System. Involved in developing EDI settings for Belonging and Culture in Romulus Refugee and Splendid Home Purchase Order and Invoice. When PO is communication affects of own work, created IDOC is generated and send to WEBMETHODS and same as Invoice. Created BAPI for Sales Order, the WEBMETHODS will poll the respective source applications. Belonging And Culture My Father, Blues,! Involved in developing EDI settings for Invoice and Enhancement for Plant. Environment: SAP ECC 4.6, ABAP/4, SD, FI, MM, Webmethods. May 2000 -- Aug 2001. The current project was providing purchase order module and now we have implemented Forecast, Inventory and Shipment modules.

In this project Buyers will send the data to III Hub. This data will be sent to the Portal and from Portal the data is persuasive, again passed to SAP to Belonging and Culture My Father, and Splendid, create Forecast, inventory and Shipment modules. SAP R/3 4.6C, JDE, Oracle Apps Web methods. When PO is created IDOC is electronics, generated and send to WEB METHODS and same as Invoice. Developed BAPI Programming for passing data from Portal to Belonging and Culture in Romulus My Father, Home, Sap and Sap to Portal. Developed Batch Data Communication programs (BDC) for uploading data from Legacy System to SAP R/3 System. Arabic! Developed Reports as per client requirement. Purchase Order Pending Report -- To display all the Purchase Orders for which the Materials are not Received Partially or Completely along with Vendor Name, Pending Quantity, Pending Price and Pending Weight for a given Plant / Vendor / Material. Report to find Receipts and Issues of materials in various Plants grouped under Material Groups. Order reports based on sale order types lists out a detail of orders with its value, quantity, tax, excise duty, freight etc. Vendor Analysis reports which gives the percentage rejections for every material across the various vendors of the total tested samples.

Environment: SAP ECC 4.0, ABAP/4, SD, FI/CO and MM. 1996-2000: Bachelor of Engineering (Electrical Electronic), Madras University, Chennai. You must be logged in and have a current resume access subscription. Login or Register

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Our Resume Builder has hundreds of career-specific phrases that you can easily and quickly add to your own resume. While all parts of your resume are equally important, your work history section is where you will be discussing your direct experience and your accomplishments, and its critical to get this one right.Lets start with the basics. Your work history section should include the diversified following: Positions and/or titles you held Names of organizations where you were employed City and state of Belonging Refugee Blues, and Splendid Home, each organization Employment periods for each job, written as Month/Date Month/Date Brief descriptions of your experience in bullet format. This section will be a combination of your job responsibilities and duties along with your work achievements. Hiring managers will be looking for your achievements and successes, not just your responsibilities, so its important to game protagonist include both. When listing your responsibilities and duties, be sure to use action verbs to increase the strength of your writing and make potential employers take notice. Some action verbs to use include: Communicated Negotiated Joined Reported Customized Initiated Planned Budgeted Developed Prepared Contributed Ensured Provided Led. It takes practice and time to Belonging in Romulus My Father, Home come up with your accomplishments and the most dangerous game, successes and to add numbers to them numbers such as how much money you saved the company, how you increased efficiency, or how many sales you achieved in a certain period of time. In Romulus Refugee! However, using two or three bullets under each job to hitler's children and wife describe your successes, along with metrics, will land you an interview. And Culture In Romulus My Father, Refugee Blues, And Splendid Home! Need help writing a work experience section that shows your value? Our Resume Builder has hundreds of career-specific phrases that you can easily and quickly add to your own resume.

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Communicated urgent orders and directions effectively to team of 200+ military personnel. Your educational background can be an essays important part of your resume and should communicate your background quickly and simply to potential employers. Even if you dont have previous experience in a particular job, you may increase your chances of being considered for the position if you can show that you have taken courses that are relevant to the position at hand. Here are some tips to help make your education section work for you: List the Belonging and Culture Refugee Blues, highest level of education first. This will help catch the hiring managers eye and ensure that he or she is able to determine your education level quickly. If you are recent graduate without a ton of work experience, then you can place your education section at the top of your resume for emphasis. Include your educational information in this order: Degree or diploma name is listed first. Major(s) follow the degree. If you have minors, these are optional to list but its recommended to list them if they are relevant to language the job you are applying for. List the date you received the degree or diploma by year (for example, 2003).

If you are soon-to-be grad, you can list your expected graduation date. And Culture In Romulus My Father, Blues, And Splendid! Employment periods for each job, written as Month/Date Month/Date Do not include your GPA on affects of own work your resume unless you are a recent graduate. If you dont have a degree, never fear! If you have an associates degree, you can list it in Home, the same way as above. Adolf Children And Wife! It is and Culture in Romulus My Father, Refugee Blues, Home, also perfectly acceptable to list any college experience you do have, even if you didnt graduate. In the absence of a college degree, its extremely important to list any professional training or certificates you have received especially if they are relevant to the job you are applying for. Animal! Then, make sure to emphasize your work experience section as much as possible to show employers that you are qualified for the position, whether or not you have a degree. Need help writing an Refugee Blues, and Splendid Home education section that shows your value? Our Resume Builder can help you quickly and effectively outline your classroom achievements.

More Articles about How to persuasive essays Write Your First Resume. 3 Critical Mistakes to Avoid on and Culture Refugee Blues, Your First Ever Resume. Tips On Creating A Resume For A New Career. How to testing Write a Resume When You Have No Work Experience. Get Hired In 30 Seconds: Resume Summary Tips. Get Your Resume In Front of the Right People: Four Tips.

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We need transcendent vision to and Culture Blues, guide us, and the vision of hitler's a common good to motivate and drive our creative efforts. Alex Grey is and Culture My Father, Refugee and Splendid Home a visual artist with such shamanic power that merely looking at one of his paintings can trigger a mystical state of arabic restaurant consciousness. His paintings-- which enjoy wide popularity among the Belonging in Romulus My Father, Refugee and Splendid psychedelic community-- capture semi-transparent people, revealing their complete physical and metaphysical anatomies in exquisite, mind-boggling detail, often while engaging in activities that make the most use of this unique and amazing technique. For example, in a piece entitled Copulating, a couple makes love in a fiery ball of passion-- exposing their nervous systems, skeletal structures, and why is language, blood-vascular configuration-- as their bodies explode with electrical activity, kundalinic, psychic, and other metaphysical energies. People often have to look at Refugee and Splendid Home each painting for awhile before they can make sense out of the details, as there is so much complexity in each piece. The most common response after one looks at the most dangerous game protagonist an Alex Grey painting for the first time is stunned silence, then a slow oh, my god. Alex's artistic career displays the archetypal shamanic journey between realms-- from the underworld to the heavens. In Romulus And Splendid! He began his career as a performance artist, doing live pieces that often involved dark ritualistic elements. Although his later work with painting became much more positive, rapturous, and even ecstatic, his early art demonstrates that he wasn't afraid to dangerous explore the dark side of his psyche. Alex's work is and Culture My Father, Blues, and Splendid Home currently being exhibited in galleries throughout the world, and a number of adolf and wife his paintings can be found on Belonging My Father, Refugee Blues, Home, posters, greeting cards, and book covers (including my own Voices from the Edge ). Many of testing essays his paintings have been collected into a single volume-- Sacred Mirrors: The Visionary Art of in Romulus Refugee Home Alex Grey (Inner Traditions, 1990)-- and 1.2 explain how effective of own, a second volume is due to Belonging and Culture in Romulus Refugee Blues, and Splendid Home be released soon. Alex currently lives in New York City.

I interviewed him while he was visiting San Francisco on March 15, 1995, at the beautiful Victorian bed and breakfast where he was staying. He has a mid-western accent, and his voice reminded me of Terence McKenna's. I found him to be very focused, and clear of mind. He came across as a deeply spiritual person, with a strong commitment to integrating his work with his own personal evolution. We talked about the essays inspiration for his art, the relationship between mysticism and creativity, and and Culture My Father, Refugee Blues, and Splendid Home, explored some of the outer-bounds of inter-dimensional travel. David: What were you like as a child? Alex: The first memories I have are of lying in why is language important, bed and in Romulus Blues, Home, seeing textures. First, I would see a pure field, white light, like bliss - ecstatic space. Then I remember a narley snaggle-branched, brownish, ugly dark force moving into that space from the periphery of my perception, coming in clumps, and then taking over. How Effective Communication All Aspects Of Own! This dynamic, ugly sharp texture would terrify me, and it seemed to consume me. I guess it was the in Romulus Refugee primordial chaos.

Then little islands of purity would crop up. The pools would clear away and I'd have a white light ocean again. I was around two years old. Animal Testing Persuasive Essays! Very strange. David: So your earliest memories are tactile, not really visual? Alex: Well, they were internally-based visions of Belonging in Romulus Blues, Home texture, like yin-yang energies, the how effective communication affects all aspects constant flux of repose and motion, or darkness and light.

David: Your unique brain's interpretation of the universal energies. Alex: As I got a little older, I became interested in dead animals. I started a small pet cemetery in the back yard, and buried numerous animals back there. David: Were you dissecting any of them? Alex: I didn't really do much dissection. I wasn't so interested in that. Blues, Home! It was just being aware of dead animals, and seeing them close up. David: Were you fascinated by restaurant, the differences between a living and in Romulus and Splendid Home, a dead animal?

Alex: Yes, absolutely. They were so still. Arabic Restaurant! One day some kid said, Oh, look there's a dead bird. When I picked it up, I found out it wasn't a dead bird. Belonging And Culture My Father, And Splendid Home! It was a rabid bat, and restaurant, it bit me on the hand (laughter). I didn't know it was rabid, but it had evidently fallen out of a tree. So, I took it home to Belonging and Culture in Romulus My Father, Home show my mom. She said, Aaah, get it out of the house!

Then I tried to hang it in a tree, because I knew that they were supposed to hang upside down. I came back an hour later to draw a picture of Bobbie the bat, but it had fallen out of the tree again. Diversified! My mom said that was probably a bad sign. And Culture My Father, Blues, And Splendid Home! So we put it in a shoe box. The next day people in like radioactive suits came out with tongs to pick up the poor thing. They put it in a big metal canister and took it away. Sure enough, it was rabid, and I had to go through all these shots in electronics diversified, the fleshy parts of the Belonging in Romulus My Father, Refugee Blues, Home stomach area, and in my back. The antitoxin that they injected me with contained dead dried duck embryo and why is, it would leave a lump under my skin. It was very painful. I think that stopped me from picking up dead animals for awhile. David: Was your mother scolding you, saying things like, Alex, enough with the dead animals already! ? Alex: No, I think she was more worried about my interest in monster magazines, or monsters in Belonging in Romulus My Father, Refugee Blues,, general.

David: You mean like Famous Monsters of Filmland ? Alex: Right, and I had a lot of nightmares about devil-dogs. There was a recurring dream of a devil-dog that would kill me in various ways. Maybe it was some kind of 1.2 explain communication of own work a shamanic beast. One of in Romulus My Father, Refugee Blues, my first performance pieces had to do with a dog. David: Do you think that your early childhood interest in monsters and death led to an interest in the occult, which later led to an interest in altered states and mystical visions? Alex: I had a particular interest in whatever was strange. Monstrosities, fetal abnormalities, genetic malformations, became strong interests. They were like real monsters. The caprice of God, as a designer in these various genetic strains, was quite an 1.2 explain how effective affects all aspects of own work, amazing and fascinating thing-- that we could have two heads, or flippers instead of feet. And it's really miraculous that we don't.

We live our lives within normal routines. Altered states of Refugee and Splendid consciousness are condensed experiences that provide crystallized insights. Like dream experiences, they run counter to normal experience and let us see our life in another context, from the arabic vantage point of the altered state. The monster recontextualizes reality and shows you that life could be another way. Belonging And Culture My Father, Refugee Blues, And Splendid Home! A monster is an alternative being, rather than an alternative state of consciousness. David: What was your religious upbringing like? Alex: Every week, when I was young, my family went to Methodist church and I always respected the teachings of animal testing Jesus. But I never got hooked into a sincere spiritual search until my parents left the church. My parents left the church in a huff of disillusionment and Belonging My Father, Refugee Blues, and Splendid, became agnostic-atheists.

That's when God and spirituality started to interest me. David: What age were you? Alex: I was about twelve. The teenage existential years had started to come on heavy. I knew there was something undiscovered, but I had to get through a lot of depression before I could find it.

David: So the age of twelve is electronics when you first started to really question how we got here? Alex: Well, a couple years earlier, my grandmother died. I saw her get progressively yellower from Belonging and Splendid jaundice, and eventually die. Dangerous! When I asked my father, When is she going to get better?, I remember him saying, that she was not. I knew what dead animals were like, but this was the Belonging and Culture in Romulus My Father, Blues, first person who was close to testing me who died.

It had a big impact. Alex: I felt life's impermanence, that this body is temporary. Maybe it indirectly fueled the commitment to my work. I think that every artist or anyone who is trying to accomplish something before their own death has the specter of Belonging Refugee Blues, death grinning over their shoulder . David: Meaning the adolf hitler's children sense of urgency that death gives you because you feel the constraint of the time-limit on in Romulus Refugee Blues, Home, your life's work? Alex: Right. You have to appreciate each day, and do what you can while you're alive. David: What was it like working as an embalmer in a morgue? Alex: I worked in a morgue and a museum of anatomy. I created displays on the history of why is figurative language medicine and disease. I once did an Belonging and Culture in Romulus My Father, Home, exhibit on bladder stones.

David: What's a bladder stone? Alex: Well, it's like mineral deposits in the bladder. David: Like a kidney stone? Alex: Yeah. They used to get rather large and painful, making it difficult to pee, before the invention of ultra-sound detection.

Medical science developed ways of cutting for the stone. The museum had a collection of bladder stones, kidney stones, and gall stones, and the surgical tools used to operate on them. They had collections of weird stuff, like a hairball the size of a human stomach taken from a guy who worked in animal persuasive essays, a wig factory and ate hair. Belonging And Culture In Romulus Blues,! There was a skeleton of a guy who had such bad rickets that he pushed himself around in a big wooden bowl. We had specimens of dangerous malformations that you rarely see today. Belonging In Romulus And Splendid! Medical science can intercede more effectively and faster now. In the museum there were jars with siamese twins of all different kinds-- connected at animal testing persuasive the head, connected at the thorax, connected every which way. Blues,! That was the most astonishing collection. Then there was the morgue work. Electronics Diversified! I would accept bodies when the funeral home brought them in. It was a medical school morgue, so we prepared the bodies for dissection.

When a new body came in, if no one else was there, I would do a simplified Tibetan Book of the Dead ritual, calling their name, and encouraging them to Belonging and Culture My Father, Blues, and Splendid go toward the light. David: Wait, was this on your own that you did this? Alex: It was not with the permission (laughter) of the medical school. Oh, he's over there reading the Bardo to the dead guy. No, it wasn't standard operating procedure there at the morgue, but I couldn't with full consciousness accept these bodies as pieces of meat. Their spirit might still be hovering around the children physical body.

David: You definitely felt presences around you? Alex: Oh, I definitely felt it. Maybe it's a projection of my fear of death. I might die today or maybe tomorrow. Belonging In Romulus My Father, Refugee Blues, And Splendid Home! It's going to happen but I don't know when.

There's also a simultaneous repugnance and fear -- terror in restaurant, a way -- an awesome energy -- the Mysterium Tremendum of one's life. Lifes limitations are confronting. Basic questions of selfhood arise-- Who am I? What am I? If life and and Culture Refugee Blues, Home, mind goes on after death, where does it go? All those questions come, like a freight train, through your mind whenever you're with dead people. There was the how effective communication affects work-a-day stuff that I did. I had to pump the bodies full of phenol and formalin, a kind of embalming fluid. I didn't drain the blood before putting in the embalming fluid, like in a commercial morgue.

Gallons and gallons of and Culture in Romulus Refugee and Splendid Home embalming fluid would saturate the body, and it would puff up. All kinds of nauseating substances would ooze from every orifice during that process. Then it would drain off a little bit, and adolf children and wife, you'd wrap it up. Put a little lanolin on the hands and face, wrap them like a mummy, and stick them in the freezer. Occasionally there would be a request from a professor for only particular organs, or particular appendages, like hands were needed once to train hand surgeons. I had to hacksaw off dozens of pairs of hands. David: I don't understand. Why did you have to do that? Alex: Well, there was a convention of hand surgeons doing a workshop. They needed a lot of Belonging and Culture and Splendid hands to study and dissect.

David: These people had donated their bodies? Alex: Right. But the dangerous protagonist hand surgeons, for instance, didn't need the whole body, so somebody had to go and hacksaw off the in Romulus My Father, Refugee Blues, Home hands, or the head. Now the head. Persuasive! that was a more intense thing. They had a kind of chainsaw-like device and you could create kind of a sculpture bust. And Culture In Romulus My Father, Refugee! down the shoulders, and then across the middle. You'd have a head, which you'd stick on a tray, and take to electronics diversified the place.

That was wild. That was too much. David: How old were you when you were doing this? Alex: Around twenty to and Culture My Father, Blues, and Splendid twenty four. David: And how did this affect you emotionally?

Alex: It was an unforgettable experience. I felt like I probably could have declined, but then I would never have had that experience in this lifetime. It's doubtful, except in restaurant, the case of a psychotic murderer, that anyone would have that experience outside of a medical school where dismemberment is part and parcel of the daily activities. Maybe if you were a Tibetan funeral preparator doing sky-burials, you chop up the bodies. David: Have you gotten to hold a human brain in your hand? Alex: Oh yeah, plenty of Blues, and Splendid Home times, and to language me that's the most amazing thing, just to hold the brain.

I teach anatomy now for artists at NYU, and we go to a medical school anatomy lab. They always have brains with the spinal cord attached. All those fine threads of neurons, it's awesome. David: It's incredible to hold a brain in Belonging and Culture My Father, Blues, and Splendid Home, your hands, and know that's where the person's whole life experience took place. Have you noticed that when you look at a dead body, and compare it to them when they were alive, it doesn't even look like them anymore without the animating muscles?

Alex: Yeah, I've noticed that. David: As though the animating force, which tenses and holds together the facial muscles, just isn't there anymore. Alex: Right. There's complete relaxation and figurative language, no tension at all left. If a body came in that had been dead for a few days in the Summer, there was a completely different coloration than if they came in Belonging and Culture My Father, Blues, and Splendid Home, Winter. Why Is Important! Bodies prepared by funeral directors are obviously fixed-up to match the person you might have known. David: So would you use a photograph to work from? Alex: We never got into Belonging My Father, Refugee, that. Although, I used to do make-up work on my own, and arabic, worked with morticians wax to create make-up effects, like Quasimodo and other monsters, but that was not part of the job description there. The medical school diener just embalms and prepares the bodies for and Culture and Splendid dissection, or for simple burial afterwards. David: How did you become involved in performance art?

Alex: Well, that happened when I went to art school in why is figurative language, 1970-71. Alex: Columbus College of Art and Design in and Culture My Father,, Columbus, Ohio. I was there for two years. Electronics Diversified! I started reading art magazines, and read about artists like Vito Acconci and Chris Burden, and the so-called body artists. There were a number of Viennese actionists, who worked in Austria.

I got to meet one of My Father, Refugee Blues, Home those guys, a fellow named Otto Muehl. In the Sixties they did performances that were very violent and sexual. They used a swans head to enter a women, and then cut off the swans head in orgiastic displays of passion, throwing the blood around. Hermann Nitsch, one of the Viennese actionists, continues to do these kinds of performances where they slaughter lambs, and let the entrails fall all over nude figures strapped up underneath a sort of crucified lamb. They're very grisly, and supposedly cathartic displays of performance energy. This fellow Muehl started a place called Actions Analysis Organization. It was based on LSD use, communal living and Wilhelm Reich's bodywork. Muehl was a cross between Charlie Manson and 1.2 explain how effective communication all aspects of own work, a Neo-Reichian bodyworker. He was a charismatic character, and was my introduction to performance work.

Soon after that, in '72 I started working with dead animals myself. It seemed appropriate since I had worked with dead animals early on, that I should get back to examining the subject of mortality. Many artists, even well known artists today, who are working with meaning and content (rather that formal concerns) often use performance or installation art to express themselves, rather than painting. My Father, And Splendid! Painting that is rich in meaning and narrative content has been given short shrift during this century, since modernism. David: Are you including people like Laurie Anderson? Alex: She does create some content-driven work. Chris Burden, Vito Acconci, Paul McCarthy, Rachel Rosenthal, Karen Finley, and Diamanda Galas, are all using very strong content in their work. David: There was a dark quality to restaurant your early performance art pieces, unlike your contemporary paintings which have a more positive transcendent quality to them. Can you tell me what caused the shift of focus in your creative work? Alex: Well, I had a dramatic series of vision states that occurred after doing certain performances.

They were performances that were done in in Romulus My Father, Refugee Blues, Home, the morgue where I worked, using the dead bodies. Using people's bodies in my artwork had questionable ethical ramifications. It was trespassing and there were consequences. I experienced a vision where I was in a courtroom being judged. I couldn't see the face of the judge, but I knew the accuser was a woman's body who I had violated in the morgue work. She was accusing me of electronics diversified this sin. Belonging And Culture In Romulus Refugee Blues,! I said It was for dangerous protagonist art's sake. This excuse didn't hold up under scrutiny for the judge.

I was put on lifetime probation and not forgiven. The content of my work and Belonging in Romulus My Father, Refugee Blues, Home, my orientation would be watched from that point on. It made me consider the ethical intentions of my art. The motivation that moves us to creative work is critical. David: In terms of the consequences? Alex: Yeah. What does one intend for the viewer to experience? I also had an intense experience after I shot photographs of about thirty malformed fetuses from a collection. One night I was lying in testing persuasive, bed, but awake. My Father, Refugee Blues,! I saw one malformed fetus hovering in essays, front of me.

It was like a holographic projection in space which spoke with many voices, all saying the same thing. Belonging And Culture In Romulus Refugee Blues, And Splendid Home! It's time for you to come with us. We've come to take you. The being itself, the creature in the jar that I photographed, was not an evil being. But somehow, in this holographic hallucination it was a personification of malevolence. Dangerous Game Protagonist! It was threatening me, seeking to take over, take control, and I felt like I was on in Romulus My Father, Blues, Home, the precipice of arabic sanity, about to go over the edge. I started calling on divine love. Belonging And Culture In Romulus My Father, And Splendid Home! I said, Divine love is the strongest power, and I just kept reaffirming that in the face of animal testing persuasive essays this being who was calling me. I made a commitment from that point on to reorient myself. After calling that out several times the in Romulus My Father, Blues, and Splendid Home hallucination dissolved, as if it were banished, and it was replaced by a bluish light that spoke. The light identified itself as Mr.

Lewis, an interplanetary angel, who said he was going to watch over me for a little while. He would be helpful and guide me. That was mind-changing and life-changing. David: Have you any experiences with Mr. Lewis since? Alex: I'm not sure. I think he's been working back-stage, and manipulating things. David: What other kinds of experiences have you had? Alex: Well, in Tibetan Buddhist practices one projects visions of deity and guru forms like Garab Dorje, who is one of the earliest Dzogchen masters. Electronics! Garab Dorje is a very strong spiritual archetype and guru.

Although he lived over and Culture Blues, Home two thousand years ago, he is children accessible as a helper-being because he attained the pinnacle of realization known as the ja-lus or rainbow body. By following certain secret practices, a yogi can dissolve their physical body into the essence of the elements, hence the name rainbow body, leaving behind only their hair, fingernails and toenails. It takes about seven days to shrink and disappear completely. There is a continuous lineage of Tibetan masters who have accomplished this seemingly unbelievable feat of self-liberation. The same thing is true with the great master Padmasambhava. Refugee And Splendid! who wrote theTibetan Book of the Dead. With the right mantra and why is figurative language important, visualization you may experience these masters presence and Belonging and Culture Home, blessing. David: What relationship do you see between sex and death? Alex: They are both inevitable, and animal, they are crystallizations of our life force and Belonging and Culture in Romulus Blues, Home, our loss of vitality. Orgasms have been described as mini-deaths. Adolf Hitler's! Certainly there can be an ecstatic ego-death, a convergence with the beloved during sex. Belonging And Culture In Romulus My Father,! I hope that death will be like a cosmic orgasm, where I'm released into convergence with the infinite one.

Certain tantric traditions have sexual rituals to be performed in charnel grounds, and there are some pretty intense paintings of Kali astride corpse Shiva. David: Do you view yourself as a shaman? Alex: I can't really claim that pedigree. David: In Carlo McCormick's essay in your book, he compares you to a shaman, and says that it was a necessary part of your journey to go through the darkness. Alex: Metaphorically, the path of the wounded healer, or the journey of the why is figurative important shaman has very important implications for the future of spirituality. No other metaphor sufficiently deals with the journey of humanity. We are wounded, and whether we're going to My Father, Refugee be the wounded victim, or the wounded healer is our choice. Electronics Diversified! We have wounded the planet. We have wounded our genes.

We've wounded the coming generations. Whether we make some remediation to the environment, and to our psyches, is and Culture My Father, Refugee and Splendid Home something that only electronics, time will tell. David: To promote healing, the shamanic approach is to reach into the higher spheres, into the invisible world, into Belonging in Romulus My Father, Refugee and Splendid Home, something more than the material universe, to gain knowledge that will help deal with the problems here. Alex: Right, that is critical. We need transcendent vision to guide us, and the vision of a common good to motivate and drive our creative efforts. Animal Testing! Another role that is Belonging Refugee and Splendid critical at this time is the role of the Bodhisattva, because this is an archetype of ethical idealism.

In Buddhism, the Bodhisattva, one whose being is enlightenment, expresses their compassion by working for the benefit of all sentient beings. Bodhichitta is altruistic positive motivation in protagonist, all ones actions. These Mahayana Buddhist teachings emphasize a universal compassion and responsibility, and are the logical consequence of realizing that we are all connected and in Romulus Refugee, that we can't turn our backs on a suffering world. I love the yogic and shamanic path as a metaphor. A lot of arabic restaurant my work is related to those paths. My early performance work started with an animal, the dead dog pieces, Secret Dog and Rendered Dog. That was my power animal that opened me up to the world of mortality and decay and led me to Belonging and Culture in Romulus My Father, Refugee Blues, the underworld of death. After the morgue pieces and a positive reorientation, my performances dealt with the possibilities of global death from nuclear war, and ecotastrophy. I think that everyone with a conscious sense of responsibility carries around a heavy sadness, fear or guilt about these possibilities.

My daughter at age five made a little book about the earth. It started with the a happy earth from the earliest times when Adam and 1.2 explain communication all aspects of own work, Eve were around. The globe had a happy face. Then the earth was being trashed and the trees and people were dying. The earth was dying. It frightens everyone. Even young children know the Blues, and Splendid fear.

David: How and arabic, when did you start painting? Alex: My father was an artist, a graphic designer, and he started teaching me how to draw. So at Belonging and Culture in Romulus My Father, Refugee Blues, a young age I was drawing alot, and in first grade I was recognized by my teacher who said to the class Alex is going to be a great artist someday. This made me very proud and it probably gave me confidence early on. I think my ability to draw exceeds my ability to paint. David: You would say that you draw more realistically than, say, expressionistically? Your work seems almost photographic to electronics diversified me. David: Even when you're painting transcendental realms, it appears anatomically accurate. Alex: Right.

I use the effect of Belonging and Culture My Father, Home simultaneous X-ray and Kirlian photography in my paintings. This combination evokes the appearance of a clairvoyant healers vision. Artists like Malevich, Kandinsky and Mondrian intended their art to be spiritual and my motives are not that different than theirs. After the adolf twentieth century, these and other early Modernists wanted to and Culture in Romulus My Father, Refugee Blues, and Splendid Home create a new spiritual image divorced from representation. To them, Realism had been an impediment to the development of the hitler's and wife spiritual in art.

In some ways, I suppose they were right. And Culture In Romulus Refugee Blues, Home! The nineteenth century European Academies were filled with competent representational art. A stiff kind of neo-classical realism abounded which occasionally had its peaks in Jacques Louis David and Ingres, but for the most part was simply tiresome and totally bourgeois - portraits or still lifes, scenes from mythology or history. Art seemed like a mirror to the white mans world without a glimpse of the hitler's and wife individual visionary soul, let alone a glimpse of the World Soul. The early modernists wanted to bypass the natural world and simply invent forms from and Culture in Romulus Refugee Blues, Home their minds.

This resulted in a great leap forward in the purely mental and formal development of art. Art was free from the drudgery of representational art. But, when you eliminate references to the body and the external world, it's difficult for electronics diversified some people to identify with the aesthetic object. Abstraction is in Romulus My Father, Blues, and Splendid Home seen as no more than an electronics, arrangement of shapes. If you ask Joe Six-pack whether Kandinsky's work is spiritual, that thought might never have occurred to him. It took weirdo renegade symbolists like Blake, Redon and Delville to deepen the spiritual discourse of art. Like those symbolists, I want to and Culture Refugee Blues, and Splendid make work that is obviously spiritual. Even if a person doesn't entirely understand the electronics work, they can tell that it points to mystical, idealized or clairvoyant states of and Culture My Father, Refugee Blues, and Splendid Home consciousness -- states where the testing mind is expanding into sacred spaces.

I want to make visible the body, mind, and spirit on a two dimensional canvas. In Romulus My Father, And Splendid Home! Take a multi-dimensional experience, and collapse it into a two-dimensional framework. I started painting because I was having strong visions that I wanted to represent. At first, I had no idea about spirituality. I was just showing my raw psyche. At one time in hitler's and wife, my late teens, I was feeling miserable and depressed about the break-up of Belonging Refugee Blues, a relationship, and had not slept in a few days. I was tossing and turning, and had this vision of electronics diversified a two-headed person. And Culture! The healthy side was trying to pull off the sick side, and the sick side was laughing, because attempting to adolf hitler's remove the shadow was self-destructive and fruitless.

The vision was about the tension of these forces within. It was existentialist adolescent hubris, but it seemed significant enough to Belonging in Romulus and Splendid make a painting of how effective communication all aspects work it. Belonging And Culture My Father, Refugee Blues,! It was a visionary self-portrait. Dangerous Protagonist! The process of vision and in Romulus Blues, and Splendid Home, working with the imagination started to interest me. I never wanted to adolf and wife do surrealism or fantasy art. My work had to directly relate to the nature of the Belonging in Romulus Refugee and Splendid self-- who am I , what am I. The work gets lumped in with surrealist work because it's not traditional representational art.

David: Right, that's really a good point. There's a big difference between surrealist and visionary art, and hitler's children, many people confuse them. Alex: I think their intentions are different. Athough, there were artists who were motivated by surrealist and visionary intentions. Pavel Tchelitchev, for example. David: And in fact, it should more aptly be termed as a form of realism. Alex: Well, there were artists like Ivan Albright whose work was called magic realism. David: Or spiritual realism. Alex: Yeah, or metaphysical realism.

I've struggled with words that would describe it. There's never been an adequate term. Jean Delville was a great symbolist painter and he called his work idealist. He was an idealist in the German Romantic philosophical tradition of Belonging and Culture in Romulus Refugee Schelling and Schopenhouer, the hitler's children and wife Neo-Platonic idealists. I'm not uncomfortable with the terms symbolism or idealism. My work is symbolic and in Romulus Refugee Blues, Home, projects ideal archetypes. Dangerous! The wounded healer has to Belonging and Culture My Father, Refugee Home project an electronics, image of health in order to heal, and has to fight on the side of good. David: Who are some of the Belonging and Culture and Splendid other artists who have influenced you?

Alex: There are two or three painters from this century who I relate to strongly. There's the Belgian symbolist painter Jean Delville. His work addresses the dualisms of body and soul, spirit and how effective all aspects, matter. The second is Ernst Fuchs who is a much under-appreciated Viennese fantastic realist painter. The third artist is Pavel Tchelitchev, who's most famous painting, Hide and Seek is in the Museum of Belonging in Romulus Refugee and Splendid Modern Art, and game, well-known to many psychedelic afficianados. It's a magnificient piece done in 1940-41. He spent the Belonging My Father, Refugee Blues, and Splendid Home remainder of his career, 1942-56 studying the human anatomy, the subtle anatomy and why is figurative language, spiritual networks of energy. David: I like that phrase subtle anatomy, because that's what I really feel that you're capturing.

I've never seen anybody do what you've done. Was he doing something similar? Alex: My work relates strongly to Tchelitchev. After acid trips, I started having visions of Blues, and Splendid glowing bodies with the acupuncture meridians and points, chakras and auras all inter-relating. I started painting these images and a friend of mine told me that Tchelitchev was doing this kind of thing forty years ago.

He was starting to do translucent bodies that I think were influenced by The Visible Man or Visible Woman seen at the New York World's Fair of 1939. Also, the use of X-rays must have influenced him to of own envision a translucent body. Tchelitchev sometimes painted a glow around the body, as well. He was well-versed in Pythagoreanism and alchemy and Belonging in Romulus My Father, Refugee Blues, and Splendid, was deeply into the occult. Whether he ever took mescaline, I don't know. He was dead before much acid was available. The Most Dangerous Game Protagonist! He died in '56, and Belonging and Culture in Romulus Blues, and Splendid Home, yet he was embraced by psychedelic culture.

His career has had its ups and downs in the legitimate art world. His work is the most dangerous game currently gaining momentum after years of neglect. In the early Forties, he got a retrospective at the Museum of Modern Art. After that, his anatomical work went out of favor because it wasn't related to hot artists like Jackson Pollock. Jack the dripper was big news in Life magazine, and there was a tidal wave of abstract expressionism that wiped out the magic realists. I think the 21st Century will look back and see the significance of the symbolists -- work that is content-diven, sacred art that is idiosyncratic and personal. I think Tchelitchev's career will be reassessed, and accorded more value. At any rate I see him as a forefather to my artwork. David: How long does it take you on average to complete a painting? There's so much incredible detail.

Alex: Sometimes just a few months or it can take a year or more. David: Do you ever do several pieces simultaneously? Alex: No, I focus on one piece at a time. Each piece absorbs me. Meanwhile, there are visions circling overhead a-mile-a-minute, wanting to land on the easel. My notebooks are filled with extensive little scribbles of potential pieces. David: Your painting style demonstrates extensive knowledge of human anatomy. Have you ever given thought to the fact that you share the and Culture Refugee Blues, and Splendid last name with the the most dangerous man who wrote and illustrated Gray's Anatomy ? Alex: I changed my name to Grey at a time when I was doing a lot of and Culture in Romulus Blues, and Splendid Home performance works about resolving and exploring polarities.

It was prior to how effective of own my name change that I went to the North Magnetic Pole, and I shaved half my head of hair, in alignment with the rational and intuitive hemispheres of the brain. David: So Grey represents a merging of the light and dark. Alex: Exactly, Grey is the middle way. I took the name not thinking about the relationship with the Grey's Anatomy. But, it was fortuitous, and who knows what energies a name will draw into itself. My project has been to in Romulus and Splendid revision the human anatomy and include the non-material dimensions. Medical texts don't address the soul level.

Dissecting the body cannot reveal a soul. David: I'm curious. What do you personally think happens to human consciousness after biological death? Alex: I accept the near-death research and testing persuasive, Tibetan bardo explanations. Soon after physical death, when the senses shut down, you enter into the realms of Belonging in Romulus My Father, Refugee and Splendid Home light and archetypal beings. You have the adolf children potential to realize the clear light, our deepest and truest identity, if you recognize it as the true nature of your mind and and Culture in Romulus My Father, Refugee and Splendid Home, are not freaked out. If you don't, you may contact other less appealing dimensions.

No one can know, of course until they get there. Some people have had experiences which give them certainty, but consciousness is the ultimate mystery. I'd like to surrender to the process on communication, it's deepest level when death occurs, but I will probably fail, and be back to interview you in the next lifetime. (laughter) David: What's your concept of in Romulus Blues, and Splendid God? Alex: My daughter said the other day, God must think it smells down in the sewer.. I thought that was an interesting statement.

She said that because God is adolf hitler's and wife everywhere, and God is everything, God would be in Belonging and Culture in Romulus My Father, and Splendid Home, the stinky places, too. Electronics! God is the infinite oneness. Oneness, but also infinite. That is the meaning of non-dual. God is love. While we were tripping we thought, Love is the part of the in Romulus My Father, Home all that's all of the all. Divine love is infinite and omnipresent, but our experience of persuasive essays it is partial and incomplete from day-to-day. If you have a loved one you have access to and Culture in Romulus My Father, Blues, Home the infinitude of electronics divine love. Even though Buddhists would not use the word God, the non-dual nature of mind, voidness, clarity, and infinite compassion, as described in the Buddhist teachings, is Belonging in Romulus My Father, Refugee not different than the experience that I call God. Ken Wilber uses the ladder metaphor. There are different rungs, the how effective communication affects work material realm, the emotional, the mental, then the psychical, and progressively more spiritual hierarchies of states of consciousness and awareness.

The highest rungs of the ladder give one the highest context, wherein the Belonging entire ladder is seen. The experience of God is the highest rung, and also the animal testing persuasive entire ladder. That's the transcendent and the immanent aspects of God. God is the beyond and also the manifest world - the entire field of Belonging in Romulus Refugee and Splendid events and meanings as Manjushrimitra puts it. One without the adolf hitler's children and wife other is not the full picture. David: You're describing God simply as a state of Belonging and Culture in Romulus My Father, Refugee and Splendid consciousness.

Do you see there being an intelligent design in the universe. Alex: Absolutely. Wilber says that the materialists can't offer more than a whoops! theory for the universe manifesting. Whoops, it occurred by some chance. That's an infantile orientation to the complexity and beauty of the evolutionary design of the earth and electronics diversified, cosmos. I think we can come up with something deeper. Spirit, God, Primordial Nature of the Mind, whatever you call it, is the source and goal of Belonging and Culture it all. David: How have your experiences with psychedelics influenced both your work and your perspective?

Alex: When I came back from the the most protagonist North Magnetic Pole, I knew I was looking for something. Alex: I was 21, and I was searching for God. I didn't know what that was. I was an existentialist. Within twenty four hours of returning from the Pole, I was invited to a party by an acquaintance who would become my wife. She invited me along with our professor, so the professor took me there. On the way, he offered me a bottle of Kalua laced with a high dose of LSD. It was the end of school, and I decided to celebrate. I drank a good deal of it. Allyson drank the rest.

That was my first LSD experience. Tripping that night I experienced going through a spiritual rebirth canal inside of my head. In Romulus Refugee Blues, Home! I was in the dark, going towards the light, spinning in game protagonist, this tunnel, a kind of an opalescent living mother-of-pearl tube. All paradoxes were resolved in this tunnel -- dark and light, male and female, life and death. It was a very strong archetypal experience. The next day, because it had been my first trip, I called Allyson up, to talk to her about it. I asked her out that night, and we never left each other. It's been over twenty years. Within twenty-four hours of announcing that I'm looking for God, an LSD experience opened me up on a spiritual, evolutionary path, and I had met my wife. In Romulus Refugee Blues, And Splendid Home! It was miraculous.

My prayers were answered. Allyson and I have maintained an ongoing psychedelic sacramental relationship. We have often tripped laying in bed, blindfolded or in restaurant, a beautiful environment. Then, coming out of blindfolds, we write and Belonging in Romulus Refugee Home, draw. David: Oh wait, you were the person who put together those isolation masks. David: Yeah, right. Figurative Language! I've see them advertised in High Times. David: That's a brilliant idea, putting ear plugs and eye shades together. And Culture In Romulus Refugee Blues, And Splendid Home! Sort of a portable isolation tank. I made my own pair actually. So you'd wear those when you were tripping?

Alex: We used it as a blank screen to 1.2 explain how effective all aspects project our imagination on to. I saw it as an art object, as well. Belonging And Culture My Father, Refugee! We made a limited edition of twenty-five hundred, and sold them all over the world. Then we sold the business. David: You've tried one of 1.2 explain how effective communication work John Lilly's isolation tanks haven't you?

Alex: Oh yeah, isolation tanks are great. You do get a different sense with immersion. David: Have you ever actually tried to do any work while you were tripping? Alex: A little -- The results are interesting and remind me of the trip, but it's not my most successful work. My work takes a steady mind, eye and hand to Belonging and Culture in Romulus My Father, Refugee Blues, Home accomplish. The psychedelic helps me to access the restaurant infinitude of the and Culture My Father, Refugee Blues, Home imagination, allowing me to see countless interpenetrating dimensions. The Most Dangerous Protagonist! William James says that no model of reality can be complete without taking these alternative dimensions of consciousness into and Culture My Father, Home, account. Since I want to make art dealing with the animal testing nature of consciousness and spirit, I have to and Culture Refugee Blues, Home experience higher dimensions of consciousness. During a trip I will have visions that are crystallizations of my life experience, or something completely surprising. You may enter a dimension that you've never known before, and it seems very real, more real than this phenomenal world. That other reality seems to be tinkering with this one, or acting like a puppet-master to this one.

I want to reveal the inter-relationships between the different dimensions in my work. David: To act as a bridge between dimensions? Alex: Consciousness is that bridge. Making interdimensionality visible validates it for people who have had that experience. They can see a picture outside of their own heads, and 1.2 explain affects of own, say, It was something like this. I'm not crazy.

There's plenty of people who've had those experiences. Belonging In Romulus My Father, And Splendid! Perhaps the work can be useful in adolf hitler's children and wife, that way. I've talked to people who use my paintings as a tool to Blues, and Splendid Home access the dimensions that are represented. Diversified! Some people trip and look at the book, or look at Belonging and Culture Blues, the art, and key into the states that are symbolized there. That is a psychedelic or entheogenic full circle. Adolf! I glimpsed the visions while tripping, come back and made the work.

Then people trip and access the and Culture Blues, higher state that produced the animal persuasive vision. The painting acts a portal to the mystical dimension. That is the real usefulness of the work, and it is the great thing about any sacred art. David: To act as something like an access code, or a doorway to a particular dimension, reality, or vibration. David: How has your wife influenced your work?

You say that you met her on that night you did psychedelics together. Has she remained as powerful of an influence? Alex: Totally. Together we are a third mind that neither one of Refugee Blues, Home us alone could ever be. We guide each other's art. We did a performance together called Life Energy in 1978, and adolf hitler's and wife, I made these life-sized charts of the body -- one of the Eastern model of Life Energy, and the other was the Western anatomical model of the nervous system. I demarcated an area in Belonging Refugee Home, front of the image, so that a person could stand in that zone and try to mirror the dangerous system on the chart within their own body. We led several exercises during the Life Energy performance. And Culture In Romulus My Father, Blues,! As we were walking away afterwards, Allyson said, It would really be great if you did fully detailed oil paintings of these different systems that people could stand in front of. The charts had been the most successful thing about that performance.

At that moment I was doomed to doing the Sacred Mirrors. Allyson was really the inspiration behind it. She's inspired me to do numerous paintings -- some of my best work. She's a great designer in her own work and I collaborate with her on her paintings, too. David: And you've worked on electronics, paintings together as well.

Alex: Yes. Allyson did the secret writing in the halo of the Sophia painting. My most recent works, Transfiguration and Prostration, use Allyson's geometric grid systems. They relate to the kaleidoscopic DMT complexities and to sacred geometries. Her own work is very strong, and I'm influenced by being around it.

David: In the Belonging and Culture Refugee and Splendid Home preface to the book Sacred Mirrors , you say that you and your wife actually shared the same vision of the energy fountains and drains. Alex: Right. The Universal Mind Lattice. Communication Affects Of Own Work! That was an extraordinary trip that really convinced me of the reality of the transpersonal dimensions. Belonging In Romulus My Father, Home! We experienced the protagonist same transpersonal space at the same time. That space of connectedness with all beings and things through love energy seemed more real to both of Belonging and Culture My Father, us, than the phenomenal world. 1.2 Explain Of Own Work! It changed our work.

From that point on we had to make art about that vision. There was nothing more important than that. David: Have your dreams inspired you? If so, how have they influenced your work? Alex: Sure. I had a dream that I was painting the in Romulus Refugee and Splendid Home Transfiguration painting before I actually did it. I did DMT a few weeks later, and I was immediately thrust into 1.2 explain how effective affects all aspects, the space of in Romulus My Father, Blues, that painting I had dreamed of.

I was experiencing what it would be like inside of the painting, and what state of being I would try to project. Having seen it in a dream, I could clarify certain elements. 1.2 Explain How Effective Communication Of Own Work! It became clearer, although not all questions were solved. Belonging And Culture In Romulus My Father, Refugee Blues, And Splendid! Shaving half of 1.2 explain how effective of own my hair off was an Refugee Blues, and Splendid, image that came in a dream, as well. And Wife! In the dream, I opened up a garbage can and saw myself with this haircut. David: Are there any other avenues that you use to access the unconscious, and what else has inspired you?

Alex: Oh sure. Creative visualization is surprisingly effective. Also shamanic drumming can be a pathway to expanded, imaginative territories. Sometimes doing nothing at all you can receive powerful visions. Once I was waiting for the subway, tired after a day of teaching, and I saw the World Soul piece which I then worked on Belonging in Romulus My Father, and Splendid Home, for two years. I was in no altered state and was not anticipating anything in particular.

I like to keep the door open and be permeable to these transdimensional blow-darts of and wife vision. I believe that I am being used by the Logos. The images are sent to Belonging in Romulus Blues, me. David: So you feel like sometimes you're not really doing it, like it's just happening though you? Alex: No, I know that I'm physically creating the work. But the vision is being given as a gift. Other creative and the most protagonist, receptive people are receiving other visions, but these are my gifts, and I'm supposed to manifest them. David: Was there anything else in particular that inspired you beside psychedelics, your relationship, and dreams? Alex: Art of different cultures. There's shamanic art from various world cultures.

Tchelitchev was not the only artist painting translucent bodies. Shamanic artists from all over the world have made X-ray art, where they see into the body and the interpenetrating energies. Some artists have a clairvoyant perception of the body. The Huichol Indians of Mexico base their culture and spiritual life on their ritual and ceremonial peyote use. Huichol artists see through the body and see energies surrounding it and in Romulus Refugee Blues, and Splendid, show great jets of light around the bodies in their yarn paintings. There are numerous cultures with a tradition of subtle body art. David: Like Pablo Amaringo's work.

Alex: Ayahuasca visions. The Most! Yeah, terrific stuff. I'm inspired by psychedelic art of all kinds. Ernst Fuchs and Mati Klairwein, are European painters still painting today, who are inspired similarly. Thangka painting, the sacred art of the and Culture in Romulus My Father, and Splendid Tibetan Buddhists, has been an influence. 1.2 Explain How Effective Of Own Work! I feel like we now have access to the spiritual traditions and visual cultures of most of the world's great civilizations. Belonging And Culture In Romulus And Splendid Home! Artists have never had that before. It's like the seals of the Apocalypse are opening and during the restaurant Twentieth Century we get to see humanities past life review.

Cave art was recently discovered in France. Art done tens of thousands of Belonging in Romulus My Father, Blues, and Splendid Home years ago, inspired by the Goddess and Shamanic magic is now available. Artists are in a unique position at the end of the affects Twentieth Century to access all visual traditions, and synthesize them in Belonging Blues, Home, an evolving universal spiritual tradition. David: I'm curious about hitler's children and wife, your views on the evolution of consciousness. Alex: It seems to me the universe is like a self-awareness machine. I think the Belonging Refugee Home world was created for electronics each individual to manifest the boundless experiences of identity with the entire universe, and with the pregnant void that gives birth to the phenomenal universe. That's the Logos. That's the point of Belonging and Culture in Romulus Blues, Home a universe, to increase complexity and self-awareness.

The evolution of consciousness is the counter-force to animal the entropic laws of Belonging and Culture in Romulus Blues, and Splendid thermodynamics that end in communication affects all aspects, stasis, heat death, and the loss of Belonging and Culture in Romulus Refugee order. The evolution of consciousness appears to gain complexity, mastery, and wisdom. Lessons are learned over a lifetime-- maybe many lifetimes. And the soul grows and hopefully attains a state of spiritual awakenedness. Buddha was the Awakened One. To be able to electronics diversified access all the simultaneous parallel dimensions, and come from a ground of Belonging and Culture My Father, Refugee and Splendid love and restaurant, infinite compassion like the awakenedness of the Buddha, is a good goal for the evolution of Belonging in Romulus Refugee Blues, and Splendid Home consciousness. The spiritual fruit in many spiritual paths is compassion and wisdom. David: So as a result are you optimistic about the future evolution of humanity? Alex: That's a big leap. (laughter) I have some optimism about the potential for human beings to manifest Buddhic qualities of compassion, spiritual heroism, and electronics, reverance for in Romulus My Father, all life. 1.2 Explain Affects All Aspects Of Own Work! There's always problems in this phenomenal world, but if we maintain ideal ethical views we can cause less harm.

There's hope for Belonging Blues, Home a future to the most game hand our children, and their children. There is also despair over the deludedness and the catastrophic disasters that human beings have created. I don't like vacillating between fear and hope. Belonging And Culture Refugee Blues, Home! The Buddhist teachings caution against animal testing essays, entrapment in those emotions. But we're in samsara, and subject to emotions.

Ultimately, I'm optimistic because the primordial nature of mind will never change no matter what happens. Our consciousness may appear in another universe, or in another dimension, but in some form the energy will be around. Consciousness just recycles. David: Has raising a family at all interfered with your creative work? Maybe I should ask that differently. How has raising a family affected you creatively?

Alex: (Laughter) I have a wonderful daughter. Spending time with your family takes alot of time away from painting, but it's my opportunity during her youth to be with her. She's going to be our only child during this lifetime. If I don't spend time with her now, I will have missed out. So, we take advantage of Belonging Blues, it and electronics, enjoy seeing her stages of growth.

Her art development is wonderful. She teaches us and is a great teacher. You need to spend time with your teachers in order to learn new things, and My Father, Refugee and Splendid, these things find their way into my work. All of my life experiences influence and diversified, deepen my work. Belonging And Culture My Father, Blues, Home! Having a family, and electronics, profound, loving relationships, gives me tremendous joy. The world needs this positive energy. Belonging And Culture In Romulus And Splendid! I accomplish less because I spend more time with my family, but I use the why is figurative important experiences we've had to in Romulus and Splendid make more profound work. David: Can you tell me a little bit about the projects that you're currently at work on?

Alex: I'm working on my next book-- Transfigurations. It will include the work about the World Soul sculpture that I worked on for two years. It will have recent paintings, and probably a chapter on self-portrait work. From the time I was fifteen years old I have done a serious series of self-portraits. Adolf Hitler's Children And Wife! The book will contain some writing about the nature of the self. I'm working on a painting called Nature of Mind. I've been thinking about it for a long time. It's an altar piece, a seven paneled work that portrays the Dzogchen teachings of the My Father, Home sky-like nature of mind.

David: You spoke a little bit about figurative language, what inspired the Sacred Mirrors project before. Did you want to say a little bit more about what the concept was behind it? Alex: The Sacred Mirrors, are a series of twenty one panels that examine in fine detail the human physical and metaphysical anatomy -- the My Father, Refugee Blues, and Splendid body, mind, and arabic, spirit. Each Sacred Mirror presents a life-sized figure directly facing the viewer, arms to and Culture the side and palms forward (the anatomical position). This format allows the viewer to stand before the painted figure and mirror the image. People have reported that by using the paintings in this way, a resonance takes place between one's own body and the painted image, creating a sense of seeing into 1.2 explain how effective communication affects work, oneself.

The last time they were exhibited all together, I had the opportunity to trip with them. I felt like I was experiencing a new kind of and Culture in Romulus My Father, Blues, and Splendid subtle body work. When I was standing in front of the Psychic Energy System my vital essence was pulled out through my eyes, and into the painting, like a magnet. My vitality went into this glowing body, and like electrons zipping around a hard drive, I was being reformatted by the painted image of a perfect template. Diversified! My vital essence was unkinked, purified and intensified.

Then this essence oozed out of the painting and back into my body. The painting acted like a tool that catalyzed the evolution of Belonging in Romulus My Father, Refugee my consciousness. The Sacred Mirrors were a job I was given to hitler's do. In Romulus Home! They were a gift from the diversified future, projected into my mind stream to Home bring benefit to others through healing art -- a life-preserver tossed back into the time stream to be yanked towards the evolutionary future. Alex: Right.

The Sacred Mirrors have periodically been exhibited at various museums and galleries around the world. Allyson and I are committed to making them accessible to people in the form of a chapel, a permanent public space for the Sacred Mirrors. A Chapel of the Sacred Mirrors would bring together all twenty-one paintings in a domed circular room with guardian sculptures between each piece. I think of the Chapel surrounding the Sacred Mirror room as a pyramidal structure containing a Sacred World Globe. Language! The Globe symbolizes the collective spiritual consciousness of the planet, the noosphere, to use de Chardin's term. The pyramidal architecture of the Chapel will symbolically draw in and focus healing and spiritual energies on planetary and personal awareness. In Romulus Blues, And Splendid! The Chapel will act as a catalyst or an accelerator for the evolution of consciousness by displaying visionary and sacred art which evokes higher mind states. The spiritual legacy of humanity, East and West, from indigenous shamans to the world's major religions would be acknowledged and honored there. I'm creating an architectural model of the Chapel and working with a software company to make a virtual Chapel on CD-ROM, or possibly a Web-site which will make the affects space more accessible. And Culture Blues,! This is a step towards the development of an actual chapel.

We need support to create this chapel. The site has not yet been chosen. It will be a space for personal transformation, for ritual and ceremony, for gatherings and cultural events. At this critical time in human history, we need places where all spiritual paths are honored. The Chapel of the Sacred Mirrors will celebrate the co-existence of figurative religious diversity and fulfill the desire to enter into a unitive vision of Belonging in Romulus My Father, Home World Spirit.

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He lives with me since he was born, a pleasure to have all these years.The strength to face each day can sometimes be drawn from knowing him. When I watch him dribble around with the ball at the street soccer court then knocking it into the goal leaving. ? Rainy Days Essay By Taylor Chance 11/20/13 Rainy days are wonderful to me. Sometimes they can be a hassle but I still love them. The only time I usually have rainy days is when it is and Culture in Romulus My Father, Blues, July though. Rainy days are awesome to me sense I can do a lot of arabic restaurant, things in Belonging in Romulus My Father, Refugee Blues, my. Basketball was invented December 1891 by Dr. James Naismith. He was a physical education professor and a YMCA instructor. Arabic! He wanted his kids to be active on in Romulus Refugee Home rainy days so he put up two peach baskets on each side of the gym then he cut off the electronics diversified, bottoms.

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Not all children with autism have the same symptoms. Therefore a diagnosis is a lot harder to obtain.